Collective Concerts Presents
1197 Dundas Street West
Toronto, ON, M6J 1X3
Doors 8:00 PM
This event is 19 and over
Lydia Ainsworth's third album, Phantom Forest, introduces a lush, complex dream world that the singer, composer, and producer created and inhabited largely on her own. She produced all the songs, and wrote and performed everything on the self-released collection outside of a reimagined cover of Pink Floyd's "Green is the Color" and two other tracks ("The Time," "Give It
Back To You"), which started as instrumentals written by Survive's Kyle Dixon (who composed the Stranger Things soundtrack with his bandmate Michael Stein), to which Ainsworth wrote melodies and added lyrics.
Ainsworth, who's relocated to Los Angeles from Toronto since 2017's Darling of the Afterglow, explains that the collection revealed itself to her "as a play taking place in Mother Nature's vanishing home," aka Phantom Forest, and that she's singing from three perspectives: herself, Mother Nature, and Greek Chorus. For instance, of the album's opener, "Diamonds Cutting
Diamonds," she explains: "The Greek Chorus sets the scene, narrating and offering direction on how to enter Phantom Forest. It's my hope that the listener will imagine the narration to be directed to them as well, as they begin the journey of the album."
You'll get a sense of this from the collection's edenic cover art and the playful, pastoral video for the album's first single, "Can You Find Her Place." Its inspiration came from Ainsworth's love for Italian Renaissance painter Botticelli's 15-century masterpiece "Primavera," an allegorical representation of the burgeoning fertility of the earth in spring. She notes: "The video features the Greek gods of the painting in a choreographed Baroque style dance." Keeping with the personal feel of the collection, her sister Abby Ainsworth directed the clip.
In line with the classical and historical depths of Phantom Forest, Ainsworth, who holds a Masters Degree in film scoring composition from NYU and studied composition as an undergrad at McGill, notes that although the album might be considered pop, she approached it as an orchestrator. "Even if I'm dealing purely with synths," she says, "The songs are like a score, each one an evolving journey. I love to use strings so I've included my string arrangements on 'Tell Me I Exist' and 'Can You Find Her Place.' I recorded live musicians on drums, bass, and guitar on 'Edge of the Throne,' 'The Time,' and 'Floating Dream,' and wove those live elements into my programmed elements."
Phantom Forest is a beautiful, vast collection that mixes the historical and the hands on, with hooks about the apocalypse and people obsessively using face-recognition software to see what paintings their face match with, in search of some kind of connection. It's a journey that holds
up to close listening (and lyric reading) and to dance floors, but that can also exist on a purely emotional plane. In all cases, it asks that you listen, and take some kind of action.
Digits is Alt Altman, an electronic pop artist from Toronto, who first started gaining media attention when he was living in London and Berlin. The Death and Desire mixtape (2012) was an instant hit among critics in the UK, with Clash, DIYMag, Dummy, and The Line of Best Fit, and the Guardian called it a "near-classic of mournful electronica, a synth-pop album to stand alongside the Human League's Dare."
After opening slots in Europe with Junior Boys, Yacht, Dillon, and Toy, he moved back to Toronto, where he has since played Canadian dates with St. Vincent, Dan Deacon, Cadence Weapon, Basia Bulat, Diana, Doldrums, and Blue Hawaii. Digits has done official remixes for Sally Shapiro and Sean Nicholas Savage and has released four Prism Prize-nominated music videos including “Street Violence,” Exclaim's #4 video of 2013.