Thy Art Is Murder

Australia's incendiary extreme musical export THY ART IS MURDER, return with one of the most anticipated releases of the year. Produced and mixed by Will Putney (SUICIDE SILENCE, EXHUMED, THE ACACIA STRAIN), "Holy War" is the band's second release for Nuclear Blast Entertainment and third full-length album overall.

"Late last year, we entered the studio in secret to create our follow up to 'Hate', free of expectation and public pressure," explains guitarist Andy Marsh. "What we came out with was a reaction to things going on around the world that crawl under our skin, that make us feel sick to be alive. Musically it is darker, faster and more technical than anything we've done in the past and it hits hard lyrically. We wrote about concerns of ours, real issues, hardships that people are facing around the world today. Of course it wouldn't be a THY ART record if a lot of those affairs weren't rooted in religion somehow, and what better way to sum up the state of all things than by entitling our album 'Holy War'. This is our war on racism, homophobia, child abuse, animal cruelty and all evil born of religious immunity, indoctrination, and ignorance. It is ultimately a push for secularism and humanism. Without it, we will be left in the hands of mad men."

"Holy War" will be available in various formats (digital; limited digi-pak + bonus track; assorted color vinyl; exclusive mail-order picture disc) and unleashed in North America on June 30th, in Europe & Australia on June 26th, and in the U.K. on June 29th.

Rising from the unhallowed wastes of Western Sydney, THY ART IS MURDER successfully cleaved a trail of blood & mayhem since their inception in 2006. With the acclaimed Infinite Death EP (2008) and their debut album The Adversary (2010) firmly establishing their name in the global metal music scene, the band has traversed highways & autobahns all around the world, playing 342 tour dates alone in support of their Nuclear Blast Entertainment debut, Hate (2012), which debuted at #35 on the Top 40 Aria chart - the highest chart debut of any Australian extreme metal band.

Known for their tireless work ethic, THY ART IS MURDER performed at Summer Slaughter 2014 & 2013, headlined their own "Hate Across America" tour in 2013, and supported both EMMURE and BORN OF OSIRIS in 2014, playing throughout the U.S. more times in a two-year period than any other Australian band in any genre of music.

In Early 2007 A group of high school friends (Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, And Suliman Arghandiwal) from the east bay first started jamming and writing music. The initial product being both misguided and adolescent, the band played its first show on June 15th 2007 In walnut creek. The First 4 song Demo (which is and forever will be out of print) was released in late june of 2007. The songs "tyrant", "verdict", Schleicher", And "Infidel" were the first tracks to define the bands sound, which at the times was hardcore grind and death metal in the vein of The Acacia Strain, Converge, and Despised Icon.


Later that year the bands parted with their bassist Dan Wissinger due to other commitments and their drummer Tommy Logan as well. Brandon "Brando" Hoberg (ex-Vivisection) Joined on bass and Andrew Baird (ex Someones Lullaby) On drums. The band continued to play shows around the bay area and over time broke out into areas such as the Central Valley, Sacramento, and Central Coast. In Winter 2007 The band recorded their 2nd demo (Which is and forever will be out of print) at TWS studios in Vacaville. The songs "Prophets", "Tyrant", and "100 Years From Now" pushed the band further in the realm of musicianship and well rounded song structure. The songs were released January 2008.


After nearly a year of playing songs from previous recordings, the band had done quite a bit of growing musically and began writing their debut EP which was eventually named "Leper Colony". Prior to recording, the band parted ways with their original singer Suliman for personal reasons and guitar player Alex Hofmann took up vocals and Rob Maramonte (ex-Eviscerated) joined on as a new guitar player. The songs were a huge leap forward on maturity as the band truly defined their own sound blending technical death metal, black metal, and atmosphere while still retaining a heavy and energetic vibe. The band Recorded with Sam Pura of Panda Studios in San Francisco. The Songs were released in January of 2009.


The band expanded its conquered territory and reputation greatly in the months after The Release of "Leper Colony". The band ventured from Chico, Fresno, Bakersfield, and in the summer of 2009 the band embarked on its first legitimate tour with Oakland's Antagony. The band toured California, Oregon, Washington, Idaho, Utah, Colorado, New Mexico, and Arizona. The bands came home successful after over 2 weeks of basement shows, parties, and van breakdowns.


Fallujah has since evolved to be one of those most aspiring and respected SF Bay area bands. The band evolved once again both musically and lyrically with songs concerning Satanism, religious fundamentalism, secret societies, nature, and social fallacies. With imagery provided by Artist and Singer Alex Hofmann the band progressed visually as well to a finely tuned machine. In late summer 2009 the band started writing their 2nd EP taking their largest leap forward combining atmospheric and depressive black metal, progressive death metal, and fusion to truly define a unique sound unlike anything else heard in the underground music scene. With the help of mini labels "Grind-house Music" and "Foot & Mouth Records" the EP is to be released worldwide. The band once again evolved in form with the parting of longtime bassist and guitar player Brandon Hoberg and Rob Maramonte due to musical and personal differences. The band took in Anthony Borges(ex-Scourge of Medusa, Valkyrja, and Suffokate) and Danny Farhoud (ex-Scourge of Medusa and Valkyrja). The band will be embarking on a month long US tour with friends Rise of Caligula and plans to release its next album in January 2010.

