
"Issaquah, WA, indie rock trio Modest Mouse was formed in 1993 by vocalist/guitarist Isaac Brock, bassist Eric Judy, and drummer Jeremiah Green. After honing their muscular sound in "The Shed" -- a makeshift practice space built by Brock on the land next to his mother's trailer -- Modest Mouse entered Calvin Johnson's Dub Narcotic Studios to cut their 1994 self-titled debut single, released on Johnson's K Records label. Following a move to the Up label, the trio issued two 1996 LPs, This Is a Long Drive for Someone with Nothing to Think About and Interstate 8. After returning to K, Modest Mouse released The Fruit That Ate Itself in 1997; its follow-up from later that year, The Lonesome Crowded West, was the band's breakthrough, and in the wake of a major-label bidding war, they signed to Sony. The rarities collection Building Nothing out of Something appeared on Up in early 2000, followed later that year by their long-awaited Epic debut, The Moon & Antarctica. In 2001, the band issued the Everywhere and His Nasty Parlor Tricks EP and K released Sad Sappy Sucker, a "lost album" that was intended to be the group's full-length debut back in 1994. Brock kept busy with his Ugly Casanova side project, which delivered Sharpen Your Teeth in 2002. Modest Mouse finally returned in 2004 with Good News for People Who Love Bad News, their best-received record and a Top 40 hit as well. For their next record, Brock enlisted the help of former Smiths guitarist Johnny Marr, who not only added his songwriting and playing skills to We Were Dead Before the Ship Even Sank -- which was released in early 2007 -- but also toured with the band as a member. No One's First and You're Next, an odds and sods collection of songs that included material dating back to the Good News for People Who Love Bad News era, arrived in summer 2009." - Jason Ankeny, AllMusicGuide
Speakers everywhere this fall will rejoice with the arrival of Eyes at Half Mast, the third record from Talkdemonic. The Portland, Oregon duo of Kevin O'Connor and Lisa Molinaro have been playing together since 2003; she plays the viola and cello, while he plays everything else, including, but not limited to: drums, synths, and acoustic instruments. The result is an intoxicating blend of symphonic strings and explosive percussion; achingly beautiful music.
Eyes at Half Mast is the band's high water mark. The album teems with moments of spirited beauty, (especially on Duality of Deathening and March Movement) and of haunting elegies (as exemplified by Tides in Their Grave and Dust and Heat). There are passages filled with raw dissonance on the record, such as the release and tension offered by Civilian. There is a sense of loss and memory running through many of these songs, but the tone of the record is ultimately one of hope, a satisfyingly dark vitality that embraces melodic confidence.
Talkdemonic continue to expand the range of emotion that they are able to evoke without words. The band is emerging in terms of composition, song structure and recording, and the sound crystallizes here. Talkdemonic hit a stride in songwriting with tunes like Ending the Orange Glow and Black Wood Crimson, which feature complex arrangements, layers and harmonies. It's worth nor mixed thirteen of the fourteen songs from this set.
Audiences admire Talkdemonic for their uncompromisingly cathartic and bewitching live sets, as they witness the co-mingling of O'Connor's rhythmic prowess and Molinaro's tempestuous craft. It becomes a welcome contagion, to know Talkdemonic, as they remind us continue to treat music as something of crucial importance and endless amazement.
Upcoming Events
9:30 Club
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Tue, June 18
Amadou and Mariam
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Wed, June 19
Dawes
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Thu, June 20
Son Volt
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Fri, June 21
Dwight Yoakam
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Sat, June 22
Who's Bad: The World's #1 Michael Jackson Tribute Band
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Mon, June 24
Rock The Debt! featuring Midnight Hike
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Wed, June 26
Caravan Palace
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Fri, June 28
Richard Cheese & Lounge Against the Machine
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Sat, June 29
1958 - A dance party featuring the music and video of Madonna, MJ, and Prince
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Mon, July 1
CSS & IO Echo