Classic Album Sundays Washington D.C. presents Lauryn Hill's "The Miseducation of Lauryn Hill"
Classic Album Sundays Washington D.C.: An Audiophile Listening Experience
2477 18th St. NW
Washington, DC, 20009
Doors 3:00 PM (event ends at 6:00 PM)
Classic Album Sundays D.C. Presents Bjork "Homogenic" 20th Anniversary
Classic Album Sundays is the world’s most popular album listening experience and allows the listener to hear music contextually, communally, uninterrupted, and in great sonic detail. At our worldwide listening sessions, music fans are able to immerse themselves into an album that has helped shape our culture and in some cases, our lives.
We relay the artist and album’s unique story and provide a musical context that gives the listening experience deeper meaning. We share the experience of hearing the album in its entirety, on vinyl, and on a world-class audiophile hi-fi so that fans can experience the music as close as possible to the artist’s original intention. Classic Album Sundays treats the album (and music in general) with the respect it deserves rather than as a free commodity or aural wallpaper. We remind people what they love about music.
For our September session we present classic album "Homogenic" from Bjork on its 20th anniversary.
Homogenic is the third international solo album by Icelandic musician Björk, released in September 1997. Produced by Björk, Mark Bell, Guy Sigsworth, Howie B and Markus Dravs, it was released on One Little Indian Records. The music of Homogenic was a new style for Björk, focusing on similar-sounding music combining electronic beats and string instruments with songs in tribute to her native country Iceland. Homogenic was originally to be produced in her home in London, but was later recorded in Spain. Homogenic marked the first of several production collaborations between Björk and Mark Bell, whom Björk would cite as a major influence on her musical career. The album peaked at number twenty-eight on the Billboard 200, and at number four on the UK Albums Chart.
Before production began on Homogenic, Björk wanted to create an album with "a simple sound" and "only one flavour". Heather Phares of AllMusic described the sound of Homogenic as a "fusion of chilly strings (courtesy of the Icelandic String Octet), stuttering, abstract beats, and unique touches like accordion and glass harmonica". The album differs from her previous two releases stylistically, and Neva Chonin of Rolling Stone stated the album was "certain to be rough going for fans looking for the sweet melodies and peppy dance collages of her earlier releases". As with other Björk releases, it has been difficult for critics to classify Homogenic within a musical genre. Tiny Mix Tapes considered that "Björk has managed to create something so refreshingly unique that trying to categorize and label the music is rather dubious." Writing for Beats Per Minute, Cole Zercoe felt Homogenic represented a pinnacle work of trip hop, forming part of "a sort of holy trinity of this musical aesthetic" along with Massive Attack's Mezzanine and Portishead's Dummy.
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