The Lacs with special guest Charlie Farley

"People still can't figure out what to call the music we do," said Brian 'Rooster' King, looking at his longtime collaborator Clay 'Uncle Snap' Sharpe. "We just get in there and write about what we want." The duo has been together since 2000 and Outlaw, which is their fifth album since signing with Average Joe's Entertainment, is a watershed effort from The LACS that sonically broadens their musical scope and blends together every genre from traditional country and southern rock to rap and spoken word. But it's their true-to-life lyrics that paint a series of authentic compositions depicting the life of a pair of rednecks from South Georgia. "We love writing about stories that we've lived," said King, of their biographical 12-song effort that could prove to be a breakthrough of sorts. Label it however you choose. They call it country.

Baxley, a slow-moving rural town of just over 4,000 residents, where Sharpe grew up a country boy, is a place where everyone knows everyone else's business and newcomers are known as outsiders. There's one elementary school, one high school and, until recently, only three red lights. "Now we got a fourth and a Wal-Mart," said Sharpe, "so, yeah, we're stepping up." Both his parents worked and, as a young boy, he'd tag along with his old man and spend summer days hanging out on construction sites, while listening to a local country radio station.

Those early formative years is when Sharpe's love of country music developed in the late 1980s and early 1990s. However, it wasn't until he was 20 when a then-18 year old King moved with his family from Waycross to Baxley that The LACS first met up. They liked a lot of the same music – Garth Brooks and George Strait, Pink Floyd and Metallica along with Tupac and Nelly – and as quickly as they befriended one another they started writing lyrics as if they had been kindred spirits since childhood. King was a self-taught guitarist and the two fast-friends pooled their money together to buy a cheaper version of a beat box they still use when they perform on stage today.

In 2001, they saved up another $2,500 to pay for 40 hours of studio time – half of which they spent recording their first self-titled album and the other half of the time was used to mix and master – and 1,000 copies of the CD to sell in parking lots and parties. Over time they built up a cult following of fellow rednecks and hillbillies and eventually drew the attention of Average Joe's.

Last fall they released their fourth album and this spring the prolific songsmiths are already back with yet another studio album, which features the first single God Bless a Country Girl. "It's a fun little song," said King. Sharpe and King have matured personally and especially professionally since the first time they plugged a $7 microphone into a boom box, which still says a lot about their authentic writing process.

Then and now, The LACS enter the studio with half the album written and then finish the second half of the writing process while recording the first half. Their fans, who both King and Sharpe describe as rowdy, loud, hardworking rednecks, have come to expect songs about the south – beer drinking, mud bogging and more drinking – that remind them of their own lives. "Brian and I have prided ourselves on putting out real music that we lived," Sharpe concluded, "and not just writing about some topic because it was a No. 1 for somebody else."

Charlie Farley

Arkansas born, Arkansas Proud.

Nashville may be country, but home is the backwoods and dirt roads of DeQueen, AR.
That's where you will find Charlie.
A fluke submission on the internet landed Charlie a record deal. In less than a year; Charlie had released his Debut CD "Hog Heaven" and had the industry buzzing about his new breed of "country rap", and then... he. left What?
Zero to turbo had left Charlie with no balance. Concerned about his children, his family, and not being able to process the intensity or speed of the growing spotlight, he decided to retire from the music industry.
While home life became normal again, the desire to create and grow as an artist with no outlet had flipped the switch in the opposite direction. Music is soul food and Charlie was starving. Again, no balance. Determined to be both a father and artist, Charlie decided to make his career fit his life. Coming to terms with the need to be present in both family and music, Charlie is taking his career in his own hands. The result... a more open relationship with his label, a balanced home for his kids, and taking the music to where he has never taken it before.

$18.00 - $23.00

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