Ramona Falls

Ramona Falls

Like most of us, Brent Knopf watches a lot of YouTube videos, only he's not watching kittens playing piano. Rather, his tastes err on the more experimental side of things—like people who attempt perpetual motion machines using magnets. "I love that they're trying to harness an endless supply of energy," says the Ramona Falls frontman, "and that they go against conventional wisdom in the hopes of true discovery."

Which is exactly what Knopf did last year, when he decided to quit the acclaimed art rock trio Menomena and devote his time to one epic, personal vision. Prophet, the second Ramona Falls album, is sonically, lyrically and thematically brighter. It's also more organic and personal than anything he ever contributed to Menomena, or as the singer/multi-instrumentalist explains, "it's more of a rapid transit line between my sleeve and my heart."

"With Ramona Falls I am exploring what I stand for which makes it more personal to me," Knopf admits. "I'm less worried now about being made fun of, than I was before. I can now say things I believe in, and some people may think it's stupid or cheesy…but that's kind of fun. I would much rather speak from the heart than hide behind impenetrable obfuscation."

Recorded with bandmates Paul Alcott (drums, and also, ironically, Knopf's replacement in Menomena), Matt Sheehy (guitar), and Dave Lowensohn (bass) and featuring guest appearances by four other friends, the stunning album begins with "Bodies of Water," an emotive and rousing anthem about how intimacy bundles together both nourishment and peril. "Spore," a heartfelt highlight of Prophetbears a substantive core: "I like the idea of someone refusing to feel lonely, despite how utterly alone they might actually be," Knopf explains. "It's a form of rebellion." But the 11 tracks are not all exercises in introspective fragility; "Brevony" is Knopf's most unleashed moment with gnarling guitars ambushing the listener at the chorus on all sides.

Prophet, the album's title, is an homage to Knopf's religious upbringing, a titular reference to a worldview that reveres exalted seers who assert meaning despite the chaos. But as the newly empowered songwriter has discovered with Ramona Falls, it's a better strategy to embrace the chaos. And then refashion it into a beautiful noise.

Deer or the Doe

Deer or the Doe might be Portland’s most generous band. In addition to bankrolling wantstogiveyou.com, a website offering free downloads of some of the best sounds of PDX, the songwriting and design team of Cassie Neth and Aaron Miller have collaborated on some of the most iconic album covers over the past few years, from Point Juncture WA’s Handsome Orders to Petoskey’s Bombs Away. It’s not surprising, then, that Neth and Miller have built a family for themselves in Deer or the Doe. Joined by Carlos Segovia, Blake Carillo, and Clint Cunningham, they’ve stayed the course for two EPs and one split live album. Do the math and that’s five years altogether, an eternity for an unsigned band. Listening to Tonight We Love You, their debut full-length, it’s impossible not to be moved by their resilience and patience. Deer or the Doe have always been one of the loudest, most passionate live bands in Portland, and on these eleven songs, recorded with V.P. Nash at Church Modes, they manage to pull off the big-hearted reach of The Wrens or Broken Social Scene. With Neth’s soaring melodies anchored by Miller’s manic, ragged emotion, here is a slice of rock ’n roll for the not-quite-ready-to-get-a-day-jobs. In a town brimming with great frontwomen, Neth might be our most underrated. Who cares about waiting / about failing? she sings on album standout “I Can See.” Deer or the Doe certainly don’t, and we’re lucky for that.

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Ramona Falls with Deer or the Doe

Wednesday, June 20 · Doors 8:00PM / Show 9:00PM at Hi-Dive

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