Muddy Magnolias

Muddy Magnolias

All of this would be better
if we live together.
—from "Leave It to the Sky"

American music is a mile-wide river that beckons black and white, urban and rural, dreamer and doer alike to launch their vessels. All the streams of style and genre flow into it; its tributaries are blues and jazz, mountain and folk, rock, soul and R&B.

The release of the debut album by Muddy Magnolias, Broken People, marks the launch of a great new vessel onto that waterway. The album showcases a confluence of style and sound as colorful as it is unlikely, steeped in that river of influence, yet bracingly fresh.

With Broken People, Jessy Wilson and Kallie North take us on an 11-song journey with its origins in two widely divergent backgrounds that came together in a friendship and creative partnership with world-changing resonance.

North was raised in southeast Texas and began singing with her family and studying piano at an early age. She grew to love rich vocal harmonies singing in church choirs and listening to artists like the Carpenters, Alison Krauss, James Taylor and the Eagles. By her early teens, she was singing lead parts in church and in musical theater productions at her high school. Her palette grew when a friend turned her on to the Grateful Dead, and after high school she spent every spare moment in the clubs of Austin, absorbing everything from alt-country and jam bands to New Orleans funk. She met her husband at a concert and moved with him to his native Mississippi. There, on their isolated farm, she had her awakening, starting a career as a photographer, capturing the spirited, deep history of the Mississippi Delta.

"To me, the Delta is the most overlooked and mysterious place," she says. "It was the birthplace of America's music, and all the legends were influenced by everything that came out of it. I went on this personal exploration to learn about the Delta blues and the region's history. I picked up a camera and started taking pictures, blogging about what I was experiencing, and I tapped into all the creative energy lying dormant inside me." When her husband gave her a guitar, she began spending her days on the porch of their farm learning how to connect her first chords. From there, the songs began pouring out and she knew she had to find a way to get to Nashville and write songs professionally.

Wilson, raised in Brooklyn, was in love with music from her earliest days. She was singing before she could talk, and was 5 when her mother recognized her passion for music. "I would cry because I couldn't hit the high notes in Whitney Houston and Mariah Carey songs," she says. Influenced by greats from Aretha and Smokey Robinson to Lauryn Hill, Mary J. Blige and The Notorious B.I.G., she began auditioning in the highly competitive New York entertainment scene and was working professionally in musical theater by the age of 10. Her mother took her to nightclubs where she experienced a variety of live performances. She attended New York's top performing arts schools, including La Guardia High School, the "Fame" school, where she discovered her love for gospel music and took part in the gospel chorus for four years. She worked at Cafe Wha? in Greenwich Village, making $500 a weekend while still in high school.

She sang backup for Alicia Keys in her teens, then worked four years with John Legend, and through him with legends like will.i.am, Kanye West, Raphael Saadiq and Babyface. Legend mentored her in songwriting and recording before she began writing songs on her own for American Idol winner Fantasia Barrino and others. Inspired by her evolving love of songwriting, she too moved to Nashville, looking for a wider creative palette. There, while meeting with then-BMI executive Clay Bradley, her eye settled on a photograph of "a rundown juke joint piano" in his office.

"I want to meet whoever took that photo," she said. The photographer was North—it had been taken during her creative awakening in Mississippi—and the subsequent meeting led quickly to collaboration and an epic friendship.

"The first day we wrote together," says North, "there wasn't much thought that we were blending genres and worlds. That never came up. It was just natural. She had never written a country song and I was writing them every day. We sat down to write one but when we listened back it was a country R&B song. And we decided to become songwriting partners." Before long, they had their first cut as collaborators, and they were off and running.

"The spirit of the Muddy Magnolias existed from the moment we met," says Wilson, "but we didn't know we were the Muddy Magnolias yet." North was toying with the idea of a solo career; Wilson had aspirations of making history as an African-American female songwriter in Nashville. Their new friendship was a game-changer.

"We spent a whole year writing, trying to understand what our message was when we combined our stories," says Wilson. Then one day over afternoon wine at Burger Up, their favorite hangout in the 12 South section of Nashville, both admitted to be being at a crossroads. "The next thing you know," says North, "Jessy said, 'What if we made a record together?' It was like all of our dreams in one."

"We went back to that same office on Music Row where I saw the photograph," says Wilson, "and sat down side by side in Clay's office and said, 'We've got something to tell you. We're going to make an album together.'" Bradley believed enough to sign on as their manager. They held three days of band auditions and found four best friends who had been playing together since college, primarily doing jazz. The fit was perfect, providing just the right sonic backdrop for their soulful approach and high-energy delivery.

As they continued to write and perform, opening for the likes of The Zac Brown Band and Gary Clark, Jr., they put together a project that crosses genres effortlessly, showcasing two voices that soar together in a blending of cultures as electrifying as if Janis Joplin and Tina Turner, or Whitney Houston and Lee Ann Womack had joined forces.

