Unregistered Nurse Booking presents
2549 North Howard Street
Baltimore, MD, 21218
Doors 8:00 PM / Show 8:30 PM
This event is all ages
Watch & Listen
Hailing from the home of Thurston Moore and Dinosaur Jr., and drawing from the fertile music community that is Western Massachusetts, Potty Mouth are all-parts smart-pop craftswomen, specializing in taut, infectious, C-86 influenced indie pop meets '77 punk perfection. The band released their debut 12" vinyl EP, entitled "Sun Damage" in July 2012, which garnered the attention of Pitchfork, who called the six-song EP an "an impressive, no-filler debut," as well as The Boston Globe, who named Potty Mouth one of the "top five indie-rock bands to watch in 2013," with Brooklyn Vegan adding that they were "one of the most promising new bands in their local scene." Departing from the more angular shades of post-punk heard in their EP, "Hell Bent" is marked by its significantly heavier production and melancholic hooks. Nonetheless, the album stays true to the confident, youthful punk aesthetic the band has cultivated for themselves.
The promise of L.A. may well lie in Tennis System, who have thundered their way through their adopted city with a reverb-drenched ferocity that has, in short order, made the East Coast transplants the city's band to watch.
One listen is all it takes to comprehend why: Tennis System are masters of unhinged, lo-fi psychedelia, laced with the inescapably pop DNA of Jesus and Mary Chain, Nirvana and Ride. Behind the sweat-drenched performances, behind the Orange amps and squalling anthems is a coolly leather-clad trio, composed of front man Matty Taylor, drummer Hector Gomez, and bassist Zach Bilson. Arriving at the current lineup, however, was spirit quest that took Tennis System from one coast to the other: It was in gritty Washington, D.C. that a young Taylor steeped like tea in the music of Fugazi and Bad Brains, Black Tambourine and Nation of Ulysses. He decamped for Los Angeles, where denizens Gomez and Bilson joined the band, propelling the band forward as a full-fledged L.A. band.
Though Tennis System has shared bills with the likes of Ty Segall, Wavves, Japandroids, Pains of Being Pure at Heart, Mark Gardner and Beach Fossils, and worked with Jeff Zeigler of Uniform Recording (Kurt Vile, War on Drugs, Nothing) and Fred Kevorkian (White Stripes, Pavement, Sonic Youth, the National) since its founding in 2009, life on the best coast has only served to raise its profile: In the past year, crowds at Filter Magazine's Culture Collide festival, Austin Psych Fest, L.A.'s iconic Part-Time Punks showcase and South by Southwest have begun to bear witness to Tennis System's slash-and-burn live shows.
After 2011's much blogged-about self-released album, "Teenagers" (and its stunner of a single, "Hey We Tried"), the band returns in the fall of 2014 with "Technicolour Blind," the appropriately named, heady fever-dream of a new album that has been a year in the making for Tennis System. Its tracks, including "Technicolour Blind" "Memories & Broken Dreams" and the sparkling, anthemic "Dead Honey" are melodic departures from the gritty, fuzz-washed tunes of yore; rather, Los Angeles life, with its thrilling beauty and starkly menacing underbelly, has left Tennis System sun-bleached and wary, and left their music imbued with the peculiar patina of a rough-and-tumble circumstance. The guitars still squeal, but listen closely: Taylor's lyricism bears unexpected wisdom and woe. Recorded with Ulysses Noriega (The Wedding Present, Ben Folds, The Offspring) mixed by Drew Fisher (The Melvins, Bleached, Babies) and mastered by John Greenham (Ice Cube, Aesop Rock, Chuck Prophet), "Technicolour Blind" is poised to be Tennis System's breakout effort, even if fans knew it all along.
Floor show! Patrons under 21 years of age pay extra $2 at the door