Reserved Seating and General Admission available
The Decibel Magazine Tour 2016
Abbath, High On Fire, Skeletonwitch, Tribulation, Horrendous
124 Market Place
Baltimore, Maryland, 21202
Doors 6:30 PM / Show 7:00 PM
This event is all ages
The Decibel Magazine Tour 2016
When Abbath announced that he had left IMMORTAL, it sent massive shockwaves through the metal scene. The iconic frontman had long become the "face" of the Norwegian black scene, his image synonymous with this style. Now the legend returns with his new band ABBATH and a crushing eponymous debut album, unleashing all the fury of a Nordic blizzard at full force. Of course the band is equally at home in writing anthemic mid-tempo hymns. Abbath's characteristic riffing shines clearly through it all: heavy, harsh, and yet catchy and melodic with a touch of epic BATHORY, MOTÖRHEAD, and even KISS. At the same time there is no danger of repeating the formula of IMMORTAL or the mastermind's other project under the moniker I, which was shared with King. The bass player from Bergen has again joined Abbath and brought his impressive song-writing skills to the battlefield. GORGOROTH, GOD SEED, and OV HELL bear witness to King's exceptional talent as a composer, while contributions to AUDREY HORNE and SAHG demonstrate his wide stylistic range. The final keystone to ABBATH lies in the outstanding drumming delivered by the mysterious Creature. The trio has already proved its worth as a live entity at several headlining festival shows as well, where ABBATH were joined by an additional guitarist. 'Abbath' impresses from start to finish. This is exactly the album that all fans of this particular Bergen brand of black metal have been hoping for. Hold on tight or get blown away. ABBATH are here now and ready to conquer the world!
High On Fire
Born from the ashes of their respective former bands seventeen years ago, High On Fire wasted little time in calling down the incomparable thunder and tumult, inspiring countless other bands and artists in the time since. Over the course of their career thus far and through various lineup changes, the three-piece consisting of Matt Pike (vocals/guitar), Jeff Matz (bass), and Des Kenzel (drums) is the band at their most fully realized and utterly relentless. Through six full-lengths and a number of live releases and EPs, the punching command of High On Fire has established the band as an unmatched and wholly unmistakable force in the realm of heavy metal.
Beginning with 2000’s The Art of Self Defense, the band’s rise to nearly universal acclaim and respect was not unlike the full throttle gallop of their music with critics, fans, and peers alike heralding the band’s sound as a masterful nod to metal’s roots threaded through an unforgiving ferocity and execution that remains matchless even now. After joining independent metal’s esteemed label Relapse Records in 2001, High On Fire unleashed what would become three of the most dynamically influential heavy music releases of the 21st century thus far with Surrounded by Thieves (2002), Blessed Black Wings (2005), and Death Is This Communion (2007).
A year after signing with the highly regarded eOne label, High On Fire released 2010’s Snakes for the Divine – a powerhouse record that saw the band embrace a more ornate approach with their sound without compromising its most inimitably raw edges. The album garnered the band enough well-deserved notice that they soon found themselves supporting Metallica in the same year. With widely respected producer/engineer Kurt Ballou at the helm, 2012’s De Vermis Mysteriis brought High On Fire immediate and virtually universal acclaim from critics and listeners alike who lauded the record as the group’s most compositionally flawless to date. Just twelve years after their debut, High On Fire had become the litmus test for nearly every other group who might lay claim to the title of “heavy” in their wake.
Now, three years later, High On Fire are set to unbridle their most formidably heavy release yet with Luminiferous. A nine-track venture into those signature sky-shredding riffs of Matt Pike, pummeling bass work of Jeff Matz, and hellish gallop of Des Kensel, Luminiferous is the unequivocal culmination of the band’s characteristically unhinged yet entirely focused savagery. Make no mistake, though. This is not some casual revisit to formula for the Oakland-based trio. Building on those tendencies of its last two predecessors, Lumifierous finds Pike at his most vocally daring yet, infusing the explosiveness of sound with his melodic but no less scorched vocal stylizations.
