1131 S. Broad Street
Philadelphia, PA, 19147
Doors 7:30 PM / Show 8:30 PM
This event is 21 and over
FORGET was recorded during a period of epic productivity for Xiu Xiu. While writing FORGET, they released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, composed music for art installations by Danh Vo, recorded an album with Merzbow and scored an experimental reworking of the Mozart opera, The Magic Flute. All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works.
The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo. It features guest appearances by fabled minimalist composer Charlemagne Palestine, LA Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.
Standout track, “Wondering” is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of FORGET, it still bears an underlying tension that manifests differently in each piece. From the haunted guitar duet of "Petite", the hilariously fraught lyrics of "Get Up," the advanced industrial boxing match of "Jenny GoGo," or the experimental goth explosion of "Faith, Torn Apart," all the songs in their own way build to a roiling boil of a fate in vanishing.
The calligraphy on the cover translates literally to "we forget." It bows to the universality of everything and everyone's inevitable decline and foggy disappearance. Regarding the album title, Xiu Xiu singer Jamie Stewart said, “To forget uncontrollably embraces the duality of human frailty. It is a rebirth in blanked out renewal but it also drowns and mutilates our attempt to hold on to what is dear.”FORGET is both the palliative fade out of a traumatic past but also the trampling pain of a beautiful one's decay.
Xiu Xiu is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart
Known for their cinematic orchestrations blending folk, pop and electronic music, Grandchildren have been steadily making a name for themselves since songwriter Aleks Martray founded the group in Philadelphia in 2008. Since then the band has evolved into a dynamic ensemble of musicians, lauded by critics and fans alike for their intricately layered arrangements and high-energy performances.
Martray attributes their eclectic sound to his nomadic upbringing across Europe, the US and Latin America and a reverence for music of the past. He explains, “I grew up on everything from Michael Jackson, to Fela Kuti, to Rachmaninoff, so music was both a form of time travel and the one constant that held everything together.” This sense of a sonic journey and musical omnivorousness is what defined Grandchildren’s first two albums – Everlasting (2010) and Golden Age (2013).
With their third album ZUNI, Grandchildren hone their distinctive ability to strike a poetic balance between the intimate and epic. Throughout the album, a joyful celebratory lightness is at battle with its lyrical darkness, washing over them like a baptism. The resulting feeling is an elixir of moods that can best be described as a kind of “dark pop” – a poetic tug of war between beauty and darkness, inspiration and despair, where simple heartfelt songs usher you through a landscape of complex rhythms and melodies.