Rivers of Nihil, Dark Sermon, Black Fast, Alustrium
1120 Manhattan Avenue
Brooklyn, NY, 11222
This event is 21 and over
Rivers of Nihil
Forget everything you think you know about Rivers of Nihil. The Reading, PA quintet announced themselves as one of the most promising and forward-thinking metal bands in the world today with their first two releases, The Conscious Seed of Light (2013) and Monarchy (2015). But on March 16th, 2018, they will shatter all expectations with their third full-length, Where Owls Know My Name.
Whereas Seed and Monarchy were thematically centered around spring and summer, respectively, Where Owls Know My Name represents the fall. And although that season is usually associated with death, for Rivers of Nihil, the autumn serves as a rebirth. Formed in 2009 by guitarist Brody Uttley, bassist/lyricist Adam Biggs, and vocalist Jake Dieffenbach, Rivers of Nihil quickly made a name for themselves in the death metal scene, attracting the attention of legendary DM titan Erik Rutan. Rutan, revered for his work as both a musician (Hate Eternal, Morbid Angel) and producer (Cannibal Corpse, Goatwhore), insisted on recording The Conscious Seed of Light. The results were, unsurprisingly, spectacular, with Heavy Blog Is Heavy going so far as to assert that the debut "rivals even the most legendary work of some of [Rivers of Nihil's] peers and influences." They continued along this trajectory with Monarchy, which Metal Injection praised as an "incredibly striking" demonstration of how "Rivers of Nihil have evolved into a monster."
The group further cemented their reputation as a young band to watch by annihilating audiences with their live show, which Metal Wani called "a mind numbing force of modern death metal with a vivid darkness in the sound." To date, Rivers of Nihil have toured with such heavy hitters as Whitechapel, Obituary, Darkest Hour, Misery Index, and Cryptopsy.
But Where Owls Know My Name represents a massive evolutionary leap for Rivers of Nihil, as different from its predecessors as Homo sapiens are from amoeba. The band - now rounded out by guitarist Jon Topore and drummer Jared Klein - has delivered an album which is often just as punishing as its predecessors while assimilating ingredients from musical genres as varied as electronica, jazz, alternative, folk, and the golden age of Shrapnel Records. The resulting music is indescribably progressive, a multifaceted soundscape that goes beyond the wildest dreams of even the group's most ardent admirers. All bets are off; listeners are simply not prepared for the magnum opus that is Where Owls Know My Name.
Says Brody Uttley of the offering:
"This record is Rivers of Nihil being exactly who we want to be. Many bands get stuck in a comfortable routine of releasing the same album over and over again. Constantly relying on the same familiar formula may work for some bands, but it does not work for us. Music is art, and art is ever-changing. Without change, there is no progress. Without progress, the very fire that powers art and expression will die. This record is the sound of where we come from, where we are, and where we are going."
Adds Adam Biggs:
"This time around, the lyrics feel a little more personal than on previous albums. The story picks up several millennia after the events of 'Monarchy', where one person still remains alive, chosen by the planet to be the sole intelligent witness of its ultimate fate. But 'Where Owls Know My Name' is less about overarching narrative than our previous albums. The scenario is just a backdrop for the more emotional material we tried to put forth this time around. Ultimately, this is an album about loss, getting older, and reaching a point where death becomes a much more present part of your life."
Where Owls Know My Name reunites Rivers of Nihil with Monarchy producer Carson Slovak, known for his work with a diverse array of bands, ranging from August Burns Red to The Last Ten Seconds of Life to Candlebox. It was recorded in 2017 at Pennsylvania's Atrium Audio, the studio Slovak co-founded with Grant McFarland (Texas in July, Everclear) a decade ago.
Also reuniting with Rivers of Nihil once again is Dan Seagrave, the storied artist behind such celebrated album covers as Entombed's Left Hand Path and Suffocation's Effigy of the Forgotten. For Where Owls Know My Name, Seagrave has provided a characteristically stunning illustration. Painted entirely in rich earth tones, the cover anthropomorphizes our planet as a morose old man forever intertwined with a desolate landscape and imposing sky, the line between humanity and its home forever blurred. The existential angst of Seagrave's piece once again serves as a perfect mirror for Rivers of Nihil's music.
Where Owls Know My Name is Rivers of Nihil's most visceral, accomplished, and satisfying offering to-date. Few metal bands will ever create anything with such scope and ambition. Circle the date on your calendar: on March 16, Where Owls Know My Name becomes your new obsession.
Formed in 2009, Dark Sermon arrives in the worldwide metal community determined to stand apart from the cookie-cutter garbage and trend-following cretins who have overcrowded the scene. They don't care about what's marketable or what sells. Dark Sermon has nothing less than total domination on their minds, armed with a new kind of heavy. The suffocating stomp of Behemoth, the brash experimentalism of Gojira and the all-out ferocity of American heroes like Job For A Cowboy and The Black Dahlia Murder all have a home in the Dark Sermon cookbook, which slices and dices its way through the most exciting elements of metal's subgenres with relentless aggression.
As seen on the "Unsigned and Unholy" Metalsucks feature, Midwestern progressive thrashers BLACK FAST has a short but concentrated history. Formed in 2010 by fellow music students Aaron Akin, Trevor Johanson, Ryan Thompson and Ross Burnett , BLACK FAST has been melting faces and sharing the stage with bands like Havok, Vektor, Toxic Holocaust, Cavalera Conspiracy, Revocation, Forbidden, Warbringer, Nachtmystium, Enabler, Lazarus AD, and Agrimonia.
Black Fast recorded a self-titled EP in 2011 and in August 2013 they self-released their first full-length album, 'Starving Out the Light,' which helped them win accolades like 'Best Thrash Metal" album in the 2013 Metal Storm Awards.
Emerging from Philadelphia, Pennsylvania, Alustrium is introducing the world to a new form of progressive death metal. From intense, technical riffs to lengthy, soulful solos, Alustrium creates a unique blend between melody and fierce brutality. In December of 2010, the band entered the studio under the banner of Toil Records and recorded its debut album, An Absence Of Clarity, which was released world wide in the fall of 2011. Following two years of playing shows throughout the northeast of America, Alustrium recorded their much awaited sophomore album; an album containing even more diversity and raw talent than their previous work. Although not many details have been released, fans of death metal and progressive metal alike can anticipate a sound unlike any they have heard before. Prepare yourselves for the onslaught of Alustrium.
$10.00 - $12.00
Tickets Available at the Door
Tue, January 15
Wed, January 16
Thu, January 17
Fri, January 18
Fri, January 18