Open Mike Eagle
Scallops Hotel, Kool A.D., Sassyblack, Sharkmuffin
1250 N Front Street
Philadelphia, PA, 19122
Doors 7:00 PM / Show 7:30 PM
This event is 21 and over
Open Mike Eagle
MC from Chicago related to Project Blowed, part of the Swim Team collective and Thirsty Fish.
scallops hotel bio written by regan farquhar:
"A rights of passage through an art form usually insists that the ego be destroyed and reimagined. With rap the ego is never destroyed, it's given an arena to be re-contextualised, re-informed all in service of hailing its genesis. The beginnings of Black men has set the gold standard for our systemic injustice, and forging genius with nothing in the same breath. So retracing our collective woe is the only instruction a Black person needs to lock into a timeless feeling. In the Scallops Hotel, sounds and melody are drawn from feeling then placed along a sequence that coalesces into a train of thought, then eventually, a personal culture. Maintaining this space finds Rory Ferreira (aka milo) replacing the anxiety abacus with crash courses in the language of fading afternoons. A stay there is meant to be an in-between but ends up sagging in the memory and coloring all that follows.
Ferreira has shifted, using pared-down language as the raw data of the heart. What begins as refinement of his most basic faculties becomes a ritual awash in a renewed sense of home. Through this the exceptional negro becomes buoyant, swallowing his mirror and peeling storyboards from his tan forearm. If he has no nation to claim then his unsolicited bio-feed is the passport to the ancient after-future of his own design: THE SCALLOPS HOTEL "
Kool A.D. grew up in San Francisco-- while this is a well-known fact, it's not one that's acknowledged particularly often. It's understandable considering Das Racist have become entrenched in N.Y.'s cultural milieu in so many different ways that their music has been embraced as something like a metaphor for a certain kind of lifestyle in the city. You can ascertain Victor Vazquez's Cali roots as a matter of relativity, being that Queens native Heems is more assertive as both a rapper and as a media presence. But otherwise, outside of calling himself the "second-best rapper with glasses after E-40," it's tough to pinpoint much influence even when you know it's there. All of which makes Kool A.D.'s second mixtape of 2012, 51, a surprise and a long time coming: Recorded entirely in Oakland with a heavy presence of Bay Area producers and rappers, it's a testament to his heretofore untested malleability, a new way to hear the old Kool A.D.-- something which the admirable, if loopy outré R&B of The Palm Wine Drinkard got only half right.
He takes every opportunity to enthusiastically serve as a tour guide ("Couple blocks from the sun dial/ Candlestick Park, south one mile/ Alameda, Walnut, St. Anthony"), drop slang, and rhyme over out-the-trunk 808s ("Ticky Ticky") and near-hyphy rhythms ("Manny Pacquiao") to let you know he's making himself at home again. Overall, though, 51 feels more like a comprehensive California thing, specifically mid-2000s Stones Throw in both sound and structure with the "for the love" generosity of recent E-40 tossed in. There's an intelligent stream-of-consciousness here, something along the lines of Madlib's work as Quasimoto or Guilty Simpson's overlooked OJ Simpson. To isolate a particular five-minute run, the typically dense "Donda" ("I'm so emotional like Thursday/ Cherchez anything/ So Diddy with it/ Looking for a check with like 50 digits") abruptly cuts to a Dylan sample ("Biz vs. Nudge") and then 15 seconds later, a screwed Young L production named after British art maven and media provocateur Damien Hirst where Kool A.D., Dope G, and MondreM.A.N. are outfitted with aluminum voiceboxes.
SassyBlack is a space aged vocalist & producer based in Seattle, WA. You may know her voice from her group THEESatisfaction (now defunct) or her work on the Shabazz Palaces albums. This Goddess of “electronic psychedelic soul” & “hologram funk” explores sound through deep compositions. With roots in classical & jazz, her voice is comparable to Ella Fitzgerald & Sarah Vaughan while her production value is reminiscent of Roy Ayers, Pharrell & Herbie Hancock. Black has traveled the world having performed in Berlin, Barcelona, New Orleans, Milan, London, Brooklyn & more.
Sassy has gained praise from The Fader, Loud & Quiet Magazine, NYLON, Pitchfork, Noisey, Dummy Mag, Saint Heron, SPIN & many others. Black successfully released her sophomore album New Black Swing June 23rd and will be touring North America & Europe Autumn 2017.
Sharkmuffin is Tarra Thiessen and Natalie Kirch, a duo of Brooklynite sirens bred from the waves of the Jersey shore. Influenced by everyone from Nirvana to The Ronettes, Sharkmuffin adds a unique jagged edge onto ‘60s beach pop meets ‘90s alt sound, a genre lovingly dubbed “opti-mystic glam-grunge.” With several cross-country tours (including many return trips to SXSW) and no shortage of EPs, Sharkmuffin has been creating a veritable whirlpool of musical chaos. Their 2015 debut LP Chartreuse is their most vicious lure, featuring 10 tracks that bleed heavily with feminine rage and cheeky sass alike.
Sharkmuffin is currently mixing their sophomore effort to-be-titled Tsuki, touring the country with their 1995 Dodge Caravan Patrick with Drew Adler on drums & Chris Nunez on guitar, and plan to serve up their signature cocktails and ice cream by inventing the first punk rock brunch truck. Stay tuned for further deliciousness.