Regency Live Presents
307 Park Central East
Springfield, MO, 65806
Doors 6:00 PM
This event is all ages
Watch & Listen
Peace comes through struggle. It’s a reward that’s earned rather than simply given. It’s the product of tireless work and an unbreakable spirit against all odds and opposition. OTHERWISE are no strangers to that struggle, rising up to become rock ‘n’ roll contenders in the face of a tumultuous musical climate and a series of personal hardships. The Las Vegas hard alternative rock quintet—Adrian Patrick [vocals], Ryan Patrick [guitar/vocals], Corky Gainsford [drums/vocals], Vassilios Metropoulos [bass], & Andrew Pugh [guitar/vocals]—catalog the next chapter of this journey on their second full-length album, Peace At All Costs [Century Media Records].
The ride starts with that very title. Adrian explains, “Our grandmother used to always say it. Peace At All Costs is a double entendre. We interpret the phrase as, ‘Give us peace, or we’ll take it from you.’ The whole point of us being on this musical odyssey is our search for peace. We want to do something impactful in the world, and we’re not going to stop. We’re starting with ourselves first. It’s about finding inner peace and restoring equilibrium within yourself. Music allows us to do that.”
Their music has given countless fans worldwide the same outlet. By 2014, the band’s debut True Love Never Dies moved nearly 60,000 copies and spawned close to 300,000 single sales of the hits “Soldiers,” “I Don’t Apologize (1000 Pictures),” and “Die For You.” The group toured alongside heavy hitters such as Stone Sour, Papa Roach and Three Days Grace, and gave rousing performances at high-profile festivals including Rock On The Range, Aftershock, Rocklahoma, Carolina Rebellion, and Welcome To Rockville. However, Peace At All Costs raises the stakes across the board for the Vegas outfit.
In order to convey their message palpably and potently, OTHERWISE teamed up with iconic producer David Bottrill [Tool, Muse, Staind, Stone Sour]. Holing up in Vegas View Studios, the boys pushed themselves immensely with Bottrill’s wisdom and encouragement.
“He really did contribute to the vibe of the album,” Adrian goes on. “Whether it was changing the tempo from section to section or altering the key, David brought these new ideas to the fold, and you can hear them in each and every song. From top to bottom, the album has a lot of personality because of his contributions.”
The musicians also had the chance to experience the other side of their hometown while recording. Vegas View Studios sits on the edge of the Las Vegas Valley, offering a stunning panorama of the wilderness surrounding the city. “It was the most beautiful view,” affirms the singer. “Most recording studios are like casinos. There are no windows. You go in, and you have no idea what time it is. We had a beautiful vista of our hometown, and it lent to inspiration every night we were working.” That lush expanse carries over into the first single “Darker Side of the Moon.” Building from a thick distorted guitar into a robust melody, the song blasts off on a hypnotic and hard-hitting hook, opening up the doorway into Peace At All Costs.
“I’ve always been fascinated with the moon ever since I was a kid,” affirms Adrian. “I’m still drawn to it
as a grown-up. I find myself lost in it without even knowing what I’m doing sometimes. We’ve faced a lot
of tragedies and dark times, and that song represents us. We’re always going to try and look for the light
in the darkness. We’ll thrive there if we have to. There’s a whole dark side of the moon we don’t know
about, and we’re going to explore it. That’s what’s happening musically on this album."
That experimentation hits a high note during “Never Say.” With its massive stadium-size refrain and
rapturous instrumentation, the track brandishes undeniable universality. “It’s one of two songs blatantly
about romantic relationships on the album,” says the vocalist. “My parents have been together for over
thirty years. No matter what they go through, they refuse to walk away from each other. We completely
admire our mom and dad and that loyalty. My brother and I have brought that into our own
relationships. I have someone in my life who has helped pull me out of the emotional abyss I was in.
She’s shown me what it’s like to be happy again. I don’t want to be the one to say goodbye.”
At the same time, the album still delivers a distinct wallop on the pummeling, riff-driven opener “Love &
War,” co-written with songwriters Julien Jorgensen and Matty McCloskey. Seesawing between a
guillotine-sharp guitar and a distinct groove, it explodes on impact. “The guitar was just nasty,” smiles
Adrian. “The melody came right out. I was arguing with my girlfriend at the time, and it shaped the lyrics
and subject matter of the song.”
Ultimately, OTHERWISE do achieve Peace At All Costs, and they hope you will too. He concludes, “Our
main goal is for people to feel hope. We attempted to do that on True Love Never Dies. We want to
continue that fight on this and subsequent albums. There are so many emotions in life. You’re not just
always angry, happy, or sad. When the dark moments come, you just have to stay strong within yourself
and you can make it through. We need to stay hopeful together. That’s the point.”
