Johnny Flynn (SOLD OUT!)
289 Kent Avenue
Brooklyn, NY, 11249
Doors 8:30 PM
This event is 21 and over
Johnny Flynn (SOLD OUT!)
Britain has a long history of producing bards and troubadours. From Shakespeare to Strummer, the nation has spawned countless tale-spinners whose words resonate with drama and humor, knife-twisting wit and unabashed romanticism -- a lineage that's been transported into the new millennium by Johnny Flynn, a South African émigré whose flair for blending folk tradition and decidedly of-the-moment perspective marks him as an artist capable of captivating at first listen and for the long haul.
Choir of Echoes is an album about singing. Losing your voice and finding it again. Voices keeping each other company and voices competing for space. The call and response of the cruelest and the kindest of words. Choruses, duets, whispers and shouts. Emphatic double-tracks give way to solitary melodies and looped monosyllables take over from bittersweet shoo-bi-doos. All the while long-time drummer Olly Joyce remains both steady and gloriously disruptive and the guitars of front-women Rosa Slade and Katy Young grow ever louder and more hypnotic. With the assistance of producer Jimmy Robertson and bassist Ben Rubinstein (singer/guitarist, The Mariners Children) Peggy Sue recorded Choir of Echoes in the Winter of 2012 at residential studio Rockfield in Monmouth, Wales.
As well as touring Europe with Jack White, Joan As Policewoman and Wild Flag, Peggy Sue spent much of the year following the release of their second album, Acrobats, arranging and recording a Rock and Roll covers album inspired by the soundtrack of Kenneth Anger's cult movie Scorpio Rising. What began as a distraction became a sold out, hand made, self-released CD and a major influence on their third album proper. The process not only convinced the band that Robertson was their man (he produced the Peggy Sue play the songs of Scorpio Rising CD at his studio in Hackney) but re-confirmed a love and respect for the melancholy pop songs of 1950's and 60's. The band set about weaving their newly rediscovered doo-wop backing vocals through their grunge influenced post-folk.
A chorus of voices is built methodically, one at a time. Drums crunch. Guitars finish each other's sentences. Creeping surf melodies take over for a moment. Vocals clip and distort and morph into a pop song. A two minute long ballad. Clocks and electric heaters interrupt a love story. A girl gets dumped on the longest day of the year. A country song swims and comes up for air. She plays a guitar like a bass. He plays the bass like a guitar. We are restless and we think too much. We sing songs to ghosts. We sing songs to ourselves in a room full of people.
$10.00 - $12.00
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