Netherlands (Record Release!), Dead Heavens, King Pussy Face, Gull

Netherlands

The Netherlands are a concept band; and the concept is that they're fucking brilliant

"Netherlands rejects restraint in favor of maximum impact: shredding chops, soaring vocals, and maddening hooks, all laced with goofball quirk. Following Ellis' mission statement of making music that is equally "light-hearted, brutal, ecstatic", Netherlands crushes decades' worth of bombast into psychotropic nuggets of evil rock bliss. With nods to the dirtbag rituals of 70s heavy metal, the grandeur of 80s arena rock, and the crunch and hooks of 90s alternative." -Curran Reynolds

Dead Heavens

“Dead Heavens came to me while watching a film called An American Hippie In Israel,” says frontman and guitarist Walter Schreifels. “In the film the aforementioned American Hippie collects a group of like minded flower children from around Tel Aviv. They cram into a convertible for a drive to the sea and pick out an uninhabited island to begin a new “free” society. They lose their raft, the waters around the island are shark infested, there’s no drinkable water or food save a single lamb which the hippies ultimately fight to the death for--their heaven dead yet the lamb survives. Our band is like the lamb, a lamb that grows into a goat, with horns.”

The early sparks of the Dead Heavens’ sound began on a Schreifels solo, with Thomas and Aguilar as the backing band. They were obsessing over Cream’s first album Fresh Cream and MBV, My Bloody Valentine’s both miasmic yet blissful follow up to Loveless. Aguilar also introduced them to the psych beauty of White Fence on that tour, which resonated with Schreifels, who was in the mood for heavier music, guitar solos, and a big rock feeling after a recent Quicksand tour.

Upon returning to NYC, Aguilar reacquainted Thomas and Schreifels with musician, painter, engineer and dude who came up with the title Use Your Illusion, Paul Kostabi, who had previously played in White Zombie and Psychotica.

“I knew Paul from his days with White Zombie, but hadn’t seen him in years and didn’t know he was recording,” Schreifels said. “Turns out he was in possession of the same 16-track reel-to-reel I had recorded Gorilla Biscuits’ Start Today on back in ’89, so it was a perfect fit.”

They began recording at Kostabi’s home studio in Piermont, New York with his massive collection of ‘70s recording reels from The James Gang, Sabbath, and Hendrix, spinning in between takes.

“Those recordings really inspired our sound,” Schreifels said of Kostabi’s analog archive. “we began to see ourselves in the context of the Vietnam War.”

Eventually Kostabi joined Dead Heavens, which had morphed mid-recording from a project into an actual band, changing the sound dramatically. Heavier and dual guitar leads, more sonic possibilities. Whether they’re connecting the sounds of the psychedelic ‘70s or channelling the now, Dead Heavens are soundtracking their exploration and as drummer Drew Thomas mentions, “What the world needs now is for more people to take psychedelic drugs.”

Dead Heavens will be releasing their first slab of vinyl, “36 Chambers” b/w “History In My Hands” on San Diego’s Thrill Me record this TKK. With denim inspired artwork by San Diego’s own Dusty Dirtweed, Dead Heavens is launched into the world to succeed where the hippies failed.

Nathaniel Rappole's solo project Gull is best described as a drum; a living, breathing, squawking drum that cries out assorted music of creatures past and delivers it from a single unique perspective; a communal music broadcast of blood and bile left as an offering on the altar of sound.

Gull has been active for more than a decade and has recorded a 7", 2 EP's and 2 full length albums and has spent the better part of the past 5 years touring vigorously ~ playing venues, on the streets and in the wilds of North and Central America, Kenya and Europe.
Gull has toured in support of White Rabbits, Tres Mts and RNDM and has shared the bar arena with the likes of Silver Apples, Girl Talk, Deerhoof, Adrian Belew, Panda Bear and Melt Banana...

In 2012 Gull was featured in a movie about music in Mexico called Hecho en Mexico (Netflix), and in 2014 he produced, hosted and performed in a documentary on street/public music and culture in Kenya (Street Muse: Kenya), which premiered at The Fowler Museum at UCLA in Los Angeles, CA on August 21st, 2014.

$10.00

Tickets Available at the Door

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