The Lonely Biscuits, American Dinosaur
1200 Callowhill Street
Philadelphia, PA, 19108
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
High-energy, back-to-basics rock & roll.
That's the sound of Easy, The Week's long-awaited followup to their breakthrough album, Dear Bo Jackson. Recorded at Ardent Studios in Memphis — a place filled with the ghosts (and gear) of the Replacements, ZZ Top, and Big Star, all of whom traveled to Ardent to create their own landmark albums — Easy finds The Weeks doubling down on a mix of groove, grit, and guitars. It's swaggering and sharply-focused, shining new light on a band of brothers who, although still in their mid-20s, have already logged a decade's worth of sweaty gigs together.
If Easy bears resemblance to the raw, rowdy attitude of the The Weeks' live show, it's because the album was written at the end of a busy, five-year period that found the group rarely leaving the road.
"We moved to Nashville in 2010," remembers frontman Cyle Barnes, who formed the band in Jackson, Mississippi, with his three longtime bandmates: drummer (and twin brother) Cain Barnes, guitarist Sam Williams, and bass player Damien Bone. "We spent 2011 to 2015 touring. November 2015 was the first time we ever spent an entire month in Nashville."
Those years on the road were eye-opening for The Weeks, all of whom were just teenagers when they began playing together in 2006. By their early 20s, the guys were touring Europe with Kings of Leon, promoting the newly-released Dear Bo Jackson in front of 20,000 people each night. Back in America, The Weeks continued playing their own club shows, too. The experience taught them how to bridge the gap between arena shows and smaller gigs. In short, it taught them how to be themselves, no matter the audience.
Appropriately, Easy consolidates the band's strengths. While the songs on 2013's Dear Bo Jackson were thick with horn arrangements, strings, and guest appearances, Easy is a leaner, louder beast. The Weeks began working on its 11 tracks after returning home from a long tour and taking some time to rest, reflect, and regroup. Newly energized, they began writing songs at Sam and Damien's home in Nashville, with Cyle and Williams splitting the bulk of the songwriting duties. The whole process relied on collaboration, with the full band fleshing out the newer songs.
"Everyone would come to the house, make food, hang out, and play music 'til four in the morning," Williams remembers. "We wrote 25 songs, then picked our favorites for the final tracklist.
Easy is driving and direct, captured in punchy sound by producer Paul Ebersold. The goal was to clear out any unnecessary clutter, focusing instead on The Weeks' biggest strengths: the elastic power of Cyle's voice, capable of a crooning drawl one minute and a roof-raising howl the next; the range of Sam's guitar playing, from Motown-influenced chord stabs to garage-rock blasts of sound; and the interlocking rhythms of Damien and Cain. They threw some curveballs into the mix, too, riding a lovely, lazy, organ-heavy groove on the southern soul song "Hands on the Radio" and punctuating songs like "Ike" with a small horn section. Along the way, they made good use the studio's vintage gear, finding room on a handful of songs for Elvis Presley's microphone, Big Star's snare drum, the "Green Onions" organ from Booker T. & the M.G.'s.
"We said, 'If we can do this song in five chords, let's do it,'" says Sam. "That way, whenever the curveballs do happen, they mean a lot. We focused on the songs first, and then we added stuff, as long as it didn't harm the energy or the groove. We wanted to pick our moments better."
Inspired by the real-life characters, places, and stories The Weeks encountered on tour, Easy is a record about where the band has been, as well as a sign of where they're going. "I wanted the stories to be real — a little dark, maybe — but I wanted them to be redeeming, too," says Cyle, who began turning the stories into proper songs once the tour ended. He tossed some personal tales into the mix, too, with songs like the autobiographical "Gold Doesn't Rust" focusing on the joy of plugging in, tuning up and rocking out.
"We just wanted to make a rock record," adds Damien, shrugging his shoulders at the simplicity of it all. The Weeks earned their road warrior credentials years ago, but they've never defined their ambition — or the wide range of their abilities — this clearly before.
And speaking of simple…what's the deal with that album title?
"We called it Easy because every time I make music with these guys, it's easy," says Cain, who has spent more than a third of his life as a member of The Weeks. "It feels good. But the other side of it is, there's nothing easy about being in a band. There's nothing easy about staying together for 10 years and still wanting to make music. We have the hardest and easiest job on the planet. But it works for us."
The Lonely Biscuits
The Lonely Biscuits, formerly known as Gravy and the Biscuits have been together since September of 2011. Founding members Grady Wenrich and Sam Gidley were random roommates at Belmont University, in Nashville, where they started jamming and making music out of their dorm room. John Paterini, current lead singer of the band came into the picture in September after hearing some of their tunes from his dorm room across the hall. Then, two months later, Nick Byrd joined the band as an official biscuit playing bass guitar. Blending soul, funk, and pop with rap; The Lonely Biscuits have created a unique sound that has appealed to a wide array of people. The Lonely Biscuits have toured the country playing at universities, festivals, and clubs, gaining dedicated fans everywhere they go. The band was recently named mtvU's first ever "College Artist of The Year", and traveled to Austin, TX, to perform at the mtvU Woodies Festival at SXSW. The band has independently released three EPs. Their latest EP "A Girl Named Destiny", charted on Billboard's Regional Heatseekers Chart, and gained national coverage from numerous notable music blogs and magazines. The Lonely Biscuits continue to write, record, and perform new music that can relate with anyone, and they will continue to share it with as many people as possible.
American Dinosaur is a 4 piece stoner rock group out of Philadelphia, Pennsylvania. Rock is a label that seems to be thrown around rather loosely these days, but they are truly a Rock and Roll band. The kind of Rock and Roll that you have been searching for since the 70s. Yes, that well written, soul grabbing, face melting Rock and Roll with a new space age twist.
Established in August of 2013, American Dinosaur the band spent their first year together learn- ing and recording their debut self titled album 'American Dinosaur' which was released in April of 2015 both digitally and physically. After the band won the 2nd Annual PHL Live Center Stage, the band experienced great success, first playing a Live @ 5 on Radio 104.5 Philadelphia’s iHeartradio Alternative powerhouse.
In February of 2016, the band began recording their follow up EP entitled One For the Birds at MilkBoy Studios in Philadelphia with Tommy Joyner. The EP was released to great acclaim, with the debut single in rotation on 88.5 WXPN in Philadelphia. The song “Sweepstakes” has re- ceived heavy airplay from WXPN, sparking support from Helen Leicht’s Philly Local program, and enthusiasm from Operations Manager andWorld Cafe talent producer Dan Reed who says,
“Some real rock & roll just when the format desperately needs it... our core audience grew up with the AMERICAN DINOSAUR sound, and yours did too...”
DAN REED- WXPN
Since WXPN has embraced the record, the band continues to receive support from WRFF 104.5 FM, and recently the record was the WMMR Local Record of the Month, as featured on Jaxon’s afternoon drive program.
American Dinosaur has played with nationally touring acts such as Elle King, Nathaniel Rateliff and the NightSweats, X-Ambassadors, The Unlikely Candidates and The Seratones; and in the best venues such as the TLA, The Trocadero, MilkBoy on Chestnut, Bourbon and Branch, as well as many venues out of state in NYC, NJ, DE, and Baltimore/DC.
These guys are an act to watch, with their space age take on that classic rock sound, incorpo- rating sweet, sweet harmonies with killer riffs and intricate guitar solos. You can follow them on Facebook and Instagram @AmericanDinosaur and on Twitter @AmericanDinos. All other in- formation can be found at www.AmericanDinosaur.us.
$12.00 - $15.00