"Friend forever
Billy Don is wise beyond his years
Great writer
Great man
A leader in all walks of life
The best man to have on your side
No matter how dangerous the situation"
- Billy Joe Shaver

"Every now and then... in this day of cookie cutter auto-tuned singers... every now and then I get to hear a voice singing songs that remind me of why I fell in love with music... Billy Don Burns with Nights When I'm Sober - A Portrait of a Honky Tonk Singer did that for me this morning... It's late afternoon now and I'm still being reminded... Thank you Billy Don."
- Chuck Cannon

Billy Don Burns is a true Country Music Warrior. He wears his battle scars with honor, depicting the stories of his life in his songs with brutal and beautiful honesty. He’s respected far and wide for his long career in songwriting and performing, and he’s still out there. He’s lived it and breathed it through lifetimes of country music passion and pain. Carrying the guitar like a sword on his back, he battles for the Poet. He battles for the Artist. He battles for the souls who defy modern convention. And every time he strikes a chord in some smoke-filled Honky Tonk, he wins. Billy Don Burns started out in this business working with legends, and somewhere along the way he became one himself.

Below is his interview with Andrea Fennel.

AF: It is obvious you live your music with fierce determination and passion, Billy Don. When did you first realize music was the life for you?

BDB: I entered this talent contest when I was in the Army, mostly to get out of all the hell in basic training. There were several acts and the whole post was there on the big night. Don Grady, TV star of My Three Sons, presented the winner with a big trophy. When I won that, I thought maybe I do have something going on for me. It was a pretty big deal. When I got out of the Army, I knew for sure this is what I was going to do.

AF: Who were your influences growing up?

BDB: I grew up in Stone County Arkansas, in Mountain View. I was into Johnny Cash and Hank Williams. Jimmy Driftwood, who won a Grammy and wrote some great songs, was my mother’s school teacher. Jimmy always encouraged me. Those guys would be my first influences. There were many more before I figured out who I was.

AF: Tell me about when you received your first Publishing deals…

BDB: When I got out of the Army, Merle Haggard was becoming the hottest country act on the planet. It was 1971 and I had a band living in the Palm Springs area of California. I told the guys that I was going to go to Bakersfield and meet Merle. They said “you ain’t gonna meet him.” I had read that Merle had a Publishing company called Shade Tree. He couldn’t write for it at the time because he was under contract to write for Buck Owens. So, I go to Bakersfield and look in the phone book and there was Shade Tree listed on Niles Avenue. I went there and said I was a songwriter and would like to play them some songs. The lady running the office said I needed to see Roy Nichols as he was in charge of that. Roy was a star to me. He was a big part of Merle’s sound, playing lead guitar in his band. I met Roy and played him a couple of songs. He said “yeah, man, we will publish those.” Then he asked me if I wanted to meet Merle who was in an office with Bill Woods. I said Yes. He called Merle and and we went in his office. Roy introduced me to Merle. It was so great. He autographed two of his albums for me. Then, he said to Bill Woods “why don’t you get him on Jimmy’s TV show this afternoon, Bill?” Bill Woods was a piano player on the show that was on Channel 32 there in Bakersfield. That was my first time to do a TV show. It was all so great. Then some 18 years later, I got to produce Merle on one of the Johnny Paycheck albums. The great Harlan Howard signed me first as a staff writer in 1972 in Nashville.
AF: Who was the first artist besides yourself that cut one of your songs?

BDB: Connie Smith was on Columbia Records and she recorded my first song the year 1973. Of course, she is now Mrs. Marty Stewart.

AF: What was it like working with Johnny Paycheck and tell me how all of that came about…

BDB: I liked Johnny Paycheck. He was not easy to work with in 1988 – the cocaine and the booze pretty much had him a lot then. However, I am not saying anything bad about Johnny. Hell, it has whooped the hell out of my ass a bunch of times, too. When it was good- it was good. But, it was not an easy gig. When Johnny’s manager went to federal prison in 1988, I became his producer and manager and, hell yeah, it was a pretty rough ride, but I loved him.

AF: Any good road stories you want to share?

BDB: I think I will pass on the road stories. Most of mine are either X-rated or incriminating, so I better pass on that for now.

AF: What has been one of your favorite moments in your career?

BDB: My biggest moment in the business would be when Johnny Cash sent me a one page letter. That was the biggest thing that has ever happened to me. I gave it to the Stone County Museum in Mountain View, my hometown in Arkansas.

AF: On your CD Heroes, Friends and Other Troubled Souls, you have several guest stars. Who would be your dream person to cover one of your songs?

BDB: I guess I wanted a Willie Nelson record more than anyone else. He has always been such a great writer. So when that happened, it was so good. My first one he did was on his Sony Records Born for Trouble CD. My song was “I Don’t Have A Reason To Go To California Anymore.” I would have loved to have had a Johnny Cash cut and I think if he would have lived longer that may have happened. He had just found out who I was not too long before he died.

AF: What has been happening with you lately?

BDB: This kid from South Carolina, Aaron Rodgers, ran me down and told me he was a big fan and wanted to produce a new CD on me. We did that and I am proud of it and I think it is one of my best ones. The CD is called (Nights When I’m Sober) Portrait of a Honky Tonk Singer and will be out soon.

