Psyko Steve & Stateside Present
SCALE THE SUMMIT, THE FINE CONSTANT
2303 E. Indian School Road
Phoenix, AZ, 85016
Doors 7:00 PM / Show 7:30 PM
This event is 21 and over
At the end of the 20th Century, few guitar virtuosi were as respected and revered as MARTY FRIEDMAN. After first rising to prominence alongside fellow six-string whiz Jason Becker in the influential band Cacophony and via his well-received solo debut "Dragon's Kiss," FRIEDMAN joined Megadeth, with whom he soon wrote and recorded the thrash landmark "Rust In Peace." His 10-year tenure with the iconic group -- during which they sold more than 10 million albums worldwide and earned multiple Grammy nominations -- saw the band's dream lineup reach its greatest heights, and FRIEDMAN's unique sonic contributions became heavy metal DNA that to this day continues to inspire new generations of metal fans.
On paper, it seemed as if FRIEDMAN was living the dream as a well-respected player in a multi-platinum act, but after a decade of cryptic, risky countdowns, the Washington, D.C.-native found himself anxious to explore new challenges. Soon after the release of 1999's "Risk," FRIEDMAN announced his departure from Megadeth and -- at least to many American fans -- vanished. A fanatical devotee of current Japanese music and pop culture, he rather suddenly moved to Tokyo, where continued to record and release albums that further solidified his guitar hero reputation overseas. Meanwhile, his absence from America seemed to be a catalyst to the legend and influence of his previous catalog growing greater with each passing year.
In Japan, FRIEDMAN became an enigma of sorts: Armed with a fluency in the Japanese language, he left a platinum-selling American band to start from nearly zero to pursue his longtime dream of making his mark on the Japanese domestic music world. That mission was accomplished far beyond his wildest expectations, as FRIEDMAN has since performed at the largest venues in Asia, including three shows at the Tokyo Dome and five at Budokan. In addition, he played on and wrote several Japanese Top 10 hits, including a #1 single in 2011 and a #3 single in 2012. At the same time, FRIEDMAN also became a popular Japanese television personality who not only hosted several programs, but was even featured in several long-running national ad campaigns. He estimates he has made well over 600 network TV appearances in Japan, including three televised sold-out solo performances with the Tokyo Philharmonic Orchestra.
In 2012, Prosthetic Records -- a U.S.-based independent label that introduced the world to Lamb of God, Animals As Leaders and All That Remains, among others -- approached FRIEDMAN about giving proper American releases to four of his Japanese studio albums and reissuing another that had become unavailable Stateside. Those conversations led to discussions about making a new record that would see FRIEDMAN remind the world outside of Japan of his phenomenal talents and why he's considered the greatest lead guitarist in thrash metal history.
That wasn't enough for FRIEDMAN, though. "I wanted to create a new landmark to which my future music will be compared," he says. "That idea of just going completely balls-out -- knowing what the full potential of my music and my playing could possibly be, and actually making it a reality -- was what drove me through the whole process.
" The result: "Inferno," FRIEDMAN's first album of original material in four years and his first in more than a decade to be released worldwide simultaneously. Recorded in Los Angeles with engineer Chris Rakestraw (Children of Bodom,
Danzig) and mixed by Jens Bogren (Opeth, Amon Amarth), the album features what FRIEDMAN told Guitar World is "the most intense writing and playing I can do," with the goal of "go(ing) completely ape-shit, in the most 'Marty' way possible."
"I'm extremely proud of the work I've done with Cacophony and Megadeth, but I was never interested in looking back or stopping there," FRIEDMAN says. "'Inferno' is the album that fans of my work with those two bands have always wanted me to make. I've finally made it, and completely on my own maniacal terms."
Notably, "Inferno" includes several collaborations with players influenced by FRIEDMAN, including Alexi Laiho (Children of Bodom), Revocation guitar whiz David Davidson, the flamenco/metal acoustic duo Rodrigo y Gabriela and acclaimed rocker Danko Jones. In addition, the album features FRIEDMAN's first songwriting collaboration with Jason Becker since the pair played together in Cacophony. Ultimately, though, it's arguably the most compelling chapter yet in FRIEDMAN's improbable international journey -- one for which he's excited to have fans in all countries along for the ride.
