196 Allen St.
New York, NY, 10002
Doors 6:30 PM / Show 7:00 PM
This event is 21 and over
Kelly McFarling is an Atlanta, GA born, San Francisco-based songwriter. Her work is reflective of transitions, the wilderness, and its navigation. Sometimes she plays banjo, other times acoustic guitar. Often, she plays a Telecaster fronting her band, The Home Team, featuring pedal steel (Tim Marcus), drums (Nick Cobbett), bass (Oscar Westesson), and various other Bay Area musicians.
During her ten years in San Francisco, McFarling has released five independent recordings: studio albums, Distractible Child (2010) and Ridgeline (2013), an EP of cover songs, Others (2013), and two live albums, Live at Pirate Ship Laguna (2009) and Live at Eddie’s Attic (2011). She has toured behind her own projects as well as performing with bands like Y La Bamba and Goodnight Texas, and is one-third of the all-female folk trio Glittersnatch with Megan Keely and Wolf Larsen. Over the years, McFarling has shared the stage with artists such as Shovels and Rope, Sean Hayes, Chris Pureka, Jolie Holland, and has made a home for herself in the San Francisco music community.
Water Dog, McFarling’s latest release, is her most intimate and folk-leaning record to date. She recorded the album in seasonal segments of 2016. The songs were first demoed with Allen Rothschild in his bedroom in Asheville, NC, where the creaks of his wood floor and the sounds of summer winding down made their way onto the recordings through open windows and live takes.The demos became the foundation of the record, and McFarling took them back to San Francisco, where Avi Vinocur of Goodnight Texas produced and engineered the majority of the record at his home in the Sunset District. “Recording at Avi’s house gave us the time to let the songs breathe and evolve.” McFarling said of the process. “It gave us space to make decisions at our own pace. I’ve never made a record like that, and it was a really special time. These songs were written in quiet spaces that were lived in. It made sense to record them in that way.”
The album is a reflection on inward motion; on the way that water and its movement dominates our lives and bodies. It’s about love, trust, and how we come to know the things we know. Above all, it’s about the cycles of nature that have the power to be both grounding and destructive. “While I was writing these songs, I was thinking a lot about family, stability, and love; and I was simultaneously starting to spend more time in and around the ocean. I was getting in the water a lot, and it opened a conversation about the nature of flow; learning to move with changes, instead of against them.”
In addition to producing, Vinocur also plays on most of Water Dog and his work is prominent on signature tracks, like “Both.” “That song was totally different when I brought it in. Avi simplified the groove, and made it more compelling.” says McFarling. Vinocur also helped complete the writing of “Caney Fork Overlook,” one of the record’s more classic country tunes. “That song had been half written for years. I wrote it in my van while on a road trip on the Blue Ridge Parkway, and it was one of those songs that I never had expectations for. I wasn’t sure it would be on the record. Avi helped get it to a place where it shines.” In other more stripped down songs, McFarling often played live in one take. “The Storms are Getting Stronger,” “Spring Clean”, and “Box” are songs that have been played in many different arrangements, mostly upbeat with a full band. For the recordings, I wanted them to go back to what they were when they were first written. Simple, quiet folk songs.”
Although Vinocur and McFarling play the bulk of the instrumentation on the record, they also tapped several trusted Bay Area musicians to explore additional layers of sonic texture. Water Dog features Tim Marcus on pedal steel and dobro, Graham Patzner on fiddle, Andrew Laubacher on percussion, Andrew Brennan on guitars, Oscar Westesson on upright bass, and John Elliott on piano. Austin-based band Whiskey Shivers also makes an appearance singing backup vocals on “Caney Fork Overlook.”
Water Dog is a first for McFarling in many ways. It is the first record she has made without a band, the first time she approached recording without a deadline, and the first time she has explored stripped down instrumentation. “From the beginning, the idea was always to let the songs speak for themselves and try not to get in the way.”
John Elliott writes gripping stream-of-consciousness songs that often take unexpected turns en route to delivering a powerful message. Chuck Schiele of The San Diego Troubadour wrote about Elliott's lyrics: "They get in, make their statement, kick you in the teeth, and get out before they start talking too much...And this lends to the urge of rolling any track to its beginning for another spin."
A native of Minnesota who now resides in California, Elliott began playing at various Hollywood venues in 2001, had expanded throughout southern California by 2003, and later became an international touring artist. He has performed in several countries and every state except Hawaii. His music has been featured on hit TV shows including Grey's Anatomy and Californication, as well as in PASTE Magazine, on NPR and Neil Young's "Living With War" website.
In the last decade, he has released eight genre-less studio albums on his own record label (Garland Lane) to an ever-expanding audience. All can be streamed at his website (www.thehereafterishere.com/recordings). The newest releases are an unedited live performance (“Live in Austin”) and a compilation (“The Greatest Recordings According to Me: 2003-2013”). Both are available for purchase at shows on USB drives. Cassettes are also for sale. Also, hoodies and t-shirts. And yes, compact discs.
John produces an almost monthly podcast of sorts called “Audiodes.” Audiodes defy explanation and must be heard to be understood (seven are included on the USB compilation). They include interviews, meditations, sound collages, alternative versions of already released songs, covers, and more. Audiode Six is a stripped down, acoustic rendering of his “Good Goodbyes” album; Audiode Fourteen is a new concept album about technology called “21st Century Bicycle.” For more about Audiodes, please visit: www.thehereafterishere.com/audiodes.
Please note, there is a one drink minimum for this show (standing and bar stools) and two drink minimum at tables.
Limited seating is available on a first come first served basis.
Advance tickets are available online until 4PM, day of show. Any remaining tickets can be purchased at the door at showtime.