An intimate evening with beloved singer/songwriter
830 E. Burnside St.
Portland, OR, 97214
Doors 8:00PM / Show 9:00PM
This event is 21 and over
Singer/songwriter Jay Brannan is a New Yorker by way of Texas, California, and several stops
in between. He first made headlines as an actor in John Cameron Mitchell's indie film sensation
"Shortbus”, offering an international platform for his first full-length musical release, entitled
goddamned, which made its debut as the No. 25 overall Top Album on iTunes.
One Billboard-charting covers EP, three world tours, and a slew of YouTube videos later,
Brannan brings us Rob Me Blind, his second full-length album of originals, produced by
Grammy-winning producer David Kahne (Regina Spektor, Paul McCartney, The Bangles, Lana
Del Rey, etc.).
Brannan’s tenor voice combined with painfully honest lyrics surrounding taboo subjects has
caught the attention of critics at such influential outlets as Rolling Stone, The Washington Post,
and The New York Times, which proclaimed that Brannan “makes even the saddest lyrics easy
on the ear.”
In an age of fleeting success and temporary notions, Chris Pureka is an artist of substance, armed with an eye for detail and an emotional intelligence that can switch from withering to compelling with a subtle inflection. Her third studio album, How I Learned To See In the Dark, adds bold new elements to the base she has built over her six-year career. From non-traditional percussion, to lyrical abstraction, to a new unrestrained vocal quality, to Pureka’s choice of co-producer (longtime friend Merrill Garbus of tUnE-YaRds), this record signals an exploration of broader musical soundscapes.
While maintaining the unique alchemy of longing, loss and hope Pureka sets to music, there is a sonic adventurism on How I Learned to See in the Dark that marks a new stage in Pureka’s musical evolution. Even from the first notes of the album’s opening track, “Wrecking Ball”, longtime fans and the newly converted will sense that How I Learned To See In The Dark is a bigger album, deeper and more vast than anything she’s released to date. “I wanted it to feel different right away,” Pureka explains. “And ‘Wrecking Ball’ exemplifies many of the elements that are different from the last record.” That difference is a newfound edginess, coupled with a more abstract sound: there is a musical depth and complexity that shines through each track, all the while maintaining the space and creative instrumentation Pureka is known for. Standout track, “Landlocked”, showcases Pureka’s technical prowess with the finger-picking style that won her so many accolades on Dryland while “Broken Clock” is the rhythm driven, heavy hitter bound to be on your next break up mix. “Wrecking Ball” mixes a playful quirkiness in production with an underlying paced anger, laced with twangs of percussive guitar. Finally, album closer, “August 28th” is the deep breath following the emotional tumult that precedes it – a return to quiet contemplation for the writer and the listener: “I think the whole world needs a shoeshine/I think we’re all living proof.”
Doug Fir Lounge
Sat, May 25
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Tue, May 28
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