Gaelynn Lea

Gaelynn Lea is a musician and public speaker from Duluth, MN. She has been playing violin for over twenty years. First classically trained, she began learning traditional Celtic and American fiddle tunes at the age of 18. During her college years Gaelynn started sitting in with various folk/rock musicians and developed an improvisational style all her own. Eventually she also began singing and dabbling in songwriting. Gaelynn has played alongside many notable Minnesota musicians over the years, including Alan Sparhawk, Charlie Parr, and Billy McLaughlin.

Gaelynn Lea released her debut solo album entitled "All the Roads that Lead Us Home" in November 2015. It pays homage to the traditional fiddle tunes and beloved standards that Gaelynn has been playing for over a decade. But of course, there is a twist! Gaelynn used her Memory Man looping pedal to create winding layers of sound underneath these familiar melodies.

On March 3, 2016, Gaelynn Lea was named the winner of NPR Music's second-ever Tiny Desk Contest. The video entry of her original song "Someday We'll Linger in the Sun" rose to the top of over 6,100 submissions from around the nation, chosen as the unanimous favorite among the contest's six judges. The very next week, Gaelynn performed a moving Tiny Desk Concert, at which the show's host Bob Boilen said "there was hardly a dry eye." She released a studio version of this track on May 5, 2016.


Seraphine Collective presents

Allye Gaietto

Allye Gaietto's songs range from sparse and simple to harmonically and lyrically dense. She has been compared to Norah Jones, and has also been called "Nick Drake on the piano." Allye writes sometimes eccentric, always thoughtful jazz-influenced pop. Her lyrics have been likened to that of Joni MItchell, wrought with self-aware fragility and occasional social commentary. Her writing has been described as "sad songs that make people smile."

As a live performer, it feels like Allye is an old friend in your living room. Sometimes lapsing into conversation with the front row or telling mildly tangential stories, the set is a shared experience with performer and listener.



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