RIGHTEOUS VENDETTA is ready for battle, driven by the fire of the classic New Wave Of American Metalcore movement, with a fresh melodic bent. They are primed to decimate the airwaves and the stage, with a unifying message of hope and inspiration, all delivered with smoldering intensity.
Arising from humble small town origins, Righteous Vendetta offer positivity and encouragement against adversity, with a sound of defiance and power.
The band’s new album for Century Media Records, Cursed, arrives after a long season of writing, rewriting, honing, shaping and refining. It was a process that resulted in a definitive mission statement for the quintet, laying the blueprint for the band’s evolving creative identity. Cursed was produced and mixed by Mitch Marlow (In This Moment, Stitched Up Heart).
They effortlessly combine the diverse melodic Swedish death metal of vintage In Flames with the spirit-filled pop-melodicism of Anberlin, easily appealing to fans who grew up listening to albums like The End of Heartache by Killswitch Engage and Shadows Are Security by As I Lay Dying. There’s even a bit of the SoCal hardcore-meets-Pantera fury of Throwdown, not as much in overt sonic thunder as in energetic, steadfast perseverance.
This is a band that knows what it means to fight for everything they’ve got, to earn respect with integrity, to standup and be counted, to surpass and defy all expectations by delivering the goods on an awe-inspiring scale. This is metalcore for the underdog, a new collection of anthems for a generation hungry for music that’s authentic and pure. Righteous Vendetta is reverent to the greatest strengths of the scene’s past, yet equally forward-thinking.
Gestated in a small town in rural Wyoming (population: 3000), these five young men have beaten the odds against isolation, outside pressure, and the daily grind to conjure a ridiculously catchy and relentlessly fierce metalcore sound to rival the genre’s titans and light up the world’s stages.
“There was no music scene, really, which forced us to tour,” explains vocalist Ryan Hayes, who first formed Righteous Vendetta after discovering his college piano teacher could shred on guitar. “The closest ‘big’ market to us was Denver, which is about nine hours from where we live. By the time we were signed, we already had over a thousand tour dates under our belts. It really helped to shape us as musicians and who we are as a band.”
The lineup shifted a bit (“we’d have to find new members on YouTube or wherever else we could”) before it solidified as Hayes, guitarists Justin Olmstead and Carl Heiman, bassist Riley Haynie, and drummer Zack Goggins. After opening for Hatebreed, Righteous Vendetta caught the attention of Jamey Jasta, who encouraged them to explore more of the melodic side of their already crushingly heavy, breakdown-friendly music.
Songs like “The Fire Inside,” “With Love” and “What You’ve Done” helped grow the band’s fanbase, through hard-touring, social media, online videos, and a series of independent releases and material issued by Red Cord Records, with the 2014 Defiance EP cementing the group as a rising force.
The two years Righteous Vendetta spent crafting Cursed was time well spent. “We put a lot of pressure on ourselves to write ‘hits’ at one point,” the band’s frontman confesses. “If you get too much into that mentality, you can start to lose yourself. So as we made Cursed, we focused on what we were when we started: a metal band. And we wrote a metal album.”
Which isn’t to say the album is without hooks. “Doomed” is the heaviest song on the record (inspired by the classic video game, Doom), yet its chorus is unabashedly melodic. “The video game is about killing demons and ripping their faces off,” notes Hayes, with a laugh. “It’s a super metal game.” Lead single “Weight of the World” is a radio-ready banger, co-written by the group with Atreyu drummer/melodic vocalist Brandon Saller.
The band poured their frustrations into both “Weight of the World” and the album’s crushing title track, “Cursed,” taking the uncertainty and struggle of the long album making process and putting it to good use in an empowering way. There is plenty of darkness to be found all over Cursed, but it’s designed to work less as a burning poison and more as healing oil.
Cursed is the soundtrack to Righteous Vendetta’s overall mission statement. “We’ve always wanted to have a positive influence on people’s lives, but in a real way,” Hayes explains. “We want to connect with people, find common ground, and develop real relationships that aren’t superficial.
“There are some bands that are very manufactured. Everyone in our band is fully invested in our music,” he adds. “That passion comes out onstage and on the record. It’s something we strive to put across every single day.”
$5.00 - $23.00
$3 surcharge at the door for any customer under 21. No large bags, backpacks, weapons or beverages allowed to enter. Seating is first come, unless stated per ticket type. Patron under 16 year must be accompanied by guardian. Under 21 is not allowed re-entry. Smoking or vaping is not allowed within the building, violaters will be required to leave the event. Smoke and vaping is allowed on the patio at least 10' from door. We're not responsible for lost items.