The sometimes foot-stomping, somewhat heart-breaking, multiawardwinning Melbourne duo, Oh Pep! comprise of Olivia 'Liv' Hally and Pepita 'Pep' Emmerichs. Their new EPLiving is out now through Star House Collective.

Oh Pep! are currently in the middle of a North American tour that kicked off at Americana's in September where they were hailed as "Newest and Most Promising Artists" by NPR All Songs Considered. At CMJ they were picked by Jon Pareles of the New York Times as his"CMJ keepers" and KCRW's "11 Artists who stole the Fest". The band also recorded an NPR Tiny Desk, KEXP Session and Daytrotter session on the road.

Their current single, The Race, hit #11 on CBC Radio 2 and has been featured on KEXP, NPR All Songs Considered, The Line of the Best Fit- Song of the Day, The Bluegrass Situation and Exclaim!.

Not even 23 years of age, Oh Pep! have been awarded Young Folk Performer of the Year 2014 and two time nominees for Best Folk Roots by The Age Music Victoria Award 2014 & 2015 in their native Australia.

'Spissy is the rare and obvious duo of Aaron Denton and Ben Lumsdaine. I say "obvious" because they fit together and compliment one another so well, their creative pairing seems almost inevitable. Aaron's ability to craft a delightful, memorable hook alongside Ben's penchant for arrangement, vibe, and skill makes Spissy an absolutely satisfying listen. "Rare", because what draws these two dudes together seems hard to find; a studious, almost aggressive, attraction and ambition toward moderation. That is to say, every piece of this record, even and especially the riskier bits, has been carefully considered and measured. Every synth sound and every rhythm is the right choice. Each unexpected turn and gratifying conclusion hits precisely the right spot.

But don't get me wrong. For every "right choice" that's made, a consequence must be considered. What emotion follows this chord progression, or these lyrics? It's a balancing act. Spissy have tightened themselves down into a niche. They've struck a symmetry between pleasant music and raw expression. And they've hit their mark so accurately, then shown their vulnerabilities so appropriately...it's like they're the Ed Harris' Gene Kranz at the end of Ron Howard's Tom Hanks-starring 1995 space-race masterpiece, Apollo 13 of 2016 indie rock. This record is ambitious, it's considered, and it's meticulous, but - what makes it great - Spissy haven't forgotten that it's also a crap shoot.'

- Mike Adams
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