1250 N Front Street
Philadelphia, PA, 19122
Doors 8:00 PM
This event is 21 and over
Since their inception in 2010, Whores. has laid waste to both presumption and audial functioning. Natives of Atlanta, Georgia, members Christian Lembach (vocals/guitars), Donnie Adkinson (drums), and Casey Maxwell (bass) have spent the last six years establishing Whores. as one of heavy music’s most distinctive acts thanks to the formidable combination of the group’s punk ethos and the ferocity of their sound. Confrontational and relentless, the music of Whores. will now be seen and heard in its fully formed state with the group’s debut full length.
Beginning with 2011’s Ruiner EP (Brutal Panda), Whores. brought a welcomed new vision to the often-tired “extreme music” scene. Two years later saw the release of the Clean. EP (Brutal Panda), a six-track musical display of visceral rancor and songwriting brilliance. Highly anticipated by critics and fans alike, Clean. sold out within a month, prompting the group to release a second pressing. Touted by SPIN as one of 2013’s ‘Best Metal Albums’, Clean. simply reaffirmed what listeners had suspected all along. Whores. isn’t here to fuck around.
With the 2014 release of the Whores./Rabbits split (Brutal Panda) which included the group’s powerful cover of The Cure’s “Jumping Someone Else’s Train”, the expectation for a full-length became even more apparent, but pushing product isn’t the group’s line of work. For Whores., the cavalcade of anticipation provides no pressure or expectation as Lembach states: “We don’t just want to fill in the blanks.” The only pressure here is to maintain authenticity, and to that end, Whores. are the quintessential example of genuine malice.
“You have to bring a sense of realness to [the music], otherwise it’s fake, and it sounds fake. You have to be honest about it, and it’s about getting to the really ugly stuff inside of you, and that’s what we do.” Whores. has eagerly shared that ugliness with their audience having crisscrossed the US four times on separate tours, including headlining shows and stops at festivals like SXSW, Spillover Fest, Fun Fun Fun Fest, and many more. To that end, the band’s tireless dedication to the road is simply a mirrored image of their music’s relentless power, an attribute that has undoubtedly resulted in their most unforgiving effort yet, proof that good and heavy things come to those who wait.
Miami, FL noise rock quartet WRONG formed in 2014 from the ashes of Capsule and released their debut EP Stop Giving last October via Robotic Empire. Featuring former members of Torche and Kylesa amongst their ranks, WRONG play Helmet / Unsane inspired heavy noise rock and were described by Noisey as an "outfit with impeccable credentials and a firm handle on the art of the bludgeoning groove" and by PunkNews as "very promising indeed".
WRONG signed with Relapse Records in the summer of 2015 after making waves on their first North American tour with Torche and Nothing. The band will spend the rest of 2015 touring with House of Lightning and will put the finishing touches on their debut full-length at PineCrust studios in Gainesville, FL this August. The debut will see an early 2016 release while the band will continue to bring their relentless live show to a neighborhood near you for years to come.
I just want to scare you, honestly," Matt Perrin says between mouthfuls of food. "When I get up onstage, the whole point of what I want to do is scare people. I want people to look at me and get uncomfortable. I mean, look at me."
Perrin is wearing black, square-frame glasses; a T-shirt printed with grazing cows; and a lime-green baseball cap turned backward over his long, dishwater-blond hair. When he narrows his sharp brown eyes, the 19-year-old guitarist and lead singer for Olathe thrash-rock trio Bummer appears altogether unthreatening. He knows this.
His bandmates know, too. Huddled around a table with Perrin at Grinders, bassist Mike Gustafson, 22, and drummer Tom Williams, 18, are about as unassuming as the basket of fries they're sharing. And yet, since the release of Bummer's four-song Milk EP last October, word of this up-and-coming band's brutal, barbaric sound has spread.
"I feel like people look at us and are like, 'Oh, what's going to happen here?' " Perrin continues. "And if someone's never heard of us before, I want them to be genuinely scared the first time they hear us. Because Mike's just ripping, and Tom's just loud as fuck."
"We turn all our stuff up as loud as it goes and we just fly," Gustafson says. "We didn't try to make it sound so angry. That's just how it came out. I just like super-loud, super-catchy stuff — stuff with hooks that hit hard."
Perrin adds, "We all kind of get it when it comes to that. It's gotta be heavy and catchy, but it has to punch you in the face at the same time."
Milk does come out swinging, and over its swift quarter-hour, the fuming and the venom don't let up. It's the work of a tight unit. Musical sympathies and ambitions are firmly aligned. Perrin and Williams have been friends since high school, and they were dedicated fans of Gustafson's now-defunct band the Resourceful Horse.
"The reason I started playing with them, even though I'm not much older, was because everyone my age was getting way too trashed to play," Gustafson says. "And, of course, that's fun and stuff, but these guys are motivated, and it was nice to play with people who gave a shit. We've all been in different bands, and this is just easy."
Not everything is about pure sonic assault, though. Perrin, who has roots in jazz guitar and doesn't play down his love of J-pop, has enrolled in jazz courses this fall at Kansas City, Kansas, Community College.
"I've been playing jazz since eighth grade," Perrin says. "I've taken a bunch of music-theory classes. I understand scales and keys. It works for us in that Mike is very feel, and I take his feel and I dissect it."
"I taught myself," Gustafson explains. "Usually it takes them a second to figure out what I'm doing because they're like, 'What key is that in?' And they're trying to figure out time signatures and stuff. And I'm just like, 'Just go with it.' I'm a terrible influence."
Another EP is in the works, and for the first time, Bummer is headed to a professional recording space (Weston House Recording). Another first: actual vinyl. But like Milk, the next EP — set for a fall release — will include just four songs. The reasoning?
"We're poor," Gustafson says. His companions give despondent nods.
"But this is the last EP," Williams says. "We thought it'd be cool to do at least one EP that gets physically put out, and then do a full-length after and put it out on vinyl — you know, if the EP goes well on vinyl."
Still, don't expect the LP, which might see a release next winter, to overcompensate with lengthy material. For the most part, Bummer's songs run less than four minutes, and the live shows rarely push past 25.
"There's a lot of bands that play for 30 or 45 minutes, and I'm standing there like, 'Dude, I actually want to leave now,' " Gustafson says. "We usually do a 15- to 20-minute set. We try to get in there, play loud and leave."
"There's an article called 'Six Reasons Your Band Shouldn't Play Longer Than 20 Minutes' [by Drew Ailes, of The Village Voice], and everyone should read it," Perrin says. "If you play more than 20 minutes, you over-satisfy. You want to leave the audience with just enough, and if they dig it, they dig it. If they want you to play more, that sucks. I guess they have to come see you again. That's how it's always been with us."