Mitski warmly recalls a quote from sculptor El Anatsui, "Art grows out of each particular situation, and I believe that artists are better off working with whatever their environment throws up."

With this nerve exposed lyrically, and having dived into her new
beginning, Mitski chooses her 2014 breakthrough album Bury Me at Makeout Creek to explore uncharted sonic territory, trading in large string arrangements for guitar and bass. While studying composition at SUNY Purchase's music conservatory, she previously recorded music with a full orchestra.

However as college graduation inched closer, Mitski moved away from the concert hall and into the campus' active DIY scene. Upon relocating to New York following graduation, she entered stages at Death By Audio, Silent Barn, and Bed Stuy basements, entrenching her songs of love, fear, lust, and brilliant clarity into entirely sympathetic ears.

Since releasing Bury Me at Makeout Creek, Mitski has
received international acclaim for her distinct, arresting sound and profoundly reflective lyrics. Pitchfork applauded the release as "inventive and resourceful," while Rolling Stone celebrated her "deep-cutting lyrics." NME said of Bury Me, "it's a record that doesn't tug at your heart-strings as much as it mercilessly pounds at them, taking to your emotions like a lead pipe to a
piñata." She has also received widespread attention for her "cathartic" live shows as dubbed by The New York Times' Jon Caramanica.

"I was so young when I behaved 25," Mitski sings on "First Love / Late Spring," "yet now I find I've grown into a tall child." This veritable thesis speaks to sentiments of the poetry and beauty of struggling up the hill to adulthood. Mitski follows El Anatsui's humbling advice, cathartically revealing snapshots from her adventures in youth, and theempowerment found in sharing these stories with others. In2015 Mitski is poised to continue delivering her particular flavor ofsoul-baring rock, and tour throughout North America and beyond.

Helado Negro

The son of Ecuadorean immigrants, Helado Negro was born in South Florida in 1980. His childhood was suffused with tropical heat, humidity, hurricanes, all refracted with the rich sounds and colors of the various Latin American cultures of southern Florida. Pounding bass beats from passing cars, boom boxes bouncing down the block, and late-night parties called “peñas” provided a foundation for Helado Negro’s interest in sound and lifelong quest to discover the unlimited variety of objects used to produce music. Most recently he created a new collaborative group with Julianna Barwick called OMBRE releasing their debut album in 2012 called Believe You Me. Helado Negro has worked with Bear in Heaven mixing their Pitchfork’s Best New Music album Beast Rest Forth Mouth. He also produced Prefuse 73‘s 2010 album Everything She Touched Turned Ampexian.

Jesika

Jesika is a Chicana solo songwriter from the South Texas border. She writes songs on guitar and sings.

$12.00 - $15.00

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