TRADE ROUTES: A FESTIVAL OF ARTISTIC EXCHANGE
J'Sun Howard, Brother(hood) Dance!
3111 N. Western Ave.
Chicago, IL, 60618
TRADE ROUTES: A FESTIVAL OF ARTISTIC EXCHANGE
Five Chicago-based artists/companies have been selected to participate in TRADE ROUTES, a festival of artistic exchange. Each local artist has selected an out of town partner they would like to host in Chicago and split a bill with during our festival, and each exchange project is given a travel stipend so that the Chicago artist can finance touring to their partnering artist’s hometown.
J’Sun Howard is a Chattanooga native and a Chicago-based dancemaker and poet. J’Sun has recently received the Sybil Shearer Fellowship and residency at Ragdale Foundation, a nomination to participate in an emerging artist laboratory at Maggie Allesee National Center for Choreography (MANCC), and a 2017 3Arts Award nomination. A 2014 Chicago Dancemaker’s Forum Lab Artist awardee, his choreography has appeared at multiple venues such as Links Hall, Northwestern University, Sonotheque, Lincoln Square Theatre, Insight Arts/Center for New Possibilities, Epiphany Church, Rumble Arts, Defibrillator Performance Art Gallery, Patrick’s Cabaret (MN), and Poets Theater Festival(CA).
J’Sun has performed for many choreographers including Malcolm Jason Low, Asimina Chremos, Sara Wookey, Paige Cunningham, Selene Carter, but most extensively with collaborators Darrell Jones and Damon Green.
Brother(hood) Dance! is an interdisciplinary duo that seeks to inform its audiences on the socio-political and environmental injustices from a global perspective, bringing clarity to the same-gender-loving African-American experience in the 21st century. Brother(hood) Dance! was formed in April 2014 as a duo that research, create and perform dances of freedom by Orlando Zane Hunter, Jr. and Ricarrdo Valentine. We have performed our works at FiveMyles, Center for Performance Research, B.A.A.D! (Bronx Academy of Arts and Dance), VCU-The Grace Street Theater, DraftWork at St. Marks Church, JACK, Movement Research at Judson Church, Colby College, Denmark Arts Center and other venues.
Orlando Zane Hunter,Jr. is an international artist, who has performed in Trinidad and Tobago and Zimbabwe, Africa with Ananya Chatterjea. He has received a B.F.A. in dance from the University of Minnesota. Recently he choreographed and danced in “Redbone: A Biomythography” that debuted at the Nuyorican Café, Wild Project Theater and Duke University: Women’s center. Orlando Hunter’s solo, Mutiny, was selected in the 2015 Dancing While Black performance lab held this year in Trinidad and Tobago. He has presented his choreography at Thelma Hill and on Time Warner cable network through Germaul Barnes’s project, Black Bones. Since his arrival to New York City, Orlando has performed works by Christal Brown, Edisa Weeks, Germaul Barnes, Andre Zachary/ Renegade Performance Group, Forces of Nature and Ni’Ja Whitson-Adebanjo/NWA project. In addition, he is the co-founder of Brother(hood) Dance and 2015/16 Dancing While Black Fellow.
Ricarrdo Valentine uses art as a vehicle for activism. Ricarrdo’s education includes Urban Bush Women: Summer Leadership Institute, Bates Dance Festival and Earl Mosely Institute of the Arts. He has presented his choreography at Bates Dance Festival, Brooklyn Museum, El Museo de Barro and LaGuardia Community College. Ricarrdo continues to collaborate and work with Christal Brown/INspirit, Edisa Weeks/Delirious Dance, Paloma McGregor, Dante Brown/Warehouse Dance, Malcolm Low/Formal Structure, Jill Sigman/Thinkdance, Ni’Ja Whitson-Adebanjo/NWA project, Andre Zachary/RPG and Emily Berry/B3W. He is the co-founder of Brother(hood) Dance! In addition, Ricarrdo is the 2015 Dance/USA DILT mentee and 2015/16 Dancing While Black Fellow.
$10 student/senior - $12 online - $15 door - $40 festival pass
J'Sun Howard | Working On Better Version of Prayers
“Working On Better Versions of Prayers” creates charismatic space for black boy joy. A poetic testimony that miracles erupt at any moment. A portrait in blue looking an intimacy between men of color, acts of practicing freedom, and radical hope, that is hope directed toward a future goodness that transcends the current ability to understand what it is, an imaginative excellence.
Broother(hood) Dance! | how to survive a plague
An interdisciplinary meditation on the artistic generational gap between those lost in the global epidemic, AIDS. Brother(hood) Dance! investigates who survives and whose stories are told during and after life. This ritualistic experience will venerate the Black African bodies that were exiled from the urgency of care shun by their communities and government.