Party Store Productions Presents
Shells, Dead Machines
2110 Trumbull Ave
Detroit, MI, 48216
This event is 18 and over
Watch & Listen
RHYS CHATHAM altered the DNA of rock. The New York-born composer began as a classically-trained prodigy, but by 1975, Chatham was fusing the overtone-drenched minimalism of John Cale and Tony Conrad with the relentless, elemental fury of the Ramones. It was an inspired amalgamation — the textural intricacies of the avant-garde colliding with the visceral punch of electric guitar-slinging punk rock — and with it Chatham created a new type of urban music. Raucous and ecstatic, this sound energized the downtown New York scene throughout the late 1970s and early 1980s, prefigured the No Wave movement and cast a huge influence over the subsequent work of Chatham’s many protégés, including Glenn Branca and future members of Sonic Youth.
“For years Rhys Chatham’s music has been more heard about than heard. While his work languished out of print, disciples such as Sonic Youth have gone to the bank with his sound. Chatham’s sonic vocabulary is an inspired marriage of minimalist structures, rock cadences and glittering overtones obtained from massed electric guitars played in unusual tunings at crushing volume. [His] knack for garbling indelible melodies in gorgeous sonorities makes them as attractive as ever today.”
“Blue Oyster Cult and Kiss might’ve made noises about guitar armies, but it took composer Rhys Chatham to actually deploy one. And there’s no other way to say this: It rocks.”
“A huge reckoning with one of the downtown greats looming larger than the Federal Reserve building. Chatham is huge... a crowning achievement.”
Hypnotic textural guitar instrumentals.