Brass Bed, Forgetter, Sean Barna
2477 18th St. NW
Washington, DC, 20009
Doors 7:30 PM / Show 8:30 PM
This event is all ages
Sweating their way through tour fever, exhaustion, and the last round of shows supporting 2013's The Secret Will Keep You, Brass Bed entered The Loading Dock studios in Sacramento's fruit-packing district with Chris Woodhouse (Thee Oh Sees, Ty Segall) to blast out a three song set on a chance collaboration. Woodhouse's breakneck tracking speed and explosive guitar treatments collided with a Brass Bed line-up well honed in dynamic, incandescent performances from nearly a year on the road. The result was an unlikely marriage of aesthetics boiled quickly in a summer heat that resulted in a raw, unsettled, lunging, leaning, and skuzzy version of a band heretofore known for its song craft and precision, all captured live to 16 tracks of two-inch tape.
While the three-song session would serve as the cornerstone of the band's upcoming 4th LP (much of which was also recorded with Chris at the Dock) the material as it sat right on the tape, mixed in a fury of caffeine and beer, was just too good to languish on a reel. Recorded with the shortest distance from sweaty performance to wax, and presented in its purest form, the band shares "Be Anything" b/w "Mind the Gap" and a glimpse of what's to come.
Brass Bed is the lifelong collaboration of Jonny Campos, Christiaan Mader, and Peter DeHart, begun during a bedroom recording session in Lafayette, LA in the Elephant 6-obsessed summer break from college. It has blossomed from studio to stage through changes in lineup, geographic distance, three studio albums, four EPS, a handful of singles, a pair of robberies, and the various life distractions known as growing up. Brass Bed is not a project. Brass Bed is a band.
Pictures of an Exhibitionist is the debut LP of Seán Barna. The songs, written in the mornings about the nights, are aggressive explorations the underbelly of the emotional and physical connections between lovers and strangers. They lay bare questions of greatness and deconstruct the meaning of beauty with a point of view Bukowski might be proud of. This album is a follow up to Barna's EP, Cutter Street, and his one-off single, "Straight Motherfuckers and Their Famous Friends."