Broken People combines poetic imagery and vocal passion, with the musicianship and production of Motown or Muscle Shoals by way of the raw honesty of Sun Records. Of course it deals with love, longed for and unleashed, in songs like "I Need A Man," "Why Don't You Stay" and "Devil's Teeth," but the album soars as it reaches for bigger themes, dealing with the need for hope in "Take Me Home," for love on a societal scale in "Shine On" and "Brother What Happened," and hope for the future in "Got It Goin' On." With "Leave It To The Sky," the two, joined by John Legend on vocals and piano, make a powerful case for spiritual solutions, and few songs in the modern lexicon are as steeped in present-day reality as the gospel- and R&B-tinged title track.

"Ultimately," says North, "this album is a result of an unlikely friendship and is a testament to what can happen when you diversify your relationships."

"It's about getting out of your comfort zone and being rewarded with a great friendship," adds Wilson. "We've both felt the power of that."

"Our path is so much better and our lives are so much richer because of it," says North, "and we want to bring people along on this journey."

"We want to see what society would be like if we all reached out in ways we normally wouldn't," adds Wilson.

And that is the magic and the message. The music of Muddy Magnolias, live and on record, comes from a place where the Mississippi meets the A-Train by way of Nashville. Whether yours is the back porch or the front stoop, Spanish moss or window box garden, dusty country lane or crowded subway car, rural honky-tonk or uptown club, this is music that beckons. Muddy Magnolias are collaboration without boundaries, musical healing in a landscape of the heart, and all of us who treasure creative energy, honest art and the possibilities of love and unity, are better for their arrival.

BEAU + LUCI

Hailing from the swamplands of Southern Georgia, raised on a heady blend of rock-and-roll and blues and classic country, Beau + Luci mine their rich musical heritage to dream up an extraordinarily timeless sound. On their upcoming debut EP, the two sisters infuse their earthy yet lushly textured folk-rock with naturally immaculate harmonies that never fail to captivate. And in their songwriting, 18-year-old Beau and 21-year-old Luci reveal both a sublime sense of wonder and a graceful sophistication well beyond their years. Produced by Dan Hannon (Manchester Orchestra, Aaron Shust), Beau + Luci’ s debut EP finds the duo collaborating with a host of esteemed musicians, including guitarist Scott Sharrard and keyboardist Peter Levin (both members of the Gregg Allman Band) as well as keyboardist Rami Jaffee (best known for his work with Foo Fighters and the Wallflowers). Throughout the EP, Beau + Luci show a sharp sense of songcraft honed through their near-lifelong studying of legends like Joni Mitchell and Johnny Cash. At the same time, the two channel pure passion into each track, instilling the EP with a powerful energy. “ With our songwriting, our main goal is to take what’ s in our heads and hearts and express it in a way that people can connect with,” says Luci. “ We want to be as honest as possible, and dig really deep with the hope that someone can listen and say, ‘ Someone else is feeling the same thing I’ m feeling—I’ m not alone.’” Along with drawing from real-life experience, Beau + Luci weave in elements of visionary storytelling throughout the EP. Inspired by a central character from Cornelia Funke’ s Inkheart trilogy—a fire-eater named Dustfinger—the intensely charged “ Fire Dancer” explores what Luci refers to as “ the idea of taking something that could be used for destruction and instead using it to give hope.” On “ Like a Drum,” meanwhile, Beau + Luci merge urgent rhythms and serpentine guitar work with brilliantly chilling lyrics (“ The devil’ s been beating me down/He wants my freedom” ).“‘ Like a Drum’ is about going through a difficult time, where there’ s this constant wear and tear on your heart and you feel like you can’ t get any relief,” says Beau. “ But it’ s also a refusal to give into that—it’ s saying, ‘ You’ re not going to beat me down, I’ m going to keep on going no matter what.’” Rounding out the EP are several inspired covers, with Beau + Luci offering their soulful and spirited take on songs by artists as eclectic as Emmylou Harris, One Direction, and Arctic Monkeys. Born to musically inclined parents—their dad played drums all through high school and college, while their mom played piano—Beau + Luci grew up just a few miles from the Okefenokee Swamp and started singing in the church choir as little kids. In 2012, they formed a youth worship band at their church and took the helm as lead singers.“ It was our first time performing with a live backing band, and it made us realize that music was our calling,” says Luci. The two then dedicated themselves to writing and self-recording their own songs, and soon began performing live. In summer 2015, the duo drew the attention of Hannon, who dropped by a Beau + Luci show in Atlanta and promptly invited them to his studio to set to work on their debut EP.Self-described “ flower children with rock-and-roll souls,” Beau + Luci have recently expanded their musical repertoire by learning to play guitar, keys, and percussion. They’ re also continuing to sharpen their songwriting, in addition to developing their live performance. “ We’ re both very shy people, which was tough for us at first,” notes
Beau. “ But even though we’ re shy, we can still get up onstage with the confidence of knowing that we’ ve put all our heart and soul into our songs.” And in each live show, Beau + Luci have found that those songs take on an even greater emotional depth and power. “ The electric shows have a lot of energy and the acoustic shows are much moreintimate, but both shows allow us to join in this amazing moment with the people in the crowd,” says Luci. “ It’ s like we’ re all able to share our stories together, and for a moment everyone just understands each other perfectly.”

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