"I shut my eyes and all the world drops dead; I lift my eyes and all is born again."

Ghost Bath refers to the act of committing suicide by submerging in a body of water.

Ghost Bath writes and creates under the assumption that music is an extension of one's own soul.
They journey through the sorrow and sadness that all lives experience, but leave a glimmer of hope. They portray both deep anguish and angelic soundscapes that are sure to leave an impression on the listener. The band started in October of 2013 with the release of their self-titled EP on Solitude Productions (China). This was followed by their debut LP titled, "Funeral," which was released on Pest Productions (China) in June of 2014. "Moonlover" was released on Northern Silence Productions(Germany) in 2015. In 2016, the band was signed by Nuclear Blast Records.

A recently found note...

"He walked the graveyard every night. I watched from my bedroom window. His pitch black cloak fluttered in the wind and the silhouette of his sauntering walk proved hard to catch in the darkness of the graves beneath the trees. It was after a few months of observing that I decided to follow him. He admired the many tombstones and crypts before turning down an abandoned part of town. I tucked my head into the front of my sweater to brave the cold and kept back as to not alert him.

We arrived at a broken down shack of a home and he walked down a set of wooden stairs. I could hear whispers and screams coming from the basement and, as much as I wanted to turn around right there, I did not falter, continuing into the abyss. A small crowd gathered near what I presumed to be a stage. They chatted quietly under sounds of agony projecting from behind a nearby door. A small amount of candlelight revealed music equipment on stage ready to be played.

Before long the tortured screams came to an end. The mysterious door opened and group of robed individuals solemnly ambled towards the instruments in a single file line. The crowd shushed itself quickly and all eyes turned. With equipment in hand, most of the candles were blown out leaving an eerie atmosphere. A soft intro was played on the piano in the corner. It was beautiful.

Then something strange happened. As the piano intro ascended into intense chords, complicated scales, and heartfelt melodies, a pure, porcelain bathtub was carried into the room. A few members of the audience set candles around the tub while others filled the bath with clear water. An aroma of lily-of-the-valley filled the room and danced in unison with the passionate sound of piano keys.

Soon, the guitars sprang forth. The beginning chords were loud and startled me. When the full band entered a song all at once my heart almost couldn't take it. Delicate guitars, alluring keys, and an unrelenting drum sound saturated the cellar air. It comforted me more than I ever imagined music could. When the vocalist began his howls of anguish, I knew this was something different. His arms shown vivid crimson gashes that told the story of a lonely and disturbed soul. Contrast of uplifting, almost angelic, music and the vocalist's deep pain created conflict that spoke to me. Not a dry eye existed in the place. The first tune finished with more piano and all I could hope for was more.

A stunningly gorgeous woman strolled onto the stage after a good amount of songs had been played. Her jet black hair nestled on her shoulders. She also wore a robe and released it onto the ground near the bath. Her arms, thighs, and stomach exposed a life lived in depression. Scars marked her otherwise perfect flesh. She gazed upward and stepped into the frigid tub one foot at a time. She lied down and her face sunk in clear liquid. Her auroral jade eyes remained visible in the water. I shot a stare to the others around but not one of them moved.

Swells in the continuing music released all tension. My thoughts propelled into brilliance visions soaring through the clouds above. Before the magnificent bridge came to an end the woman gaped her mouth wide. Her jaw remained in eternal yawn. As water filled her lungs, a smile grew on her pale cheeks. She floated to the top of the bath -lifeless.

Such conflict of emotions. Such a contrast of distress and euphoria. When the song concluded I quickly regained my senses. I had just witnessed someone taking their own life. My heart raced as a shiver ran down my arms. Before the next song could begin I found myself sprinting up the splintered staircase and through the graveyard -the sleeping fields. Sleep did not come easy.

No signs of the previous night's events existed upon my return the next morning. I scoured the deserted home without success. But just as I decided to give up my eyes caught a glimpse of two words carved into the bottom wooden stair: "Ghost Bath."

- (Nameless)

Silent On Fifth Street

Southern Maryland Metal. Our aim is to provide the public with original music and entertaining shows.

We are influenced by Parkway Drive, Chelsea Grin, The Acacia Strain, Suicide Silence, A Plea For Purging, So This is Suffering, Fit For a King, Fit For an Autopsy, I Declare War.

Alukah

$20 ADV $22 DOS

Tickets

Box Office is open Wednesday-Saturday 12-6pm and All Show Nights, 410-244-0057. Unless otherwise noted Maryland State's 10% Admissions and Amusement Tax is included in the ticket price.

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