SHOW HAS BEEN MOVED TO FIRESTONE LIVE DUE TO ROOF RENOVATIONS
BET Music Matters & TDE Presents
Kendrick Lamar feat. Guests Ab-Soul, Jay Rock & Dutch
Ab-Soul, Jay Rock, Dutch
578 North Orange Ave
Orlando, FL, 32801
Doors 7:00 PM / Show 8:00 PM
Kendrick Lamar likes to compare himself to Tupac Shakur. But Tupac wasn’t from Los Angeles and didn’t know his father growing up. By the time Tupac was 23, he had already been shot multiple times and begun serving a prison sentence. Lamar, on the other hand, was born and raised in Compton. His parents are still married. He’s 23, and so far he has dodged the almost inescapable bullets that dart through what he calls his “mad city.” Enjoying this Kendrick Lamar Biography? Keep reading!
Even so, Lamar seems to share Tupac’s soul; better still, he seems an evolution of it. The line between “Pac the Playboy” and “Tupac the Tortured Poet” was drawn with an indelible marker, but the sides of Lamar’s personality bleed into one another. The chorus of “P&P” (an ode to “Pussy and Patron” punctuated by a girl pouting, “Hey, what’s up, daddy”), for example, is cookie-cutter braggadocio. Its first verse, however, stacks a precarious tower of thoughts almost tipped over into rage by an incident at a gas station — and leaves him searching through his phone for a comfort he admits is temporary.
Candid vulnerability and a voice that sounds as though he’s just inhaled great mouthfuls of smoke (even though he abstains from weed) are why Lamar is on everybody’s lips. Last November, Dr. Dre (who was led to Lamar by Eminem’s manager) said out of the blue on Power 106′s popular morning show Big Boy’s Neighborhood that he wanted to work with the rapper.
By now, Lamar has not only worked with Snoop Dogg and Dre, he was snapped, paparazzi-style, sitting courtside at a Lakers game with the legendary producer. His buzz has ratcheted to such a roar that he’s considered a shoo-in for XXL magazine’s “Freshman 2011″ cover.
But he doesn’t want to hear that he’s the next in line to wear hip-hop’s crown. No wonder, considering that honor can be as sturdy as the ones you can get from a box at Burger King. Lamar says he still wants to be making albums when he’s 45.
“The hardest thing for me to do is to get you to know me within 16 bars,” the rapper says on a track from last fall’s O(verly) D(edicated), “Average Joe,” in which he relates a story of being shot at by a gang, even though he’s not affiliated. The problem isn’t that Kendrick Lamar can’t reveal himself. It’s that there’s too much he wants to reveal. His thoughts tumble furiously; words swarm so frantically that in one song he eventually chokes on them.
“Goin’ crazy in your head is wanting to say so much, but you can’t. I think it comes from my struggling relationship with God — my whole life, I go to sleep every night and just think about God,” he says, faltering for a moment. “Is that a trip? That’s me trying to find myself in a relationship with Him. Righteous, but at the same time being so [caught up] in the vanities of the world … it messes me up inside.”
Lamar’s parents moved from Chicago to Compton in 1984 with all of $500 in their pockets. “My mom’s one of 13 siblings, and they all got six kids, and till I was 13 everybody was in Compton,” he says. “I’m 6 years old, seein’ my uncles playing with shotguns, sellin’ dope in front of the apartment. My moms and pops never said nothing, ’cause they were young and living wild, too. I got about 15 stories like ‘Average Joe.’ ”
In school, Lamar was a quiet, observant kid who made good grades. “This is always in my head: There was a math question that I knew the answer to, but I was so scared to say it. Then this little chick said the answer and it was the right answer, my answer. That bothers me still to this day, bein’ scared of failure.”