AF: What about Music means the most to you?

BDB: What I love about this business the most is expressing myself and then have people write all these great things about what my songs mean to them. That makes me feel like a success. That is the best and it humbles me when I hear the nice things that people say about my music.

It is not easy being Billy Don Burns, but that is who I am and the only part that I know how to play.

~ Andrea Fennel

Billie Gant

In the ever changing music world, there are lots of “flavors of the month” but few originals…It always seems that, as the saying goes, “Bad news travels fast and good news takes a bus”, a phenomenon all too common in an industry which is usually well behind the “curve”, and spending obscene amounts of money to promote acts who are, more often than not, carbon copies of acts who were never originals to begin with….

Sometime around 1975, in an attempt to create the illusion that it was escaping it’s own “sameness”, the country music industry coined the term “outlaw” and applied it to a group of artists who stood up against the industry’s propensity for creating musical clones…..

Over time, even the term outlaw became a cliché, as the name began to be applied to more and more artists, because it’s use helped to sell records during the late seventies and eighties….However, when I think of “outlaws”, I think of people whose artistry has truly “broken the mold” like Johnny Cash, Gram Parsons, Mickey Newbury, Billy Joe Shaver, Waylon Jennings, and Kris Kristofferson….

To this list, I’d like to add the name of a man whose artistry has, for decades, been known by a cult following, but is only now beginning to gain the wide spread recognition he deserves….That name is Billie Gant……

Born in Cincinnati in 1947, Billie, a somewhat out of control wild child, showed a strong aptitude for performance, especially singing, at an early age…To aid in his development, and channel his energy in a positive direction, his parents enlisted the aid of former vaudevillian, Harris Rosedale, when Billie was age six…Rosedale coached a group of up and coming performers, and Billie remained a part of that group for several years, during which time he developed his skills as a dancer, singer, and entertainer…..

Throughout his teen years, Billy was constantly seeking out any place he could utilize his singing talent, and joined several groups performing numerous genres of music….In his early twenties he began to hit his stride with a unique blend of R&B and country, and in 1977 he formed his own group “Billie Gant and the Vigilantes, which gained a large local following and remained a force in the Ohio, Kentucky, Indiana area until the end of 1995….

During those years he won top honors in The Marlboro Talent Search (1983) and The Salem Spirit Talent Search (1984)…..He also made three appearances on the Wheeling Jamboree, and performed on The Nashville Network’s “You Can Be A Star”…..

Throughout this time Billie’s talent as a songwriter was emerging, and he subsequently recorded several of his originals on his album “Billie Gant and the Vigilantes”….Another song, “Missing Her Missing Home” written and produced by Billie’s friend, Denzil “Dumpy” Rice, who for many years played piano with Lonnie Mack, and had also written the classic “There’s A Honky Tonk Angel Who’ll Take Me Back In”, became a regional chart record for Billie in 1980….Among Billie’s own best known compositions is “Outlaw Country” which he conceived and co-wrote with Dallas Moore….It was later adopted by Sirius Satellite Radio as the theme for it’s “Outlaw Channel” …..

On New Year’s Day 1996, with Billie’s career at an all-time high, he was involved in a car wreck, which left him with a catastrophic head injury….First diagnosed as a concussion, it wasn’t until six months later that Billie and his doctors realized the full extent of his injury….. His progressive memory loss had become so severe that he was unable to continue performing…..

In 2009 he received a “Lifetime Achievement Award” from Cincinnati’s United Local Artist Network (CULAN), but the story doesn’t end there…..

It would be eighteen long years before the fog cleared, but on Apr 17th, 2013 Billie gathered his thoughts, headed out to a local club, and surprised everyone there by taking the stage and singing a rousing rendition of “The Old Man From The Mountain’s Coming Home”…..And come home, he did…..

He resumed writing and wrote two amazing “gunfighter” ballad like songs….The first, “The Ballad Of Reuben Dixon”, was unveiled before an enthusiastic audience in Louisville in September of 2013, and has since been recorded by rising star Joshua Morningstar….The second “There Is No God In Juarez”, floored everyone at The Outlaw Music Association Festival in Altamont, Tennessee the following month….At that same show, Billie engaged the entire crowd with his now epic anthem about the current state of country music….

Since that time neither his pen nor his performance schedule has slowed down…..He penned “The Preacher”, which has already been recorded by both Whey Jennings and Kara Clark, and has toured throughout the U.S. with various artists including, Whey Jennings, and legendary songwriters Tom Ghent, and Chris Gantry…..

When my phone rings at 2 a.m. and Billie’s voice says “I want you to hear a new song”, I know I’m about to hear something fresh and exciting, and not just some re-hash of yesterday’s news….

More than likely it’s his sense of originality and his undying tenacity which earned Billie featured mention in Dr. Neil Hamilton’s book “Outlaws Still At Large, A Saga Of Roots Country Music Since The 1970’s…..the forward for which was written by Shooter Jennings….

“Badass” Billie Gant, the genuine outlaw, is back…….




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