Windstorm & OK Productions presents
The Jesus and Mary Chain
The Psychic Paramount
1099 Euclid Ave NE
Atlanta, GA, 30307
Doors 7:00PM / Show 8:00PM
The Jesus and Mary Chain
Like the Velvet Underground, their most obvious influence, the chart success of the Jesus and Mary Chain was virtually nonexistent, but their artistic impact was incalculable; quite simply, the British group made the world safe for white noise, orchestrating a sound dense in squalling feedback which served as an inspiration to everyone from My Bloody Valentine to Dinosaur Jr. Though the supporting players drifted in and out of focus, the heart of the Mary Chain remained vocalists and guitarists William and Jim Reid, Scottish-born brothers heavily influenced not only by underground legends like the Velvets and the Stooges but also by the sonic grandeur and pop savvy of Phil Spector and Brian Wilson. In the Jesus and Mary Chain, which the Reids formed outside of Glasgow in 1984 with bassist Douglas Hart and drummer Murray Dalglish (quickly replaced by Bobby Gillespie), these two polarized aesthetics converged; equal parts bubblegum and formless guitar distortion, their sound both celebrated pop conventions and thoroughly subverted them.
In late 1984, the band issued its seminal debut single, "Upside Down," a remarkable blast of live wire feedback anchored by a caveman-like drumbeat; the record made the Mary Chain an overnight sensation in the U.K., as did their nascent live shows, 20-minute sets of confrontational noise (performed with the band's members' backs to the audience) which frequently ended in rioting. The follow-up, "You Trip Me Up," further perfected the formula, and led to their 1985 debut LP Psychocandy, which gift-wrapped sweet, simple pop songs in ribbons of droning guitar fuzz. After a two-year layoff (during which time Gillespie exited to form Primal Scream, and was replaced by John Moore), the Jesus and Mary Chain returned with Darklands, a dramatic shift in approach which stripped away the feedback to expose the skeletal guitar pop at the music's core. After a sprawling 1988 collection of singles, B-sides, and demos titled Barbed Wire Kisses, they emerged with Automatic, which introduced a more tightly coiled brand of feedback while jettisoning Moore's live drums in favor of synthesized beats.
After another long absence, the Mary Chain (minus Hart) resurfaced in 1992 with Honey's Dead, and earned greater U.S. visibility thanks to a spot on that summer's Lollapalooza lineup; the first single, "Reverence," also won them renewed notoriety at home when Top of the Pops banned the song because of its opening lines, "I wanna die just like Jesus Christ" and "I wanna die just like JFK." With 1994's gentle, largely acoustic Stoned & Dethroned, they even reached the U.S. pop charts thanks to the lovely single "Sometimes Always," a duet with Mazzy Star's Hope Sandoval. Another collection of scattered sides, The Jesus and Mary Chain Hate Rock 'n' Roll, followed a year later, highlighted by the single "I Hate Rock 'n' Roll," a scabrous swipe which reclaimed the pure noise attack of their earliest work. Moving to Sub Pop, they returned with Munki in 1998. William Reid left the group during the subsequent tour, and in 1999, the Jesus and Mary Chain officially disbanded. They reunited in 2007 and have toured sporadically.
The Psychic Paramount
Have you experienced The Psychic Paramount yet? If you get the chance, see 'em live, they're pretty much the ultimate in ultra-heavy, This Heat/krautrock inspired, interestingly rhythmic instrumental post-rock... An intense, very controlled freakout is how we'd paradoxically put it.
But this is not Neu! or Faust, not unless you took those guys, lit them on fire and launched them into space! Guitars careen and wail and keen and shriek, slipping fluidly from gorgeous melodic runs to full on fiery freakouts, all over a thick snarled bed of throbbing serpentine bass and ultra distorted drums (recorded so hot that every hit sends the needle even MORE into the red). This is like an indie rock Last Exit. It's not just noise and pummel though, these are killer songs, the guitar parts especially, not only are they so complex and confusional they make you think this band must have at least three guitarists to whip up this sort of squall, but they are totally hook laden, which they sort of have to be as The Psychic Paramount are all instrumental. You'll totally find yourself anticipating certain riffs and licks, like you would your favorite line in a normal song. This record effortlessly steps all over pretty much every record in its path, it's not metal but manages to be way heavier than half the metal we hear, it's not really prog, but it's so much more complex and, well, progressive than nearly ANYTHING we've heard, and on top of everything, it's totally catchy, and noisy, and weird.
$27.50 - $30.00
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Tickets for all shows also available at Ticketmaster.com and all Ticketmaster outlets. Charge by phone at 1-800-745-3000.