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Combining punk abandon and tightly-coiled dance music has always been bonded into the band's DNA. It's this core plus their growth and mastery of songwriting that has seen them outlive the mid-2000s 'indie/dance punk' tag and has allowed them to consistently grow lyrically and sonically from album to album. As If is their most transcendent collection of songs yet.

"Each album we've made has gotten closer and closer to our live set and this, we're proud to say, is the closest we've come yet. We were heavily influenced by current dance music -- Nina Kraviz, Moodymann, Paranoid London, Rrose and Delroy Edwards were frequently referenced -- and philosophically by the early '90s house records we love on labels like Trax and Dancemania and by artists like Romanthony and Green Velvet. Those records sound great because they're fairly raw attempts to use the technology of the time to ape the New York and Philly disco records that those producers loved. We figured, if those old house records sound like they do because the artists manipulated disco samples with MPCs, why couldn't we just sample ourselves and manipulate the tracks with Ableton Live? The more raw it came out the better it felt, not only because that's what excited us about those old records, but because it felt more punk, which always feels good."

Underground System

The glorious grab bag of internationally-grown members of Underground System (who take their name from a Fela Kuti song) reads like a roll call of musical and cultural diversity. Conceived in Brooklyn, this unstoppable female-fronted corps of neo-afrobeat-deconstructionists has cultivated a sound as inimitable as its members. Hinged on a tight, seamlessly executed stage show, this group astonishes wherever they go, compelling crowds to dance with unbridled vim. To provide a sliver of a glimpse of insight into their unfathomably varied roots, their original dance floor track “Bella Ciao” received worldwide fanfare, as several DJs and producers cut and remixed it. The song is a “retro-futuristic” reimagining of an anti-fascist WWII ballad from Italy, sung by the African American-Italian lead singer (Domenica Fossati) who was born in Miami and raised in Venezuela. Citing influences from the South Bronx girl group ESG to the Brit-new wave cult crew XTC, this subterranean organization of deliciously scrambled afrobeat re-inventors continues to soar across broadening musical horizons. Promoting their soon-to-come debut album, Underground System is touring with irresistible vitality, acquiring praise as they spread majestically modified, delectable African beats to dance halls around the country.

$20.00

Tickets

Pre-Show (7pm-8pm) & Post-Show Happy Hour in the Lower Level Lounge

Who’s Going

63

Upcoming Events
The Bowery Ballroom