True Widow

Dallas trio TRUE WIDOW craft patient, rounded music that calls to mind images of
foggy dawns and parched fields. Formed in November 2007, TRUE WIDOW released
their self-titled debut a year later and immediately caught the ears of the underground. At its core, the music of TRUE WIDOW is powered by the driving, guitar-dense aspects of shoegaze and stoner rock and the heavy, low-moving evocations of ambient music.
Following their auspicious start, the band returned in 2011 with their sophomore full length, As High As The Highest Heavens And From The Center To The Circumference Of The Earth. As High As The Highest Heavens saw the band solidify their direction and further mature their sound, but it wasn’t until 2013’s Circumambulation (TRUE WIDOW’s debut album for independent label Relapse Records) that they reached the heights - both professionally and compositionally - they have now. Circumambulation garnered the band widespread praise both within and beyond the metal world and was praised by publications as diverse as Pitchfork, NPR, Decibel Magazine, and Metal Injection. The band followed up the success of that album with extensive touring across the US, Russia, and Europe, including numerous appearances at renowned festivals such as Roadburn, Fun Fun Fun Fest, Psycho California, and more.
This year, Avvolgere, the forthcoming LP from Texas trio TRUE WIDOW, perfects the
formula that Circumambulation established. The album rocks and rolls with serene, rounded climaxes and steep, jangling choruses that engulf the listener with waves of downbeat, saccharine melodies and mesmerizing distortion. TRUE WIDOW’s signature alternation between male and female vocals helps further blur the boundaries between the heft of stoner rock, the droning atmosphere of shoegaze, and the twangy catchiness of blues and indie rock. It’s both concise and circuitous - the album takes you on a journey that you can’t ever quite predict or expect. Avvolgere is TRUE WIDOW sounding more infectious and consummate than ever before.
True Widow is:
D.H. Phillips (guitar/steel guitar/vocals)
Nicole Estill (bass/acoustic guitar/vocals)
Slim TX (drums/piano)

Mary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record, the Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam and Collected Pieces, were released by Ghostly International.

Mary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur, directed by Philippe Garrel (who approved of the project), and the Czech New Wave classic Valerie and Her Week of Wonders, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project, respectively. She has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt.

Ghostly International will release her third solo record in late spring of 2018.

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