Calvin Love Residency

Calvin Love is striving to be a demigod of the highway. An artist driven by a vision which seems to haunt and seduce him. That could be the word. Seduction, as opposed to the banal force of production. People make music. The person reading this probably makes music. Or maybe some other kind of art. Who knows. For you, and for me, and for everyone lucky enough to be familiar with Calvin Love is the quintessential artist as inspiration. A person who peers into himself to reveal something about the world that might otherwise go unarmed, or perhaps merely felt and never properly articulated. I see Calvin at an intersection in every city on earth, unmasking the hidden wonder, the past as construed by movies and the archetypes that populate our minds. The hitchhiker. The gentle, supple poet whose aim is to elucidate humanity for the weary denizens of the weary world. He proves that in the form of cartoon darkness there is a reality beyond that which is fully amenable to basic speech, and so must be corralled in a blind faith in a palette. All great artwork depends on a palette, on the choices that one makes in pulling the shades of that palette into ones control out of a sense of belief that I don't understand. Watch videos of Calvin practicing. Go see his shows. He is a rare gift that more than so much of what we're forced to consume offers a vision.

Maxim Ludwig

In experience and attitude, Maxim Ludwig is a man of extremes. He has lived life with violent immoderation, recklessly drunk too much or praised the virtues of his own sobriety, eaten to excess or not at all, slept days away or skipped nights of sleeping, worked obsessively for glory or laid about with unbridled laziness. Out of joy, adventure and abandon, fiercely unafraid of consequences, he is the honest instigator in the tradition of R.P. McMurphy, Serge Gainsbourg and Norman Mailer, a true romantic artist irreverent to all but his craft.

On Ludwig's debut album Libra-Scorpio Cusp, we find our hero at ease by night, brimming with eccentric charisma that's half beatnik, half Rat Pack, showing an uncanny knack for rock and roll with desperate vocals and funky grooves. Through thoughtful arrangements lifted by gritty riffs, expansive keyboards and fearlessly soulful saxophones, Ludwig's first full-length effort stands out as a liberating play. As a songwriter, his lyrics are self-reflective and direct, inspired by the Black Mountain Poets, Henry Miller-esque sexual obsessions, broken promises ("W8 4 U"), creative persistence ("Big White Wall") and some more naughty forms of self-expression ("No One Has to Know"). The melodies are naturally captivating, asking to be sung along to, hair down, ass shaking. On stage, his mad-man performances breed infectious enthusiasm.

Maxim Ludwig's Libra-Scorpio Cusp will be available everywhere June 2.

Deep Fields

Orange, California

Free

Who’s Going

17

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