515-B North McDonough St.
Decatur, GA, 30030
Doors 6:00 PM / Show 7:00 PM
Independent singer-songwriter Ryan Horne brings his insatiable creative thirst to the table with his latest release, 'Vanilla Lightning'. 8 albums into his 10-year career, Horne has arrived at a clear musical vision, and it is grand. With the success of each solo album, strong television placements in shows such as FX's Sons of Anarchy, The WB's Hart of Dixie, MTV's 16 & Pregnant, various commercials and other syncs, and solid writing cuts on various artists records, Ryan has made it clear he will be around for a while as an accomplished and prolific artist/songwriter/performer.
When Reuben Bidez sings, he opens his heart and projects a vulnerability that draws you into his intimate portraits of lovers facing the pleasures and woes of romance. “I want to write songs that explore real emotions,” he says. “Songs that awaken people from their slumber of distraction and make them feel something.” On Turning To Wine, his first EP, he’s as good as his word. He delivers a collection of inviting melodies and insightful lyrics that illuminate the mysteries of the soul, with a vision informed by sorrow, uncertainty and the warmth of unconditional love. The songs are a record of the transitions he’s been going through since he moved to Nashville from Atlanta. “The record is a snapshot of the changes I’ve been experiencing in my marriage and my music, for the last two and a half years. They’re more honest and open than anything I’ve written before.”
Bidez worked with Grammy winning producer Mitch Dane (Jars of Clay, Humming House, The Kicks, Ryan Horne, Rob Blackledge) to capture the dynamics of a live performance, with arrangements that move from warm, ambient overtones to the brittle chiming of electric guitars. Bidez plays acoustic12-string on the title track to support his hushed vocal, slipping into a doleful falsetto to underline his message of fidelity. When the band joins him for the closing bridge, consecrated organ and mournful harmonies underscore the painful realization that even the most dedicated love may have its limits. On “Intruder,” the dark tones of a spectral cello adds resonance to the hesitant phrasing Bidez uses to break familiar words into unexpected shapes and give them new meaning. Icy sustained notes from a slide guitar and keening vocal harmonies intensify the sentiments of “Can We Survive.” It’s a question most lovers ask themselves and Bidez answers with a resounding “yes,” supported by a soaring string section and his jubilant vocals. The pealing 12-string guitar returns to highlight “Holding On,” the record’s quiet final track, another testament to unlimited devotion in the face of life’s uncertainties. “This album takes the listener on a journey through the ups and downs of a relationship,” Bidez says. “We deal with hope, fear, betrayal and disappointment every day. I find it challenging to address those emotions in a four minute song.”
The move to Nashville gave his career the expected boost. He put out Colors In My Eyes, a self-produced acoustic EP, released a single called “Learning to Love You,” and landed a video of “Can We Survive” on the American Songwriter website. The magazine praised the music’s “rich, soulful sound.” Bidez will be touring to support Turning to Wine, both solo and with a five-piece band. “The band shows are more raucous than the record,” he says. “Live, we can reinvent the songs, stretch out a bit and give them a different feel.”