Bootleg Theater Presents
Avid Dancer, Dr. Doctor
2220 Beverly Blvd
Los Angeles, CA, 90057
This event is 21 and over
Mt. Joy is an Indie Folk band from Philadelphia, currently recording their first full-length album in Los Angeles, CA.
Matt Quinn (Vocals/Guitar) and Sam Cooper (Guitar) met in high school and started performing songs together in 2005.
After heading off to separate colleges, they continued to bounce song ideas off each other when they could. However, when it became clear music wasn't going to pay the rent, Sam went to grad school in Philadelphia and Matt moved to Los Angeles to pursue a career in music management. In Matt's words, "When I moved to LA I knew I still wanted to write songs, but the realities of life made that dream seem pretty impossible." A year later in early 2016, Sam followed a job opportunity to Los Angeles. While both were working long hours, they began working on music together in their spare time. The pair recorded 4 original songs with producer Caleb Nelson in the spring of 2016 in Caleb's living room. They chose the name "Mt. Joy" as an ode to a mountain in Valley Forge National Park near Sam's childhood home.
After the records were made, the guys were proud of the songs. But, with little hope at ever reaching a large audience, Cooper took a job back in Philadelphia and Quinn enrolled in grad school in Los Angeles.
However, that fall, their first single "Astrovan" began taking off on streaming platforms, and Matt and Sam decided to put their other careers on hold. Matt dropped out and Sam left his job to focus full-time on Mt. Joy. Soon after, Michael Byrnes (bass), Sotiris Eliopoulos (drums), and Andrew Butler (keys) joined and expanded the duo to a full 5-piece band.
Mt. Joy's folk rock sound can be attributed to some of the band's biggest influences: Bob Dylan, Paul Simon, The Grateful Dead, The Beatles, and even contemporaries such as The Alabama Shakes, My Morning Jacket, and Vampire Weekend.
Jacob Dillan Summers has been many things. A sheltered fundamentalist Christian kid. A world champion drumline drummer. A marine. A lovesick transplant to icy Alaska. But in July 2014, he was just a man stabbing a nail into his own palm to draw enough blood to paint with. This is the story behind Avid Dancer – the nom de musique under which Summers is releasing his first full-length album 1st Bath.
Those recordings contain some of the most kaleidoscopic, distinctly individual – and above all, honest – pop music you’ll hear all year. Summers started Avid Dancer to express himself viscerally – sometimes literally. For 1st Bath’s artwork, he wrote the album’s title in, yes, his own blood over a collage of photos from his early childhood. “This music represents my entire existence up to making this record,” Summers explains. “I wanted to really let people in, so I decided to paint the album title in my own blood. I actually jabbed myself until I got a big enough pool to write with. I mean, what could be more ‘me’?” That philosophy boils down to the intensity suggested in Avid Dancer’s moniker. “I realized the name matches what I’m doing musically,” Summers says. “When we dance, we lose ourselves in it – we put ourselves out there and don’t give a fuck. I’m not a guitar player, not a singer – I’m just putting myself out there with this music.”
In fact, Summers began as a drummer – a champion virtuoso, who won top honors for rudimental snare at United Corps International’s prestigious annual bugle-and-drum corps competition. During the songwriting process, he’d start with rhythms he’d create on percussion. This process ultimately gave his material a righteous rhythmic heft across the board – from the highly danceable “All the Other Girls” and the smoky torch-soul ballad “Stop Playing With My Heart,” to even the pedal-steel Americana of “Why Did I Leave You Behind?”
Even when Avid Dancer’s music does evoke artists, say – from the trippy Madchester vibe of album opener “All The Other Girls,” evoking Stone Roses and Charlatans to the insistent Pixies-style bassline opening “Medication” – it’s a happy coincidence. Raised in a strict Christian household, Summers was forbidden to listen to any secular music until his late teens; as a result, his musical discovery remains ongoing. “Growing up before the Internet, I was cut off,” he notes. “I wasn’t even allowed to watch MTV! I lived in an alternate reality.” I remember sending some songs to a friend and he said, ‘Dude, you remind me of The Kinks.’ I thought they were maybe a new band, but when I listened to them I fell in love with their music. Another time, I got compared to Elliott Smith, and then I got really into him.”
Summers’ entrée into the world of popular music proves a most unlikely origin story. He dropped out of his freshman year studying music education at the University of Tennessee to join the Marines – enlisting, in fact, on September 12, 2001. “It was the day after 9/11, but I’d planned on doing it anyway,” says Summers. He ended up in the elite United States Marine Drum & Bugle Corps, with whom he’d play up to 300 performances a year in addition to regular combat training.
At the end of his time with the Marines, Summers moved to Los Angeles: there he endured a number of awkward stints drumming for bands and studied audio recording.
Another sharp turn in Summers’ life came when he moved (of all places) to Alaska for a woman, it was here some of the songs on 1st Bath rook shape. As they grew, Summers would eventually return to LA and make his home at Venice Beach, where he completed 1st Bath. “This album for me has been all about honesty – with myself and about myself” Summers says reflecting on how his vast array of experiences have come together to shape his songwriting. Blogs started raving about early Avid Dancer demos, and they also caught the ear of noted producer Raymond Richards (Local Natives, Ferraby Lionheart). Together, Summers and Richards began recording the Avid Dancer songs that would eventually appear on 1st Bath at Richard’s Red Rockets Glare studio in Culver City, California – all except for the version of “I Wanna See You Dance,” which was produced by Dave Trumfio (Wilco, OK Go, Built to Spill,The Mekons).
Since then, he’s formed Avid Dancer’s live touring unit, a fluid ensemble that’s already supported the likes of Mac DeMarco, Warpaint, Hamilton Leithauser and Cold War Kids with its energetic live show. “I try to learn from other bands,” Summers says, “seeing how they hone in on delivering their message.” Ultimately Avid Dancer’s own message manifested itself when he wrote the song “All Your Words Are Gone” – one of 1st Bath’s most memorably plangent moments. “I met a sad girl and wrote that song to make her feel better,’” Summers says. “Writing that was a defining moment. Previously, I tried to write music that had never existed before. But doing ‘All Your Words Are Gone’ made me realize there are no new chords; what I needed to do was write a song that means something to me. I now understood I could do whatever I want: I don’t have to carry around any baggage – I can do anything. Whether it’s an acoustic country song, an electro track, or a heavy guitar jam, the style didn’t matter: I just channel whatever I’m feeling into a song that has something to say. That’s how I’ve been doing it ever since.”
Dr. Doctor has been years in the making for LA based songwriter Ralph Torrefranca. Originally born from heartache, Dr. Doctor has evolved into a solo project that draws chorus-laden and lush guitar melodies and blends this with Torrefranca’s poetic style of storytelling to create sounds unique to the indie & pop genres.
“Turbulence” marks the first full fledged release from Dr. Doctor, also joined in the studio and in the live setting by Zack Greenwald, Drew Bruchs, Adam Newmark and Joe Liptock.
Torrefranca’s approach to producing was simple: embrace the live sound. This was done beautifully with co-producers Chris Lynch and Adam Rasmussen from the band Gardens & Villa, embracing techniques that not only shines a light on Torrefranca’s chorus-heavy guitars but also embraces the talented rhythm section of Liptock and Bruchs. Rounded out by the mixing of engineer Mike Post, “Turbulence” embraces modern pop songwriting with an almost DIY spirit.
$10.00 - $12.00
Bootleg Theater - Bar Stage
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