Knitting Factory Brooklyn Presents
Y La Bamba
361 Metropolitan Ave
Brooklyn, NY, 11211
Doors 7:30PM / Show 8:30PM
This event is all ages
Y La Bamba
"Doing Portland Proud: Y La Bamba." - Billboard
"Y La Bamba makes fractured folk that sounds as if it comes from dog-eared diaries. The author is statuesque Luz Elena, the daughter of Mexican immigrants, whose vintage vocals seem to come from the 78-rpm era." - Buzzbands LA
"...mixes Devendra Banhart-influenced art-folk with hazy femme vocals and traditional Mexican sounds to weirdly entrancing effect." - LA Weekly
"The band continues to build up steam, maintaining its core strength in the voice and posturing of Mendoza. Her vocal lines swim out from a haze of guitars and dreamy percussion, often looping back into a cacophony that is eerie in effect but still somehow comforting, like the song that comes floating through in a fairy tale when the children are lost in the woods and just about to despair." - Portland Mercury
In an age of fleeting success and temporary notions, Chris Pureka is an artist of substance, armed with an eye for detail and an emotional intelligence that can switch from withering to compelling with a subtle inflection. Her third studio album, How I Learned To See In the Dark, adds bold new elements to the base she has built over her six-year career. From non-traditional percussion, to lyrical abstraction, to a new unrestrained vocal quality, to Pureka's choice of co-producer (longtime friend Merrill Garbus of tUnE-YaRds), this record signals an exploration of broader musical soundscapes.
While maintaining the unique alchemy of longing, loss and hope Pureka sets to music, there is a sonic adventurism on How I Learned to See in the Dark that marks a new stage in Pureka's musical evolution. Even from the first notes of the album's opening track, "Wrecking Ball", longtime fans and the newly converted will sense that How I Learned To See In The Dark is a bigger album, deeper and more vast than anything she's released to date. "I wanted it to feel different right away," Pureka explains. "And 'Wrecking Ball' exemplifies many of the elements that are different from the last record." That difference is a newfound edginess, coupled with a more abstract sound: there is a musical depth and complexity that shines through each track, all the while maintaining the space and creative instrumentation Pureka is known for. Standout track, "Landlocked", showcases Pureka's technical prowess with the finger-picking style that won her so many accolades on Dryland while "Broken Clock" is the rhythm driven, heavy hitter bound to be on your next break up mix. "Wrecking Ball" mixes a playful quirkiness in production with an underlying paced anger, laced with twangs of percussive guitar. Finally, album closer, "August 28th" is the deep breath following the emotional tumult that precedes it – a return to quiet contemplation for the writer and the listener: "I think the whole world needs a shoeshine/I think we're all living proof."