Collective Concerts Presents our last show at The Silver Dollar
Pow Wows, Meanwood
486 Spadina Ave.
Toronto, ON, M5S 3E6
Doors 8:30 PM
This event is 19 and over
If you're familiar with The Coathangers then you probably know the Atlanta group's premise. The story goes that four young women decided to start a band for the sole purpose of being able to hang out and play parties. They weren't going to let the fact that none of them knew how to play any instruments get in the way of their having a good time. The backstory certainly added to the charm of early songs like "Nestle In My Boobies" and "Stop Stomp Stompin'"—songs that resided somewhere between no-wave's caustic stabs of dissonance and garage rock's primal minimalism. In the seven years since their formation, The Coathangers have released a slew of records and toured across North America and Europe countless times. The persistence of such a casual endeavor is a testament to the infectious quality of their songs and the electric nature of their unruly live show.
Suck My Shirt is the The Coathangers' fourth full-length. The title refers to an incident involving the salvaging of spilled tequila during the recording session for the album. While the title implies that little has changed with regards to the band's celebratory mission statement, even just a cursory listen of their latest album demonstrates that there have indeed been changes in The Coathangers' camp. First off, the quartet was reduced to a trio for the latest record, with keyboardist Bebe Coathanger (Candice Jones) stepping down from her duties. But the absence of keyboards isn't nearly as noticeable of a difference as the band's refined songwriting approach. Refinement is an attribute we expect to see in any group that has a career spanning more than a couple of years, but the extent to which The Coathangers have honed their trade with each successive album dwarfs most bands' maturation. This isn't to say that The Coathangers have polished their sound; the group once again worked with Ed Rawls and Justin McNeight and The Living Room to attain the same production values of their Larceny & Old Lace album and their recent slew of split 7"s. Rather, the refinement can be heard in the quality of the songs themselves. While the band retains the alluring spontaneity and happy accidents of their early releases, the trio's current work sounds far more deliberate and locked-in than anything they've done in the past.
"It's a balance between overthinking and just going for it," guitarist Crook Kid Coathanger (Julia Kugel) says of their songwriting strategy. It's a duality immediately apparent with the album opener "Follow Me". It's a classic Coathangers tune with the raspy vocals of Rusty Coathanger (Stephanie Luke) belted out over the signature grimy rock laid down by Crook Kid and bassist Minnie Coathanger (Meredith Franco). But the chorus opens into one of the most accessible hooks in the band's canon, just before segueing into the next verse with a squall of violent dissonant guitar. From there the band launches into "Shut Up", a title that harkens back to the brash sass of their first record. The song still has its spikey guitar riffs and shouted chorus, but here The Coathangers sound less like a jubilant version of Huggy Bear and more like the art-pop of late-era Minutemen. Dedicated Coathangers fans will recognize the re-worked versions of "Merry Go Round", "Smother", "Adderall", and "Derek's Song" from their run of limited edition split 7"s, and hearing them in the context of the album shows that these tracks weren't merely isolated examples of the band's more sophisticated side, but were actually demonstrative of the group's increasing capacity for nestling solid melodic hooks and rock heft into their repertoire. By the time the band wraps up the album with the humble pop perfection of "Drive", it's hard to believe this was the band that garnered their reputation with raucous bombasts like "Don't Touch My Shit".
"Ultimately, every album is a snapshot of who we were at the time," says Crook Kid. And while that might mean that The Coathangers in 2014 don't feel compelled to chronicle the youthful piss and vinegar that yielded the Teenage Jesus & The Jerks-esque spasms of their debut album, it's exciting to hear the output of the band as they explore the range of their temperaments with a broader musical palette at their disposal. Suck My Shirt is available on LP, CD, and digital formats on March 18th 2014 via Suicide Squeeze Records.
One of the mainstays of the Toronto garage rock scene, the Pow Wows like their music fast, loud, and atmospheric, giving their tunes a buzzy, swampy tone and a psychedelic overlay that sets them apart from other fuzzbox manglers following similar paths. - Mark Deming, Allmusic.com
Pow Wows do to the Garage tradition what The Cramps did to Rockabilly - chew it up, make it their own, and spit it back out. Forming in 2010 in Toronto Canada they wasted no time putting on wild live shows and recording even wilder material. The following year they signed with Pittsburgh, PA's Garage Rock institution Get Hip Recordings based on the caliber of their jam space cassette which wound up coming out as their first LP "Nightmare Soda". A pair of 7" singles followed and in 2015 their hotly anticipated sophomore album "Broken Curses" arrived to critical acclaim. The band has performed throughout Canada, Europe and the U.S. Watch out for their madness in YOUR town!
"Meanwood is what your mother tried to warn you about. Meanwood is as sexy as sin, and almost as much fun. Band frontwoman, Viktoria Belle, is a diminutive, brazen hussy with a voice like velvet and vodka; and yet her all-male bandmates can more than keep up, making for one hell of a powerful show." - Spill Magazine
"By the time the band belted out an expressive and brilliantly performed "Sister Sin", the level of fan/band interaction peaked. It felt like something that can't quite be explained was being exchanged between the band members and the crowd, a sensation that happens at some of the best concert experiences." - Pete Nema, Sticky Magazine
"Every so often you hear the first twenty seconds of a song by a new band, and you immediately know that this band is one hell of a party live. Meanwood is one of these bands. Buy this EP. Now." - TAPE Magazine (US)