Beginning with the whiplash rhythm of “The Black Plot,” Luminiferous charges forward with abandon, only briefly slowing its churn with “The Cave,” and its descent into a psychedelic and ethereal haze. Whether with the breakneck anthem of “Carcosa,” the blistering thrash of “Slave the Hive,” or the roaring sonic gauntlet of “The Sunless Years,” Luminiferous represents yet another definitive stroke of heavy metal mastery for this inimitable band that’s been breaking and rewriting the rules for years now. Further proof that heavy metal’s throne remains occupied with only one band, Luminiferous is a crowning achievement for High On Fire and an undeniable declaration that their reign isn’t likely to end any time soon.
In 2003, when American teenagers were raiding the makeup sections of their local Halloween shops to paint up like their favorite black metal bands… there was Skeletonwitch.
In 2005, when every burnout who sold enough weed bought an Orange amp and tuned their guitar down to "C"… there was Skeletonwitch.
In 2007, when kids with pricey haircuts and freshly inked full-sleeves learned two At The Gates riffs and simplified them with breakdowns… there was Skeletonwitch.
In 2010, when sweep-picking Guitar Center employees decided to eschew songwriting and showcase their "chops" in soulless robotic fashion… there was Skeletonwitch.
Today, in a landscape that finds them surrounded by a) bands begging their own fans for money, b) vest-wearing, by-the-numbers "retro" rock nostalgia and c) heavy labels blindly signing bands based on breast implants… there, still, is Skeletonwitch, a band that has successfully carved its own left-hand path with an unwavering quality of metal and old-fashioned hard work. This organic approach has garnered legions of fans and an undeniable level of respect in the worldwide metal community from both sides of the stage.
As SKELETONWITCH celebrate its 10th anniversary this year, it's fitting to reflect on some notable numbers from the band's first decade of destruction:
4: Number of full-length releases (with #5 due on Oct. 29)
2: Number of those full-lengths to crack the Billboard Top 200
1 each: Number of times they've appeared on the covers of Decibel and Terrorizer magazines
7: European tours including performances at the metal's largest and most respected festivals such as Wacken, Summer Breeze, Graspop, Tuska, Bloodstock and more
500,000+: Number of miles the band has traveled across North America
0: Number of those miles driven by someone other than guitarist Nate Garnette
Countless: cans of beer consumed, high fives given and good times had.
After releasing celebrated old school gem The Horror, which was followed by ardent touring and a, since a few years ongoing, period of writing new material and abscense from the stages, Tribulation is finally back both on stage and on disc. The new Watershed album The Formulas of Death has been out since march and
has upended the world of extreme metal, it is a record that builds big moods and razes preconceptions on how death metal is supposed to sound and behave.
To experience Tribulation live is larger than death - sprung from the west of Sweden,the phantoms creeps out of the dark and takes a chilling grasp around your throat with huge, hypnotic music - cleanse your mind and journey beyond what you think you know.
Among the leaders of the New Wave of Old-School Death Metal movement, Horrendous raised the bar last year with the release of their sophomore album, Ecdysis. The critically-acclaimed album was considered by many to be one of the year's most impressive releases. Decibel Magazine ranked Ecdysis 3rd on their 'Best of 2014′ list and Fenriz listed the album among his favorites of the year. A year later, Horrendous have once again set a new standard for death metal with Anareta, an eight-track offering of highly-evolved and intense OSDM.
The band had this to say about Anareta: "We are all very proud of the album and feel it is our best work to date. While our composition process has always been spread out over several separated writing-specific sessions, one thing that separates Anareta from our past work is our recording process. We recorded all the songs over one continuous period (the recording sessions for The Chills and Ecdysis were more spread out)–Matt and Jamie stayed at Damian's house/studio for weeks on end and the three of us lived, breathed and dreamed of nothing but the album during that time. It was our entire lives for over a month (two months if you include the mixing and mastering stage), and we think this complete dedication to the record is one of the factors that really made it turn out so well. There was a lot of magic in the air once we finished the foundation of the record, and each day we built off of the prior day's creative energies and inspirations until it bloomed into something immense."
$26 ADV $29 DOS
Box Office is open Wednesday-Saturday 12-6pm and All Show Nights, 410-244-0057. Unless otherwise noted Maryland State's 10% Admissions and Amusement Tax is included in the ticket price.