Sat
Jul
28
Girl in a Coma
Kaleidostars
Radio Radio
1119 E. Prospect St.
Indianapolis, IN, 46203
Doors 8:00PM / Show 9:00PM (event ends at 12:00 am)
This event is 21 and over

Girl in a Coma, hailing from the Lone Star State, formed when best friends Jenn Alva and Phanie Diaz met in Jr-high school art class over a mutual love of the Smiths, Nirvana, and skipping school. All they needed was a singer. Enter Nina Diaz, Phanie's then 12-year old little sister. Nina blew them away with her mesmerizing vocals, a powerful voice some critics have compared to Bjork, Patsy Cline, and the band's hero, Morrissey himself. The trio practiced for three years, gigged at local punk rock clubs, played a High School talent show, one kid's birthday party, and then hit the road, building up a solid and loyal fan base across the country.
In 2006, the Girls played for Joan Jett and long-time songwriting partner and producer, Kenny Laguna, at New York's Knitting Factory as part of a cable TV show featuring unknown bands. Jett and Laguna were so impressed with the band that they signed GIAC to their label, Blackheart Records, on the spot. The band's 2007 debut album, Both Before I'm Gone, was a critical hit with raves from Alternative Press Magazine, the LA Weekly, Bust magazine, among many others, with the album reaching No. 23 on Billboard's Heatseekers chart and No. 21 on iTunes. "Clumsy Sky," the band's first single, won a 2007 Independent Music Award in the Best Song-Punk category. The last of the four singles released, "Their Cell," was recently voted by TV viewers into the Top 10 on Logo's The Click List show.
Since the CD's release GIAC has been headlining shows in venues coast-to-coast, playing on Cyndi Lauper's "True Colors" tour, as well as opening for the Pogues, Social Distortion, Tegan and Sara in a cross-country national tour, and with Morrissey in both Europe and the U.S.
In between the constant touring, the band was busy writing songs for their new CD, the upcoming Blackheart Record's release Trio B.C. The creative process was a new and liberating experience for the Girls.
"The challenge for this record was having to come up with songs in a matter of a year," Jenn explains, "with Both Before I'm Gone we had 7 years with that material. For this new CD, a little over 18 months."
As with their first album, the end result is a unique amalgamation of eclectic influences: oldies, rockabilly, 90s alternative, and contemporary bands both indie and mainstream. And in a nod to their San Antonio, Texas background, the Girls place their cutting-edge rock sound in a familiar context.
"We chose Trio B.C. as the album title because it was the name of our grandfather's Tejano band way back in the 50s," Phanie Diaz explains. "He was our first musical influence. He would play us guitar and sing and we would love to watch him in the garage with a cold beer in his hand playing his records and singing along like he meant it. His passion is our inspiration. We hope to make people feel that way about our music."
Trio B.C. includes tracks produced by Grammy-award winning producer Greg Collins (U2 and Gwen Stefani) and Gabriel Gonzalez (formerly of Sparta and one of the producers of the band's debut Both Before I'm Gone). Joan Jett and Kenny Laguna produced two special tracks on the CD, "Vino," and "Joannie in the City," a snarling, post-punk rock cut featuring Joan Jett on guitar along with Jett's distinct vocals on background.
"The song is about females in the music business," Girl in a Coma's writer/singer Nina Diaz explains about her song, "having that tough attitude and doing what you want. Joan was the door opener for us all."
The rest of the album's cuts explore different styles and tempos with tracks ranging from the eerie and poetic love song "El Monte" to the fast and hard rocking "Static Mind." Other tracks include the delicate ballad "Pink Lemonade" and the more sonically experimental "Ven Cerca," Girl in a Coma's first Spanish language song, a cover of a bright 1960s Mexican pop song, but made modern and dissonant with feedback and fuzzy guitars reminiscent of Sonic Youth at their grungiest best.
When not on the road Phanie likes to Ghost Hunt. Jenn paints pictures. And Nina has a stuffed bear named Güenther. They all love tattoos.
Fronted by tattooed blonde bombshell Lindsay Manfredi, American rock outfit Kaleidostars delivers powerful hooks, punk energy, and a glam rock swagger with aspirations to move audiences worldwide with its bold, ambitious, and inspired sound.
In some ways Lindsay Manfredi is a throwback to a 90s riot grrrl: a fearless, confident, and brainy feminist who is actively engaged in social causes (e.g., Lindsay is a co-founder of Girls Rock Indianapolis!, a rock camp for teenage girls). Lindsay’s voice can be juxtaposed from gritty and raw to sweet and melodic sometimes within the same song. Lindsay is also a gifted lyricist delivering lines like “heading there, brace for impact” (“Autograph”) and “we tend to take advice from lost souls” (“Soar”). It is clear to the engaged listener that Lindsay has a lot on her mind that she needs to express musically to connect with people experiencing their own hopes, dreams, and struggles.
Kalediostars formed from the ashes of Neon Love Life, an all-girl group Lindsay fronted that called it quits after it gained notoriety with an indie debut album due to a hectic tour schedule and a member moving away. Lindsay met future Kaleidostars’ band mates Eric Klee Johnson and Marc Johnson at The Pop Machine recording studios in Indianapolis where Eric and Marc produced a Neon Love Life track for “Forevermind”, a tribute record commemorating the 20th anniversary of Nirvana’s “Nevermind”. The Johnson-Manfredi-Johnson collaboration was a success scoring over 70,000 downloads of the release. “It was natural for us to work together after the disbandment of Neon Love Life,” said Eric. “We have common musical sensibilities and a drive to make timeless, not timely, music”.
Kaleidostars recruited drummer Tony Medeiros upon Medeiros’ return to the U.S. Midwest after spending several years in Los Angeles as a session and touring musician. Eric, Marc, and Tony last worked together in the paisley underground band Wonderdrug. Eric and Marc are record producers and mix engineers who have worked with the Airborne Toxic Event, Cold Stares, Tokyo Police Club, and John Waite who oversee the recording of the K-Stars’ music.
Marc Johnson is a rock guitar phenom that colors Kaleidostars’ sound with an iconic Gibson-Marshall guitar sound who crafts muscular riffs worthy of Mick Ronson, Jimmy Page, or Jack White. Bassist Eric Klee Johnson and drummer Tony Medeiros interlock to provide a sturdy sonic foundation that is sometimes groovy, sometimes straight-ahead – always powerful.
Kaleidostars released their debut single “From Here” in 2012 and have pledged to release (at least) one song every month during 2013; January’s installment is the arena rock love anthem “Soar”. The individually released tracks (available for digital download and streamed online at Bandcamp and Soundcloud) will ultimately compile Kaleidostars’ debut release on Indie 500 records.
Who’s Going
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Radio Radio
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Girl in a Coma with Kaleidostars
Saturday, July 28 · Doors 8:00PM / Show 9:00PM at Radio Radio