Last Rites Present...
Wed
Jul
18
Hammers of Misfortune
The Gates Of Slumber, Venomous Maximus, Earthen
Reggies Rock Club
2109 South State St
Chicago, IL, 60616
Doors 8:00PM / Show 8:30PM
This event is 17 and over

Hammers of Misfortune was formed in the mid-1990s under the name Unholy Cadaver. At the time, the only members were guitarist John Cobbett and drummer Chewy Marzolo, both of whom shared vocal duties. Enlisting the help of other musicians, among them Mike Scalzi of The Lord Weird Slough Feg, they recorded a full album’s worth of material in their rehearsal space. However, only three of these nine tracks were included on the band’s aptly titled Demo #1, and the majority of the material remained unreleased until 2011, when Shadow Kingdom Records released the entire recording as the Unholy Cadaver LP. Unholy Cadaver’s output laid the groundwork for what would become Hammers of Misfortune’s signature style, but it also contained elements of death metal that would be phased out in future recordings.
In 2000, the band changed its name to Hammers of Misfortune, taking its moniker from a track on the Unholy Cadaver demo. Recruiting Scalzi and Janis Tanaka (formerly of Fireball Ministry and L7), the band released its 2001 concept album The Bastard on Tumult Records. The Bastard received many positive reviews in the metal community, including several “best of 2001″ awards from magazines such as Terrorizer and Lamentations Of The Flame Princess.
In 2003 the band signed a deal with Cruz Del Sur Music, releasing their second album The August Engine by the end of the same year. This album was also well received by the metal community, getting a 10/10 review from Brave Words & Bloody Knuckles magazine among other acclamations.
After The August Engine, Janis Tanaka stepped down (to tour the world with pop star P!NK), and the band recruited Sigrid Sheie (keyboards, flute, backing vocals) and Jamie Myers (bass, vocals). This new lineup toured the US twice, and recorded The Locust Years, which was released on Cruz Del Sur in 2006.
After The Locust Years, there was another lineup change. Mike Scalzi left the band, in order to focus on his main band, The Lord Weird Slough Feg, and Jamie Myers left the band in order to raise a family. Scalzi was replaced by Patrick Goodwin, and Jesse Quattro replaced Myers on vocals. Bassist Ron Nichols (ex Christ On Parade, Grinch) was added, and drummer Chewy left, and rejoined the band. With this new lineup, the band recorded the double album, Fields/Church of Broken Glass (Profound Lore), in 2008. However, this lineup was not to last, as Quattro, Nichols and Goodwin parted ways with the band in 2010.
Cobbett subsequently recruited bassist Max Barnett (ex Old Grandad), guitarist/vocalist Leila Abdul-Rauf (Saros, Vastum, Amber Asylum) and lead vocalist Joe Hutton (ex The Worship Of Silence). In March 2010, Hammers of Misfortune announced that they had signed a record deal with Metal Blade Records. Since then, Metal Blade has re-released The Bastard, The August Engine, The Locust Years, and Fields/Church of Broken Glass. In October 2011, the band produced their fifth studio album, 17th Street, another critical success which landed on many year end lists, including Popmatters and NPR.
"huge riffs, demonic growls and sword-sharp solos…these battle-ready warriors hail from the
hellish outlands" – SPIN
"Crom, I have never prayed to you before. I have no tongue for it. No one, not even you, will remember if we were good men or bad. Why we fought, or why we died. All that matters is that two stood against many. That's what's important! Valor pleases you, Crom... so grant me one request. Grant me revenge! And if you do not listen, then to HELL with you! "
– Conan the Barbarian
Bruising bashers THE GATES OF SLUMBER deftly defy death on their latest volcanic eruption, Hymns of Blood & Thunder. Remember that time when Conan strapped your head to the Anvil of Crom, and then those three bearded, burley bastards bludgeoned it to a bloody pulp using a giant hammer forged of Wrought-Iommi? Well, it's that time again as Indianapolis heaviest sons return with their latest full length epic!
THE GATES OF SLUMBER encapsulates the metal experience for true believers. The Indianapolis doom metal trio formed in the late 1990's with the goal of creating a band whose sound delivered an updated take on the member's long list of favorite heavy metal greats. Weaned on Black Sabbath, St. Vitus, the melodic might of Iron Maiden and a host of classic bands from Thin Lizzy to Rainbow to Mercyful Fate, THE GATES OF SLUMBER draw deep from heavy metal's most powerful blood and deliver doom in its purest form.
