WAX IDOLS & KING WOMAN: LEVITATE TOUR, PRESENTED BY NOISEY with Primitive Weapons
1120 Manhattan Avenue
Brooklyn, NY, 11222
8:00 PM (event ends at 11:59 PM)
This event is 21 and over
You could say that a lot has happened since the release of Wax Idols’ critically well-received 2013 album, Discipline + Desire, and if you’re steeped in the shorthand of music criticism go-to narratives, it would be dangerously easy to get reductive about what happened next: The band’s singer-songwriter, Hether Fortune, supported the album as best she could, spent some time in 2014 as a touring player in White Lung, went through a heartbreaking divorce, and then sat down to make American Tragic – the band’s long-awaited third album and ﬁrst for Collect Records. But that’s not exactly how it went.
“Divorce is a part of this record, yes, but this is not an entirely sad album,” Fortune explains. “The whole spectrum of grief is represented here — shock, pain, anger, loneliness, and then ﬁnding a way to work through all of that and not only survive, but thrive. That’s what I was going through.”
In that sense, American Tragic stands out in the Wax Idols catalog for its profound empathy — elegiac in its approach, but connective by nature. Songs like “Lonely You” and “Goodbye Baby” divide the line between kiss-me and kiss-off, while others, such as “At Any Moment” or “Deborah,” provide deep emotional contrasts between their upbeat musical approach and downright icy lyrical counterparts. To say, then, that this is simply a break-up album is to sell short an idea that Fortune has been playing with over the entire arc of Wax Idols’ discography, and that is the notion that identity is neither ﬁxed nor consistent: We can be independent and attached, in need of discipline and desire, or even fully autonomous with a little bit of help. As Fortune points out here, even America, for all its symbolism and mythic value, also rests in tragedy.
Website: http://wax-idols.com/Twitter: https://twitter.com/WAXIDOLS Facebook: https://www.facebook.com/waxidols/
KING WOMAN Bio 2017
Formed in 2009 by vocalist Kristina Esfandiari, the Bay Area's KING WOMAN began as a solo project then later developed into a full band. Over the course of the last seven years, KING WOMAN have crafted a sound thoroughly their own - a sound that harnesses the elastic textures and temporality of drone and metallic shoegaze alongside the transcendental, melancholic power of doom. The band's debut EP Doubt (released on leading San Fran avant-garde imprint The Flenser in 2014) paired weighty subject matter with wistful, brooding, and hypnotic songwriting. KING WOMAN's mystical sound resonated strongly enough to catch the attention of renowned independent label Relapse Records, who signed the band in 2016.
KING WOMAN's debut full-length Created in the Image of Suffering is set for a February 2017 release via Relapse. A profoundly crafted opus of dirgey, ethereal doom-rock, the album was recorded with engineer Jack Shirley (Deafheaven, Wreck & Reference, Oathbreaker) at the Atomic Garden. Created In The Image of Suffering's seven compositions evoke rich, gloomy imagery with crumbling washes of blurred, billowing distortion densely layered atop hazy, psychedelic atmospheres that call to mind a surrealistic Black Sabbath fronted by Mazzy Star. Complete with deeply personal, introspective lyrics that serve as a catharsis for years of religious and mental torment, KING WOMAN truly suffer to create their art.
KING WOMAN is:
Tickets Available at the Door
Mon, September 16
Wed, September 18
Wed, September 18
Thu, September 19
Fri, September 20