Upon its release, "Inferno" became FRIEDMAN's first-ever solo record to crack the Billboard Top 200, while readers of Guitar World magazine voted it "best shred album" of 2014. Major features from Rolling Stone and Billboard were also firsts for Marty as the US mainstream picked up on "Inferno" and Marty`s unique story of leaving a multi-platinum band only to find greater success in another country and another culture. His story spawned both a documentary and a biography that are currently in production. To support the release of "Inferno", FRIEDMAN has toured extensively internationally alongside the likes of Arch Enemy, Kreator, Shining and Gus G in addition to performing at major international events such as Loud Park (Japan) and Guitarfest (Chile). Earlier this year, he also embarked a 20-date Brazilian clinic tour, which Rolling Stone Brazil called "the most extensive and ambitious guitar seminar tour in South America's history." This fall, FRIEDMAN will embark on the eagerly anticipated North America tour for "Inferno".
SCALE THE SUMMIT
At this point in their career, it's almost easier to list the prog acts SCALE THE SUMMIT haven't toured with than the ones they have. From legends like Dream Theater and Yes, to cult heroes such as Cynic and Devin Townsend, to modern trailblazers such as Periphery and BTBAM, to heavy experimentalists like Intronaut and Mastodon, the band has shared stages with a who's who of the genre's past, present and future.
This mix of classic and contemporary, timeless and topical is also reflected in the instrumentalists' evocative sound, which is just as vital in today's post-post- / anything-goes world of shuffled playlists as it would have been on the freeform rock radio playlists of the 1970s. The group's fifth album, "V," sees the group further develop their colorful musical palettes thanks to the addition of new drummer JC and the work of returning mixer Jamie King (BTBAM, The Contortionist), who also collaborated with the band on 2013's Billboard-charting "The Migration."
Described as "essential prog" by Guitar World, SCALE THE SUMMIT was formed in 2004 after guitarists Chris and Travis met while attending Hollywood's Musicians Institute. The group self-released their first album, 2007's "Monument," before signing with Prosthetic for the 2009 release of their sophomore effort "Carving Desert Canyons." That album earned acclaim from fans, critics and peers alike -- none more high-profile than former Dream Theater drummer Mike Portnoy, who asked the band to take part in the group's Progressive Nation tour that year.
From there, SCALE THE SUMMIT supported the release of 2011's "The Collective" with rigorous touring. With new bassist Mark in tow, the band then headed to King's Basement Studios in North Carolina to record "The Migration" (2013), their first effort to crack the Billboard Top 200. Described as “post-rock at its most melodic and dynamic best” (Alternative Press), the album was supported by extensive touring across North America and Europe, as well as appearances on several notable festivals (Yestival, SXSW, Cruise to the Edge, etc).
SCALE THE SUMMIT stunned their fans and critics alike on their latest 2015 release “V”, which expertly showcased the instrumental progressive rock band’s sound across an array of beguiling soundscapes throughout each of its ten tracks. Mixed and mastered by longtime producer Jamie King (BTBAM, The Contortionist), “V” broke its way onto several of the year’s “Best of” lists being lauded as “downright flawless” (ItDjents) whille maintaining “ a collection of triumphant compositions that feel like a delightfully delirious, arrestingly hypnotic experience” (Metal Sucks). GET IT HERE
SCALE THE SUMMIT have just released their 6th studio album "IN A WORLD OF FEAR" on May, 19, 2017. Chris Letchford, the primary song writer since the creation of Scale The Summit has teamed up with the mighty Charlie Engen on drums and Kilian Duarte on bass to create the most anticipated album in instrumental metal in years. Produced by Chris Letchford and mixed by Anup Sastry. Featuring guests Nick Johnston, John Browne (Monuments), Angel Vivaldi, Jeff Loomis, James Iyani, Scott Carstairs (Fallujah), Per Nilsson, Yvette Young, and Nathan Navarro. "In A World Of Fear" is available worldwide. Get it digitally HERE or CD, Vinyl, Tab Books, Shirts, Pick Tins, and more through their official online store HERE
THE FINE CONSTANT
The Fine Constant is an instrumental prog band from Madison, WI. The band formed in May of 2012 when Sarah Longfield reached out to her compatriots in order to begin performing her solo material in a live setting. From then on, TFC thrived as a stand alone project, currently with two full length releases under their belt. They are known for the uniqueness and technically of their music, presented through a dynamic live performance.
$23.00 - $26.00
Tickets Available at the Door