Surfer Blood, Lazyeyes

Surfer Blood

SURFER BLOOD’s fourth album, Snowdonia, (in stores Feb 3, 2017) is a return to their DIY recording roots, and at the same time, an ambitious step forward, musically and lyrically. Along with plenty of Surfer Blood’s signature catchy pop hooks, the band also concocted several epic and more complex songs with enormous attention to sonic detail. John Paul Pitts wrote and mixed the album alone, for the first time since their debut Astro Coast. The immediacy is intoxicating and the results are fantastic. Surfer Blood get better and better with each album, and we’re betting that they’ll be making great records for many years to come.

Surfer Blood are a magnificent indie rock band from West Palm Beach, Florida that formed when guitarist/vocalist John Paul Pitts and drummer Tyler Schwarz started playing better-than-great musical notes together in Dreyfoos High School. New members Mikey McCleary and Lindsey Mills also attended the same high school.

Surfer Blood began recording and touring immediately behind their infectious debut, Astro Coast (2010) and quickly took over almost the entire world (except for the deepest realms of the ocean and really, really cold places). The group followed suit with the Tarot Classics EP (2011), Pythons (2013) and 1000 Palms (2015). Surfer Blood have performed in 5 continents, toured with heroes like The Pixies and Guided By Voices, played on TV, at Coachella and giant festivals throughout the world, while also occasionally plugging in their amps at all-ages house parties. Surfer Blood are the cleanest and nicest band in existence.

Lazyeyes is a three-piece from Brooklyn, New York formed in the summer of 2012 by guitarist and vocalist Jason Abrishami (The Twees), Paul Volpe (Triple Cobra) on bass, and Jeremy Sampson (Eastern Hollows) on drums. The band self-released their sophomore EP, 'New Year' in January 2015, which was quickly picked up and reissued by Burger Records cassette imprint, Wiener Records.

Lazyeyes was a featured artist in the November 2014 issue of NME Magazine and, in December, Stereogum described their sound as "a muscular, riff-happy brand of guitar-based dream-pop," going on to proclaim, "their songs burst with angular hooks and polished melodies." Their single, "Adaptation" also received high praise from Interview Magazine, who wrote, "'Adaptation's" fast-paced, garage-tinged guitar riff draws the listener in, propelling you through chorus and verse. It is both urgent and reassuringly familiar."

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