Maybe the memory of that missed opportunity is what landed 16-year-old Lamar in front of the “dude to get your music to” in Compton, DudeDawg, chief financial officer of TopDawg Entertainment. “He threw me in the booth. I freestyled for, like, an hour. He said I got raw talent.” He’s been with the company, along with one of last year’s XXL Freshmen, Jay Rock, ever since.
When Kendrick Lamar was growing up, his father used to cheat while playing basketball with him. A few days ago, standing in the middle of a court in a park not far from a sign welcoming you to Compton, Lamar looked up at a hoop and shrugged. “He wanted me to know that was what was gonna happen in life.”
Lamar ends sentences with smiles. He’s friendly and funny, offering to share the lunch he eventually lets go cold and teasing that he wants to switch interview roles. Yet there are a few instances when he retreats, suddenly looking harder, older.
At the park, he’s laughing as he bounces onto the basketball court. He calls a friend who lives a couple of houses down to bring over a ball.
But shortly thereafter, sitting on the back of a bench, he stares up at a rare overcast sky. “I wish it was like this every day. Not raining, ’cause I hate the rain, but cloudy like this,” he says. The slight gloom seems to have seeped into his mood; the shift is abrupt and barely perceptible, but definite.
When Tupac pleaded, “Peace,” he sounded like he’d already lost hope. Lamar struggles, too. But when he interjects that same refrain between strings of gang names in “Compton State of Mind,” he first sounds insistent, then imperative.
These Compton streets was built not to win …
Standing just beyond the three-point line, Kendrick Lamar shoots the ball.
It arcs, then slips soundlessly through the hoop.
California up-and-comer Ab-Soul has created a street album chronicling his life as a hip-hop buzzmaker on the verge of his big break. As member of the west coast supergroup Black Hippy, Ab-Soul is regularly cited as one of LA's top underground rappers.
For a rapper to command your attention, it all comes down to the voice. In the late 1980s and early 1990s, Public Enemy's Chuck D had millions of fans hanging on to every word of his booming baritone. In the mid-1990s, The Notorious B.I.G.'s steely poise and vocal precision led many critics and fans to proclaim him the best rapper of all time. Now, in 2009, get ready for the next rapper with a magnetic voice, someone whose pristine raps demand attention. His name: Jay Rock.
Born and raised in Watts, California's notorious Nickerson Gardens Projects, Jay Rock got his first encouragement from his music-making relatives, who noticed the impact his deep, melodic voice made on song after song. "They were like, 'you're hard. And you've got a voice for it, too," Jay Rock recalls. "A lot of people started hearing me and they would tell me that my voice catches them. So, I started working it, working on my craft and got more and more confidence."
Jay Rock's confidence led to a string of heated appearances on neighborhood mixtapes. The gifted rhymer's clever phrasing, gritty realism, storytelling swagger and powerful voice grabbed the attention of Top Dawg Entertainment boss Dude Dawg. Once in the studio with an independent company backing him, Jay Rock's output increased and improved.
After shopping his demo to a number of major labels, Jay Rock and Top Dawg earned a deal with industry powerhouse Warner Bros. Records, also home to E-40, Murs and Talib Kweli, among others. The Warner Bros. executives were impressed with Jay Rock's distinctive flow, his vivid lyrics and, of course, his "voice".
Originally hailing from the empire state, now residing in the city of Miami, artist Dutch has drawn from his eclectic music taste to create a futuristic fusion of electronic hip hop with old school lyricism and wordplay. After recording and releasing countless underground tracks and appearing on the cover of Nine5Four Magazine, Dutch dropped his first official mixtape, Late Nights on Mars back in January 2011. A month later he appeared on the NBC South Florida Today Show to perform and promote the latest tape alongside Russell Simmons, check it out here:
On top of television press, Dutch has also been finding a rise in internet presence, holding down the number 4 position on the Reverbnation Indie charts for Miami. His weekly web series "Versedays" has been growing rapidly on YouTube and his debut album should be hitting iTunes at the end of the summer.
Tickets Available at the Door
Fri, March 10
Wed, May 3