TFDI features Tony Lucca, Jay Nash and Matt Duke
515-B North McDonough St.
Decatur, GA, 30030
Doors 6:15 PM / Show 7:15 PM
Watch & Listen
He was cast by Justin Timberlake to play "the cool guy" in Timberlake's directorial debut.
He finished third on The Voice in 2012, won a record deal in the process, and received more press coverage than any contestant on the show that season... or any season, for that matter.
He made a record with Adam Levine, then toured with Maroon 5 and Kelly Clarkson.
He was cast on the hit show "Parenthood" playing himself as a rock singer, and performed an original song.
He even starred in an Aaron Spelling prime-time drama and dated Keri Russell for years, winding up in countless gossip mags.
His name is Tony Lucca.
So why isn't he a household name? Maybe he simply hadn't made the right record before.
This time, Lucca believes he has. It's his 8th full-length studio album, his first self-titled release, and first entirely self-produced effort.
"We went in with the intention of making a record that was as live-sounding as possible. I wanted to close my eyes and be able to visualize the players in the room or up on the stage, actually playing the songs together. One guitar over here, the other guy over there, bass, drums, some keys? I mean, that's the rock-n-roll I fell in love with when I was a kid." Lucca pulls inspiration from the heroes he heard on the radio growing up, from Tom Petty, Billy Squier to AC/DC's Angus Young, tapping into a sense of timelessness he places somewhere between The Black Crowes and the Black Keys.
Each of the 12 songs on "Tony Lucca" are deeply personal. The record kicks off with "Old Girl," Lucca's rebuff to the music business treadmill. On the upbeat "Imagination", Lucca recalls the evening where he met his wife... to the best of his ability. Lucca's fans will enjoy the diverse sonic quality of four of his trademark ballads -- the epic and sweeping piano-driven "North Star", the optimistic "Smoke 'Em", the push and pull of love lost and found in "Right On Time", and the sweet album closer that bares his daughter's name, "Sparrow."
Funded by a very successful Kickstarter campaign (one that hit its $25K funding goal just inside of 30 hours), Lucca feels strongly that his fans stepped up so that he could make the best record he possibly could -- one he could finally feel comfortable releasing with his own name as the title. To that point, Lucca says "this record is pure. And honest. And hopefully completely refreshing to its listeners."
Tony Lucca was born on the outskirts of Detroit on the heels of Motown's heyday, raised within the loving confines of an enormous family of musicians; his mom was the 10th of 12 kids who all sang and played. At the ripe old age of 12, Tony had his first paying gig as a musician at a Jr. High School dance and by the age of 15, he parlayed his childhood rock-n-roll fantasy into a legitimate career, getting cast among an extraordinary group of newcomers on The All New Mickey Mouse Club, along with Justin Timberlake, Ryan Gosling and Britney Spears.
Shortly after graduating high school, Lucca wound up in LA and embarked upon an independent recording career that would span over 20 years. Along the way he's toured with artists as colossal as Maroon 5, Kelly Clarkson, *NSYNC and Marc Anthony, as well as several of his fellow Hotel Cafe kin including Josh Kelley, Sara Bareilles, Joey Ryan (Milk Carton Kids), Gabe Dixon and Andrew Belle. Lucca won the LA Music Award for best male singer/songwriter in 2001 and appeared numerous times on Last Call with Carson Daly, as well as The Wayne Brady Show and The Tonight Show with Jay Leno. Also in 2013, Lucca was the sole entertainment for FOX's NFL Thanksgiving Day telecast for the Detroit Lions vs. Green Bay Packers game.
I remember when I was kid, being dumbfounded, paralyzed and terrified all at once, when the notion of infinity first dawned on me. I think that I was eleven years old and in the sixth grade at Enders Road Elementary School. It was then, that the expanse of the Universe and the endless stream of time first dwarfed my perception of my own reality and it was then, for the very first time that I felt afraid and alone.
This pre-pubescent, existential crisis was thankfully subverted by a fortunate discovery.
Sure, I had been listening to bands like Def Leppard, Quiet Riot and Kiss on expandable suitcase-record player since I was seven, which was all well and good. But, it was the sound of the Grateful Dead, emanating from my Sanyo boombox, as I laid in my bunk bed, that reconnected me to the world, humanity and I dare say, the universe. There was a language of truth that I had never heard before in Jerry Garcia's fiery playing (circa the 1971, 'Skull and Roses' release), that intertwined in conversation, chorus and harmony with Bob Weir's, glassy, rhythmic punctuations. The entire band was communicating with each other and it's audience in way that I could barely comprehend. Suddenly, I was no longer alone.
Shortly thereafter, I flipped that 90 minute Maxell tape over and discovered a resonance of similar amplitude in the songs and voice of Cat Stevens. Of course, his music was of a completely different shade, but the connection was just as strong. It was clear to me, at that moment, in my eleven year old mind, that Cat had pondered the same questions and fears that I had in my early existentialism. Again I realized, I was not alone.
What followed between then and now, was probably not all that different than the experience that many American songwriters have had growing up. My uncle gave me a guitar, I became obsessed with the recordings of the Grateful Dead, Bob Dylan, Cat Stevens and the like, and I began to figure out how to play some songs. Slowly (though not particularly surely) I would also begin to find my voice as a singer, a player and a writer. Eventually, I found my way to New York City, then on to Los Angeles and onto stages all across the land.
All of that stuff hardly seems as important though, as that discovery that I made when I was just a kid. It wasn't necessarily The Dead, Jerry or Cat Stevens, specifically…it really could have been anyone, I think. Sam Cooke, Michael Jackson, Charlie Parker…Frank Sinatra. What I discovered, was the connective power of music. Every once in a while, throughout my life, I will forget and when I do, I suppose that I let my perception of the world around me fade in to black and white. Then, I will hear a voice, or a song…or find myself onstage with a particularly open and enthusiastic audience, or sharing a harmony with a friend…and BOOM! Everything explodes back into technicolor.
So – that is what I do. I seek that connection. I search for that sound. I suspect that the universe has some particular resonant frequencies and I believe that is truth that we are all looking for. Just as it exists in the physical world, I think that we can find that resonance in melody, harmony, rhythm and poetry. I was lucky enough to discover it very early on in my life – and so, I take that as a hint from the universe that I should encourage and enable others to make similar discoveries.
Thanks for taking the time to read this and here's hoping you can find it too.
As heard on XM Satellite Radio's "The Loft" and "Coffeehouse", Matt Duke is an American singer-songwriter born in Reston, Virginia but raised in Mount Laurel Township, New Jersey. He released his first independent album, Winter Child in 2003 co-produced by Stewart Lerman (Loudon Wainwright, Dar Williams) and Steuart Smith (The Eagles, Shawn Colvin) at The Shinebox Studios in New York City. Later he signed to a major label and has since released multiple albums: Kingdom Underground and One Day Die, plus two more EPs.
Duke began playing piano at the age of seven, and by ten he developed a deep love for the arts. Inspired by artists such as Van Morrison, The Band, and Pearl Jam, he taught himself how to play his mother's vintage guitar. Duke spent his high school years at Philadelphia's St. Joseph's Prep, where he was exposed to Ani DiFranco, Ben Harper, Tool, and Damien Rice. Impressed by their poignant lyrics and musical ambition, Duke started writing and performing at coffee houses in Philadelphia area. He tours primarily as a solo act, with just an acoustic guitar but is also a member of the acoustic guitar trio T.F.D.I. with Jay Nash and Tony Lucca.