The band's hotly anticipated new album, Hymns of Blood & Thunder drops on the heels of the brightest and busiest year in the respected power trio's history; one that saw THE GATES OF SLUMBER pack clubs during its first U.S. headlining tour and land atop many year-end media polls with Conqueror, an album that was hailed as "a breath of fresh air within the doom / true metal underground." The record placed at the #5 position in Decibel's "Top 40 Albums of 2008" and made Village Voice Media's "Top 10 Metal Albums of 2008", joining an impressive list of some of the genre's finest including AC/DC, Judas Priest and Metallica.
Now signed to the highly respected Rise Above Records – the London based independent record label owned by Lee Dorrian (vocalist of the band Cathedral and original lead singer of Napalm Death) – THE GATES OF SLUMBER unleashes its holy grail; the formidable Hymns of Blood & Thunder. A mighty document of both powerful songwriting and instrumental skull-crushing, the album is heavy and chillingly bleak; in an almost unrelenting way that hadn't been heard since Judas Priest's heyday (Sad Wings of Destiny, Sin After Sin, etc.). Displaying a newfound focus and direction and demonstrating a very compelling emotional range, THE GATES OF SLUMBER have upped its levels of both technique and melody, resulting in an album that is at once frighteningly dark in its effect, tight in its grooves and unrivaled in the sheer power of its jackhammer guitar riffs, all of which stamp the record an instant classic!
"Just prior to the band's 2008 U.S. headlining tour, I started working on songs for the new record with the goal in mind that it had to be a step forward for us compositionally as well as production wise," THE GATES OF SLUMBER front man / guitarist Karl Simon remarks. "I knew that I personally wanted to work on more integrated and composed solos to allow for different sides of me to come out - sides that are more influenced by Judas Priest and The Scorpions, rather than the flurries of hammer-ons that I owe to Tony Iommi and Wino. The songs are more aggressive, more riff-y this time, but they also retain the musical elements that we've explored over the last couple of records. Lyrically it's a continuation of our obsession with war, and death and the fantasy worlds where those things are all so common and cool."
Hymns of Blood & Thunder is a sinister, muscular collection that ties the disparate strands of the band's style together while jacking the adrenaline rush up to previously undreamed-of levels. The whole band is at the absolute peak of its powers in terms of technical execution and the result is a hard, driving sound that is harder, faster and louder. Produced and recorded in full analog at Chicago's Volume Studios and produced by Sanford Parker (Nachtmystium, Lair Of The Minotaur, Pelican), the album's crushing riffs brim with melody and solos "wail" as the strong vocals of front man Karl Simon and a storming rhythm section hammer home songs such as "Chaos Calling", "Beneath the Eyes of Mars", "Iron Hammer" and the galloping "Death Dealer".
From the moment the album's battering-ram sound kicks in all the way through to its ominous title track closer, the group's fourth full length rocks with a classic heavy-metal vengeance and a hooky, driving momentum that's usually absent in metal's doomy end. Like it or not, heavy metal is here, there and everywhere and THE GATES OF SLUMBER scores a head-banger's bull's-eye with Hymns of Blood & Thunder.
THE GATES OF SLUMBER has clearly become a new American voice for underground metal, and has done so with maximum conviction. With plans for serious worldwide touring on behalf of Hymns of Blood & Thunder, THE GATES OF SLUMBER is out to show why it is regarded as one of the most talked about new true doom / heavy metal bands today.
Houston's Venomous Maximus gurgles with the sounds of proto-metal gods Pentagram and Blue Cheer as well as new-school leaders like High on Fire. The headspace of this band falls somewhere between a Alejandro Jodorowsky film and a New Orleans voodoo den. Hail Satan and pass the chicken feet.
EARTHEN is a Chicago based metal band which seeks to provide a range of listeners with quality music inspired by life experiences and the voice of nature which resonates within us all...
Earthen was born of “The Narthex Projeckt”, a creation brought into being in 2003 by Mike Le Gros. Originally a female fronted band, after experimenting with various different sounds and a plethora of members who came and went, Earthen has finally evolved into the sort of musical experience that it is today. Nature being the ever present driving force in all of our lives, is often reflected in both the imagery and music that Earthen produces. Each member provides his or her own unique addition to the sound whether it be the soul-churning guitars, the storm of drums, the powerful emotion of the keyboards, the lilting accent of the flute, the thunder of bass or the haunting melody of the male vocals. Together they coalesce to form a voice that has been forgotten by humankind for far too long. You can hear us in the wolf’s mournful howl or in the night wind as it whispers through the ghostly trees. We are here to remind you of the fate that binds us all. We are Earthen.
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Hammers of Misfortune with The Gates Of Slumber, Venomous Maximus, Earthen
Wednesday, July 18 · Doors 8:00PM / Show 8:30PM at Reggies Rock Club