Downtown Boys, Kelsey Lu, Flesh World, Field Agent

Downtown Boys

"Since we live in an age in which silence is not only criminal but suicidal, [we] have been making as much noise as [we] can" - James Baldwin

Downtown Boys are a bilingual political sax punk party from Providence, RI. They write songs about smashing the prison-industrial complex, racism, queerphobia, capitalism, fascism, boredom, and all things people tell us that try to close our minds, eyes, and hearts.

They released a self titled 7" on Sister Polygon records in February 2014, and their full length LP Full Communism was released in May 2015 on Don Giovanni Records to enthusiastic reviews. The record is filled with danceable, sax-filled anthems with vocals sung and screamed in Spanish and English.

The band is known for their live performances, which are equal parts punk show, political rally, and religious revival. Frontwoman Victoria Ruiz delivers moving speeches between songs, working the crowd into an angry but hopeful frenzy. The songs themselves are delivered with an earnestness, fun, and intensity that's stunned audiences throughout North America.

Rookie Mag praised the band, saying, "In a punk scene that can sometimes seem stale and beholden to trends that have been regurgitating themselves for decades, Providence, Rhode Island's Downtown Boys are a beam of radical energy."

Flesh World

Flesh World began with Scott Moore (Limp Wrist) and Jess Scott (Brilliant Colors), in a microscopic lofted-bedroom in San Francisco's Panhandle district. Scott and Jess merged their respective musical histories of hardcore and pop sort of on accident. Actually without any mention of their previous bands, they bonded over the films of Kenneth Anger, the guitar work of Lou Reed and William Reid, the writing of Jean Genet, and the shirtless figures of David Hockney paintings. The pair slowly built songs in between hanging out at drag bars and punk shows, watching SF decay into some sort of inverted Detroit, isolated wealth which sent a lot of young artists running in the last couple of years.

Flesh World is sort of what's left of that, where the only places to have fun are still leather bars, house music clubs, basement punk shows. After the music and vision of Scott and Jess began to coagulate they brought in Diane Anastasio who also drummed in Brilliant Colors. At first Diane could only fit two pieces into the tiny bedroom in which Flesh World's real, basic and primitive sound developed.

Much of production, engineering, percussion and synth saw collaboration with Toronto photographer/legend, Don Pyle (Iggy Pop, Peaches). Pyle contributed enthusiastic efforts to The Wild Animals In My Life and the band considers this early member of first wave Toronto punk, electronic music, etc. to be a component to the sound of Flesh World overall.

Field Agent

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