33 West St.
Annapolis, MD, 21401
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
Austin-based singer/songwriter/creative force of nature Bob Schneider has a guy in his band, Oliver Steck, who plays keyboards, accordion, trumpet and assorted whistles and horns. Also, Schneider notes, “Oliver also does a lot of dancing. He doesn’t necessarily get paid for the dancing. He does it because he can’t not.”
Apparently, the same could be said of Schneider in terms of artistic endeavors in general. He can’t not be creating something.
Sometimes it’s writing songs — he has written some 2,000 songs in the past 16 years — sometimes it’s creating videos to accompany some of those songs and sometimes it’s making gallery-ready art, including paintings and collages. He also has played a wedding singer in an indie film, written two books and penned a rock opera that has a title that can’t be printed in a family newspaper.
Some of his musical mates even wonder when — or whether — he ever sleeps.
“I love making things, so that’s what I spend a lot of my time doing,” says Schneider… “I do have periods where I feel like I’ll never create anything that’s any good ever again. The good news is, it doesn’t stop me from creating things, and eventually that feeling will pass and I can look over the stuff that I’ve made and figure out which of it is better than the other stuff. Because I like to do it so much, I’ll end up with quite a bit of it at the end of the year.”
Schneider has been a recording artist for 25 years, putting out his first record (“Party Till You’re Dead”) in 1991 as frontman for Joe Rockhead, a funk-rock combo in the vein of the Red Hot Chili Peppers. That band was followed by his best-known group, Ugly Americans, which toured with the Dave Matthews Band and Big Head Todd and the Monsters. Ugly Americans was a kind of alt-rock supergroup, with former members of Cracker, Poi Dog Pondering and Mojo Nixon’s band.
Schneider also fronted a full-on funk ensemble that played around Austin in the late 1990s called The Scabs, at the same time he was establishing himself as a solo artist. His first solo project, “Songs Sung and Played on Guitar at the Same Time,” came out in 1998, and he’s gone on to record an almost inconceivably diverse and eclectic array of songs since then, with his work making it onto the soundtracks of seven major motion pictures (and one indie film).
All told, Schneider has been the singer and main songwriter on nearly 30 studio albums, and he has been named Musician of the Year six times at the Austin Music Awards. Considering the renowned strength of the music scene in Austin, that’s saying something. His artistry coupled with his movie-star looks and boyish charm makes it a wonder he’s not a household name around the rest of the country the way he is in Austin.
His prodigious musical output is a result of a songwriting challenge group he started 16 years ago while touring. At first, the challenge was to write one song a day, and the people doing the writing were on the tour bus with him. They’d come up with a title each morning and at the end of the day play the songs they came up with for each other.
The pace of the songwriting challenge has eased up substantially since its beginnings, going to one song a week, but the scope of the participation in the group has widened to include a lot of widely known musicians.
“We’ve had lots of famous folks in the game from time to time, but they usually don’t last very long,” Schneider says. “The exception would be Jason Mraz, who has been in the game on and off for six or seven years and is one of the most consistent songwriters in the group. Very talented and will always turn a song in. At the end of the day, though, I really only have the group as a motivation to get me to write a song each week. Otherwise, a month might go by without writing anything and that would be a shame.”
The past few years, Schneider has grouped the songs he’s written in a year under an album title, just to kind of keep track of when they were written. Titles for recent years have included “Here’s the Deal,” “The Ever Increasing Need to Succeed,” “Into the Great Unknown” and “Mental Problems.” This year’s theme (and the name of his current concert tour) is “The Practical Guide to Everything.”
Schneider has a fantastic website where fans can listen to all of the songs from the three five-song “King Kong Suite” EPs he released last year, with humorous commentary from Schneider himself between songs. The website also has the 10 videos he created for “King Kong” songs using public-domain found footage, including the menacing “Black Mountain” video that culls scenes from Francis Ford Coppola’s directorial debut.
The website also offers a chance to stream his regular Monday evening shows at Austin’s Saxon Pub.
“The Saxon Pub shows are unique in the fact that I play a lot of material there that I don’t play anywhere else,” Schneider explains. “New stuff that I wrote that week or in the last few weeks. Really old material that we haven’t played in a while. I hardly play any of the stuff that you’ll hear on the road, which is a mix of the best of everything. The best new material alongside the best of my last 20 years of writing songs.”
…He has an almost Dylanesque reputation for keeping things fresh, with shows so different from one another that for years he [has] recorded every show and…[sold] copies for people to purchase right after the show.
“I play a lot of cities twice a year, and I like the fact that a lot of my fans will come see me play every time I come to town, knowing that I’ll be playing material they’ve never seen me perform and might not ever perform again,” Schneider says. “I don’t have any of the banter planned either, so that stuff is usually unique to that night as well. It keeps things fresh for me and allows me to play crowd favorites that I’ve been playing for years, but still makes the whole thing feel new overall for me and hopefully for the audience.”
Adapted from "Bob Schneider surfs an ocean of creative juices" written by Randy Erickson and published in the LaCrosse Tribune, April 14, 2016
First and foremost a creative thinker, Clarence Bucaro aims to tell a story through his lyrics.
His tenth studio album Tableau is a vivid set of compositions with indelible audible imagery and heartfelt intimacy. A tableau depicts a scene from a story. It’s a picture, a painting or an image. Throughout his fifteen year career, Clarence has earned a reputation for his storytelling and open hearted lyrics.
Like a painting, there are many moments of darkness and light in his new record. In Lord, Light Me a Candle, Clarence looks for an eternal light, while reminding others to face their fears in the hypnotic Afraid of the Dark. In Cold Dark Night, he contemplates the system that creates senseless acts of violence like the death of Trayvon Martin in 2013.
"Bucaro excels in delivering penetrative and excitingly melodic observations.” - Rolling Stone
In the transparently truthful Your Love’s Not Close Enough and the thoughtful Timeless, these observations have never been more artful. Co-produced with industry vet Tom Schick, (Wilco, Ryan Adams, Norah Jones) Tableau is a searingly soulful body of work.
Over the years, the Cleveland, Ohio native has wowed crowds across the world with his unique folk-pop style. He has been featured on Sirius XM, NPR, Rolling Stone and the New York Times. Clarence has shared the stage with acts like Los Lobos, Suzanne Vega, Chrissie Hyde, Marc Cohn, Aaron Neville, Blind Boys of Alabama, Rodney Crowell, Richard Thompson and many others.